|
Dusty In Memphis
''Dusty in Memphis'' is the fifth studio album by English singer Dusty Springfield. Initial sessions were recorded at American Sound Studio in Memphis, while Springfield's final vocals and the album's orchestral parts were recorded at Atlantic Records' New York City studios. The album was released on 18 January 1969 in the United States by Atlantic Records, and Philips Records distributed the record outside the U.S. Springfield worked on the album with a team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists the Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young. ''Dusty in Memphis'' sold poorly upon its initial release, despite featuring one of Springfield's top-10 UK hits, "Son of a Preacher Man". It has since been generally acclaimed as her best work and one of the greatest albums of all time. Music critic Robert Christgau called it "the all-time rock-era torch record" and included it in h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dusty Springfield
Mary Isobel Catherine Bernadette O'Brien (16 April 1939 – 2 March 1999), known professionally as Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of blue-eyed soul, Pop music, pop and dramatic Ballad, ballads, with chanson, French chanson, Country music, country, and Jazz music, jazz also in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image – marked by a peroxide blonde bouffant/Beehive (hairstyle), beehive hairstyle, heavy makeup (thick black eyeliner and eye shadow) and evening gowns, as well as stylised, gestural performances – made her an icon of the Swinging Sixties. Born in West Hampstead in London into a family that enjoyed music, Springfield learned to sing at home. In 1958, she joined her first professional group, The Lana Sisters. Two years later, with her brother Tom Springfield and Reshad Feild, Tim Feild ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sweet Inspirations
The Sweet Inspirations were an American R&B girl group mostly known for their work as backup singers on studio recordings for other R&B and rock artists. A founding member of the group was Dionne Warwick, who was later replaced by her aunt, Cissy Houston. History The Sweet Inspirations was founded by former members of The Drinkard Singers, a long-running Gospel singing group whose membership included Cissy Houston (née Drinkard, and mother of Whitney Houston, b. 1963) and Lee Warwick, who was Cissy's sister and the mother of Sweet Inspirations members Dee Dee and Dionne Warwick). As a backup group, the Sweet Inspirations was in high demand among producers, publishers, artists, and songwriters in the early 1960s. The original lineup included Doris Troy and the two Warwick sisters Dionne & Dee Dee. Both Troy and Dionne Warwick enjoyed solo careers with hits in 1963, " Just One Look" and " Don't Make Me Over" respectively, on which the Sweet Inspirations can be heard. At that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award
The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most prestigious, significant awards in the music industry worldwide. It was originally called the Gramophone Awards, as the trophy depicts a gilded Phonograph, gramophone. The Grammys are the first of the Big Three television networks, Big Three networks' major music awards held annually, and is considered one of the EGOT, four major annual American entertainment awards, alongside the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The 1st Annual Grammy Awards, first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. History The Grammys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Hall Of Fame
The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts. It is compiled by The Recording Academy in the United States, and was established in 1973. Recordings (singles and albums) in all genres are eligible for selection, and must be over 25 years old to be considered. Additions to the list are chosen annually by a committee of recording arts professionals. Alphabetical listing by title: *List of Grammy Hall of Fame Award recipients (A–D) *List of Grammy Hall of Fame Award recipients (E–I) *List of Grammy Hall of Fame Award recipients (J–P) *List of Grammy Hall of Fame Award recipients (Q–Z) See also * Grammy Lifetime Achievement Award *Latin Grammy Hall of Fame Award *National Recording Registry References External linksOfficial website {{Authority control Aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creem
''Creem'' (often stylized in all caps) is a monthly American music magazine, based in Detroit, whose main print run lasted from 1969 to 1989. It was first published in March 1969 by Barry Kramer and founding editor Tony Reay. Influential critic Lester Bangs served as the magazine's editor from 1971 to 1976. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a tabloid. In June 2022, ''Creem'' was relaunched as a digital archive, website, weekly newsletter, and quarterly print edition. The magazine is noted for having been an early champion of various heavy metal, punk rock, new wave and alternative bands, especially bands based in Detroit. The term "punk rock" was coined in the May 1971 issue of ''Creem,'' in Dave Marsh's ''Looney Tunes'' column about ? and the Mysterians. That same issue is sometimes credited with having originated the term "heavy metal" as well; in fact, the term had been used earlier, though ''Creem'' did help to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torch Song
A torch song is a sentimental love song, typically one in which the singer laments an unrequited or lost love, either where one party is oblivious to the existence of the other, where one party has moved on, or where a romantic affair has affected the relationship.Allan Forte, M. R.: ''Listening to Classic American Popular Songs,'' p. 203. Yale University Press, 2001. The term comes from the saying, "Torch#Love, to carry a torch for someone", or to keep aflame the light of an unrequited love. It was first used by the cabaret singer Tommy Lyman in his praise of "My Melancholy Baby". The term is also explicitly cited in the song "Jim (song), Jim", popularized by versions by Dinah Shore, Billie Holiday, Sarah Vaughan and Ella Fitzgerald: Torch-singing is more of a niche than a genre and can stray from the traditional jazz-influenced style of singing; the American tradition of the torch song typically relies upon the melodic structure of the blues. An example of a collection is B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album Era
The album era was a period in English-language popular music from the mid-1960s to the mid-2000s in which the album was the dominant form of recorded music expression and consumption. It was primarily driven by three successive music recording formats: the 33⅓ rpm LP record, long-playing record (LP), the Compact Cassette, audiocassette, and the compact disc. Rock musicians from the US and the UK were often at the forefront of the era, which is sometimes called the album-rock era in reference to their sphere of influence and activity. The term "album era" is also used to refer to the marketing and aesthetic period surrounding a recording artist's album release. LP albums developed in the early 20th century and were originally marketed for classical music and wealthier adult consumers. However, single (music), singles still dominated the music industry, eventually through the success of rock and roll performers in the 1950s, when the LP format was utilized more for soundtrack, j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Of A Preacher Man
"Son of a Preacher Man" is a song written and composed by American songwriters John Hurley and Ronnie Wilkins and recorded by British singer Dusty Springfield in September 1968 for the album ''Dusty in Memphis.'' Springfield's version was produced by Jerry Wexler, Tom Dowd, and Arif Mardin for her first album for the Atlantic Records label. The single, released in late 1968 and credited as "Son-of-a Preacher Man" on UK, US and other releases, became an international hit, reaching no. 9 in the UK Singles Chart, UK singles chart and no. 10 on Billboard (magazine), ''Billboard'''s Billboard Hot 100, Hot 100 in January 1969. The album ''Dusty in Memphis'' was released in Stereophonic sound, stereo, though its singles were remixed and released in Monaural, mono. "Son of a Preacher Man" was Springfield's last Top 30 hit until 1987, when her collaboration with UK synthpop duo the Pet Shop Boys yielded the huge hit "What Have I Done to Deserve This? (song), What Have I Done to Deserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Grammy Award")
.jpg "Click for more on -> Robert Christgau")