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Duparc
Eugène Marie Henri Fouques Duparc (21 January 1848 – 12 February 1933) was a French composer of the late Romantic period. Biography Son of Charles Fouques-Duparc and Amélie de Guaita. Henri Fouques-Duparc was born in Paris. He studied piano with César Franck at the Jesuit College in the Vaugirard district and became one of his first composition pupils. Following military service in the Franco-Prussian War, he married Ellen MacSwiney, from Scotland, on 9 November 1871. In the same year, he joined Saint-Saëns and Romain Bussine to found the Société Nationale de Musique. Duparc is best known for his 17 mélodies ("art songs"), with texts by poets such as Baudelaire, Gautier, Leconte de Lisle and Goethe. A mental illness, diagnosed at the time as " neurasthenia", caused him abruptly to cease composing at age 37, in 1885. He devoted himself to his family and his other passions, drawing and painting. But increasing vision loss after the turn of the century ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duparc 1880
Eugène Marie Henri Fouques Duparc (21 January 1848 – 12 February 1933) was a French composer of the late Romantic period. Biography Son of Charles Fouques-Duparc and Amélie de Guaita. Henri Fouques-Duparc was born in Paris. He studied piano with César Franck at the Jesuit College in the Vaugirard district and became one of his first composition pupils. Following military service in the Franco-Prussian War, he married Ellen MacSwiney, from Scotland, on 9 November 1871. In the same year, he joined Saint-Saëns and Romain Bussine to found the Société Nationale de Musique. Duparc is best known for his 17 mélodies ("art songs"), with texts by poets such as Baudelaire, Gautier, Leconte de Lisle and Goethe. A mental illness, diagnosed at the time as "neurasthenia", caused him abruptly to cease composing at age 37, in 1885. He devoted himself to his family and his other passions, drawing and painting. But increasing vision loss after the turn of the century eventually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phidylé
''Phidylé'' is a mélodie by the French composer Henri Duparc, dedicated to his friend Ernest Chausson. It is a setting of a poem with the same title from ''Poèmes et poésies'' (1858) by the French Parnassian poet Leconte de Lisle. Duparc first completed a setting for high male voice and piano (1882), and then orchestrated it (1891-1892). The music, which shows the influence of Wagnerian voice leading and chromaticism, progressively rises from languid tranquillity to the singer's triumphant climax, accompanied by heavy chords and tremolos in the piano, before a solo postlude for the piano which gradually dies to a pianissimo finish. It has been suggested that ''Phidylé'' was inspired by Gabriel Fauré Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers ...'s 1870 mélodie ''Lydia'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Cras
Jean Émile Paul Cras (; 22 May 1879 – 14 September 1932) was a 20th-century French composer and career naval officer. His musical compositions were inspired by his native Brittany, his travels to Africa, and most of all, by his sea voyages. As a naval commander he served with distinction in the Adriatic Campaign during World War I. Biography Life and naval career Cras was born and died in Brest. His father was naval medical officer. He was accepted into the navy at the age of seventeen. As a midshipman cadet on the ''Iphigénie'', he travelled in the Americas, the West Indies and Senegal. He was promoted to Lieutenant in 1908. His mathematical skills led to his proposing a number of innovations in technical practices which were adopted by the navy, including his invention of an electrical selector and a navigational plotter protractor known as (aka Cras ruler, Cras protractor, Cras plotter).Michel Fleury, "Jean Cras, an exceptional destiny", ''Polyphème'', T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Franck
César-Auguste Jean-Guillaume Hubert Franck (; 10 December 1822 – 8 November 1890) was a French Romantic composer, pianist, organist, and music teacher born in modern-day Belgium. He was born in Liège (which at the time of his birth was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception of an early oratorio ''Ruth'', he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable musical improviser, and travelled widely within France to demonstrate new instruments built by Aristide Cavaillé-Coll. In 1858, he became organist at the Basilica of St. Clotilde, Paris, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenore (ballad)
"Lenore", sometimes translated as "Leonora", "Leonore" or "Ellenore", is a poem written by German author Gottfried August Bürger in 1773, and published in 1774 in the ''Göttinger Musenalmanach''. "Lenore" is generally characterised as being part of the 18th-century Gothic ballads, and although the character that returns from its grave in the poem is not considered to be a vampire, the poem has been very influential on vampire literature. William Taylor, who published the first English translation of the ballad, would later claim that "no German poem has been so repeatedly translated into English as 'Ellenore. Background In the 18th century there were more than eighteen hundred different German-speaking political entities in Central Europe. During this period, due to influences from the Renaissance and the Enlightenment, Latin and French dominated over the German language, and German literature had mostly been modelled after French and Italian literature. These factors led fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Baudelaire
Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poetry, French poet who also produced notable work as an essayist and art critic. His poems exhibit mastery in the handling of rhyme and rhythm, contain an exoticism inherited from Romantics, but are based on observations of real life. His most famous work, a book of lyric poetry titled ''Les Fleurs du mal'' (''The Flowers of Evil''), expresses the changing nature of beauty in the rapidly industrializing Paris during the mid-19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé, among many others. He is credited with coining the term modernity (''modernité'') to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Marshall Berman has credited Baudelaire as being the first Modernism, Modernis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Moore
Thomas Moore (28 May 1779 – 25 February 1852) was an Irish writer, poet, and lyricist celebrated for his ''Irish Melodies''. Their setting of English-language verse to old Irish tunes marked the transition in popular Irish culture from Irish to English. Politically, Moore was recognised in England as a press, or " squib", writer for the aristocratic Whigs; in Ireland he was accounted a Catholic patriot. Married to a Protestant actress and hailed as "Anacreon Moore" after the classical Greek composer of drinking songs and erotic verse, Moore did not profess religious piety. Yet in the controversies that surrounded Catholic Emancipation, Moore was seen to defend the tradition of the Church in Ireland against both evangelising Protestants and uncompromising lay Catholics. Longer prose works reveal more radical sympathies. The ''Life and Death of Lord Edward Fitzgerald'' depicts the United Irish leader as a martyr in the cause of democratic reform. Complementing Maria Edgewort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Cazalis
Henri Cazalis (; 9 March 1840, Cormeilles-en-Parisis, Val-d'Oise – 1 July 1909, Geneva) was a French physician who was a symbolist poet and man of letters and wrote under the pseudonyms of Jean Caselli and Jean Lahor. His works include: *''Chants populaires de l'Italie'' (1865) *''Vita tristis, Reveries fantastiques, Romances sans musique'' (1865) *''Melancholia'' (1868) *''Le Livre du néant'' (1872) *''Henry Regnault, sa vie et son œuvre'' (1872) *''L'Illusion'' (1875-1893) *''Cantique des cantiques'' (1885) *''Les Quatrains d'Al-Gazali'' (1896) *''William Morris'' (1897). The author of the ''Livre du néant'' had a predilection for gloomy subjects and especially for pictures of death. His oriental habits of thought earned for him the title of the ''Hindou du Parnasse contemporain'' (cf. ''Le Parnasse contemporain''). Some of his poems have been set to music by Camille Saint-Saëns, Henri Duparc, Charles Bordes, Ernest Chausson, Reynaldo Hahn, Edouard Trémisot and Paul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka
In Slavic folklore, the rusalka (plural: rusalky/rusalki; ; pl, rusałka}) is a typically feminine entity, often malicious toward mankind and frequently associated with water, with counterparts in other parts of Europe, such as the French Melusine and the Germanic Nixie (water spirit), Nixie. Folklorists have proposed a variety of origins for the entity, including that they may originally stem from Slavic paganism, where they may have been seen as benevolent spirits. Rusalki appear in a variety of media in modern popular culture, particularly in Slavic language-speaking countries, where they frequently resemble the concept of the mermaid. In northern Russia, the rusalka was also known by various names such as the Vodyanoy #Vodyanitsa, vodyanitsa (or vodyaniha/vodyantikha; russian: водяни́ца, водяни́ха, водянти́ха ; Literal meaning, lit. "she from the water" or "the water maiden"), kupalka (russian: купа́лка; "bather"), shutovka (russian: шу ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélodie
A ''mélodie'' () is a form of French art song, arising in the mid-19th century. It is comparable to the German ''Lied''. A ''chanson'', by contrast, is a folk or popular French song. The literal meaning of the word in the French language is "melody". Nature The ''mélodie'' is often defined by comparison with the ''lied''. Pierre Bernac provides this comparison in ''The Interpretation of French Song'': Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.' These qualities are indeed most noticeable when again compared with the German genius, excelling as it does in long, uninhibited outpourings, directly opposed to the French taste, which abhors overstatement and venerates concision and diversity. Bernac writes that "the art of the greatest French composers is an art of suggestion", rather than explicit statement of feelings. The ''mélodie'' is noted for its deliberate and close relationship betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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