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Dulal Dutta
Dulal Dutta (c. 1925Sources disagree on Datta's date of birth and age at the time of his death which is claimed to be either 84 (IMDb), 85 (''Indian Express''), 86 (''Telegraph'') or 87 (''Deccan Herald''). The ''Indian Express'' further claims that Dutta was born in Chandannagar. – 17 August 2010; Kolkata) was a film editor in the Bengali film industry located in Kolkata (previously Calcutta), West Bengal, India. He is especially remembered for his association with the acclaimed film director Satyajit Ray, whose films were all edited by Datta. Filmography * '' Debatra'' (1955) * ''Pather Panchali'' (1955) * ''Aparajito'' (1956) * ''Asha'' (1956) * '' Andhare Alo'' (1957) * ''Parash Pathar'' (1958) * ''Jalsaghar'' (1958) * '' Apur Sansar'' (1959) * '' Devi'' (1960) * ''Teen Kanya'' (1961) * ''Rabindranath Tagore'' (1961) * ''Kanchenjungha'' (1962) * '' Abhijan'' (1962) * ''Mahanagar'' (1963) * ''Charulata'' (1964) * ''Mahapurush'' (1965) * ''Kapurush'' (1965) * '' Nayak'' (1966) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandannagar
Chandannagar french: Chandernagor ), also known by its former name Chandernagore and French name Chandernagor, is a city in the Hooghly district in the Indian state of West Bengal. It is headquarter of the Chandannagore subdivision and is part of the area covered by the Kolkata Metropolitan Development Authority (KMDA). Located on the western bank of Hooghly River, the city was one of the five settlements of French India. Indo-French architecture is seen in the colonial bungalows, most of which are in a dilapidated state. Etymology The name Chandernagor is possibly derived from the shape of the bank of the river Hooghly which is bent like a half-moon (in Bengali, ''Chand'' means moon and ''Nagar'' implies city), so originally it was chander nagar. From the river bank, it looked like a moon-shaped necklace (crescent moon). Local tradition holds that the city was once the major hub of the trade of sandalwood (Bengali-''chandan)''. One more possibility for the name is a temple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apur Sansar
''Apur Sansar'' ( bn, অপুর সংসার), also known as ''The World of Apu'', is a 1959 Indian Bengali-language drama film produced, written and directed by Satyajit Ray. It is based on the second half of Bibhutibhushan Bandopadhyay's novel ''Aparajito''. Following ''Pather Panchali'' (1955) and ''Aparajito'' (1956), ''The World of Apu'' is the final part of Ray's ''The Apu Trilogy'', about the childhood and early adulthood of a young Bengali named Apu in early twentieth century India. ''The World of Apu'' stars Soumitra Chatterjee (as Apu) and Sharmila Tagore (as Apu's wife Aparna); the duo would go on to appear in many subsequent Ray films. Upon its release on 1 May 1959, ''The World of Apu'' was well-received by critics. It won the National Film Award for Best Feature Film as well as several international awards, including the Sutherland Award for Best Original And Imaginative Film and National Board of Review Award for Best Foreign Language Film. Plot In early 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goopy Gyne Bagha Byne
''Goopy Gyne Bagha Byne'' (Bengali: গুপী গাইন বাঘা বাইন ''Gupi Gain Bagha Bain'') is a 1969 Indian fantasy adventure comedy film written and directed by Satyajit Ray and based on a story by his grandfather Upendrakishore Ray Chowdhury. It is a fantasy-musical film, with the music and lyrics written by Ray himself. This is the first film of the '' Goopy - Bagha'' series, and there are two sequels - ''Hirak Rajar Deshe'', which was released in 1980, and ''Goopy Bagha Phire Elo'', written by Satyajit Ray but directed by his son Sandip Ray, which was released in 1992. The film was based on the characters Goopy Gyne and Bagha Byne, who made their first appearance in the ''Sandesh'' magazine in 1915, with illustrations by Ray's grandfather Upendrakishore Ray Chowdhury. In 1961, after the revival of ''Sandesh'', Ray began contemplating the idea of making a film based on that story, and he was partly compelled by his son Sandip to make a film which was l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balika Badhu (1967 Film)
''Balika Badhu'' is a 1967 Bengali film starring Moushumi Chatterjee (as balika badhu) and directed by Tarun Majumdar. The film was based on novel of same name by Bimal Kar. The film was remade in Hindi as same name in 1976 also directed by Majumdar. Plot The movie is about child marriage, a custom that was prevalent amongst various Indian societies. Set during British Raj in India, the movie tells the story of a village school boy Amal, who is married to a younger girl named Rajni. Left together for a few days, as a part of the ritual, the two develop friendship and love. Shortly, Rajni must return to her parents’ house, while Amal continues with his studies at home with Masterji, an elderly teacher. His life is enlivened occasionally when Rajni is permitted to visit. Though Rajni's next visit is scheduled for Durga Puja, she fails to make it. Instead, she arrives during Vijayadashami, to stay for a couple nights, before going on a proposed, long pilgrimage with her fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiriyakhana
''Chiriakhana'' or ''Chiriyakhana'' ( en, The Zoo) is a 1967 Indian Bengali-language crime thriller film, based on the story of the same name by Sharadindu Bandyopadhyay, directed by Satyajit Ray starring Uttam Kumar as Byomkesh Bakshi. The screenplay is written by Satyajit Ray. The film was once considered Ray's worst film because of its complex plot and unfaithfulness to its source material, however the flexible acting of Uttam Kumar was praised by many critics at that time. The film was remade in Hindi as byomkesh bakshi with sushanth Singh rajput Plot Private detective Byomkesh Bakshi and his best friend and partner, author Ajit Kumar Banerjee are chatting when a new client, Mr Nishanath Sen, knocks on the door. Nishanath is a middle-aged ex-judge and a rich merchant. He needs Byomkesh for a special reason. He is searching for the details of an old Bengali movie song ('Bhalobasar tumi ki jano') and the actress who sang it, Sunayana, as he thinks that she is hiding somewher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nayak (1966 Film)
''Nayak'' (also released under the translated title ''The Hero'', and as ''Nayak: The Hero'') is a 1966 Indian Bengali-language drama film composed, written, and directed by Satyajit Ray. It was Ray's second entirely original screenplay, after ''Kanchenjungha'' (1962). The story revolves around a matinee idol on a 24-hour train journey from Kolkata to Delhi to receive a national award. However, he ends up revealing his mistakes, insecurities and regrets to a young journalist, who realises that behind all his arrogant facade lies a deeply troubled man as his life's story is gradually revealed through seven flashbacks and two dreams. The film starring Uttam Kumar in main protagonist and Sharmila Tagore played second lead. In ''Nayak'', Uttam Kumar plays Arindam Mukherjee with such poise and ease that it appears as if he is portraying his own life on the celluloid. Ray gives us a vulnerable hero hiding behind his cocky, larger-than-life façade. And, Kumar, to his credit, never mis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapurush
''Kapurush'' ( bn, কাপুরুষ), English title ''The Coward'', is a 1965 Indian drama film directed by Satyajit Ray. Plot Amitabha Ray is a Calcutta-based scriptwriter who is driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night, and Amitabha accepts. At Gupta's house, he is introduced to his wife Karuna. Amitabha is shocked to find her to be the girl he once loved and had let down during their student days. Unaware of their past relationship, Gupta entertains Amitabha and gets drunk. Unable to sleep, Amitabha remembers the last time he saw Karuna. Forced to leave town with her uncle who did not approve of the relationship, Karuna came to see Amitabha, offering to sacrifice her comfortable life and educational plans to marry him. Amitabha, however, proved to be a coward, unwilling to make such a commitment. Back in the present, he asks for sleeping pills fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahapurush
''Mahapurush'' ( bn, মহাপুরুষ; ) is a 1965 film directed by Satyajit Ray, based on a short story ''Birinchibaba'' (বিরিঞ্চি বাবা) by Rajshekhar Basu. Plot After the death of his wife, Gurupada Mitra (Prasad Mukherjee), an advocate, has not been at peace. He and his daughter Buchki (Gitali Roy), meet Birinchi (Charuprakash Ghosh). Birinchi Baba claims to be ageless. He tells stories from the past; about his arguments with 'Plato' about time, how he taught E=mc2 to Einstein, and was on first-name terms with Jesu (Christ) and Gautam (Buddha). Birinchi Baba has a growing band of rich devotees. Gurupada decides to patronize the holy man and become his disciple. Daughter Buchki is disappointed with her lover Satya. To teach him a lesson, she tells Satya that she is going to leave him and become a disciple of Birinchi Baba. Satya turns to his friend Nibaran for his help. It does not take Nibaran long to realize that Birinchi Baba is a frau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charulata
''Charulata'' (Spelt as ''Cārulatā''; ) is a 1964 Indian drama film written and directed by Satyajit Ray. Based upon the novel ''Nastanirh'' by Rabindranath Tagore, it stars Soumitra Chatterjee, Madhabi Mukherjee and Sailen Mukherjee. The film is considered one of the finest works of Ray. Both the first and the last scenes are critically acclaimed. The first scene, with almost no dialogues shows Charu's loneliness and how she looks at the outside world through the binoculars. In the last scene when Charu and her husband are about to come closer and hold their hands, the screen freezes. This has been described as a beautiful use of freeze frame in cinema. Plot Charulata is based on the story "Nastanirh (the Broken Nest)" by Rabindranath Tagore, set in Calcutta in 1879 (Ray sets the film in 1897). The Bengali Renaissance is at its peak, and India is under British rule. The film revolves around Charulata (Madhabi Mukherjee), the intelligent and beautiful wife of Bhupati (Sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahanagar
''Mahanagar'' () is a 1963 Indian Bengali-language drama film written and directed by Satyajit Ray. Starring Madhabi Mukherjee in the leading role and based on the short story ''Abataranika'' by Narendranath Mitra, it tells the story of a housewife who disconcerts her traditionalist family by getting the job of a saleswoman. The film marked the first screen appearance of Jaya Bhaduri, one of Hindi cinema's leading actresses. Shot in the first half of 1963 in Calcutta, this was also the first film directed by Ray set entirely in his native Calcutta, reflecting contemporary realities of the urban middle-class, where women going to work is no longer merely driven by ideas of emancipation but has become an economic reality. The film examines the effects of the confident working woman on patriarchial attitudes and social dynamics. Besides ''The Apu Trilogy'', the film, according to veteran film critic Philip French, is one of Ray's greatest films. Plot Set in Calcutta during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhijan (1962 Film)
''Abhijan'' (''অভিযান'', The Expedition) is a 1962 Indian Bengali-language film directed by Satyajit Ray. Introduction The film gives the famous Ray flavour in its composition, flow and dialogues, and use of symbols. The protagonist Narasingh (played by Soumitra Chatterjee) was a direct influence for the character of the cynical cab driver Travis Bickle (played by Robert De Niro) in Martin Scorsese's ''Taxi Driver'' (1976). Scorsese himself has credited Satyajit Ray as a major influence on his work. Plot Soumitra Chatterjee plays Narsingh, a taxi driver. Narsingh is a proud and hot-tempered Rajput with a passion for his car, a vintage 1930 Chrysler and his Rajput heritage. Being a descendant of a royal Rajput family, his self-esteem is reflected through his inability to accept insult and defeat, as a result of which he even takes part in a small race with his car. He does not want to be the one who falls behind and develops a strong hatred for women and mankind i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanchenjungha
''Kanchenjungha'' (''Kanchonjônggha'') is a 1962 Indian film directed by Satyajit Ray. The film is about an upper class Bengali family on vacation in Darjeeling, a popular hill station and resort, near Kanchenjunga. Narrative structure The structure of the film contrasts a primary plot with a secondary plot. The secondary plot involves two characters, largely static, and is played out in scenes involving only them. The primary plot pulls in most of the characters, in various groups coming together and breaking apart, across many different locations, as they all walk the circular path rising and falling over the mountainside. The film happens in linear realtime, i.e. the runtime of the film covers events happening over approximately the same period. However frequent inter-cutting between the different groups fractures this linearity, as does the thematically opposed trajectories of the two plots, one proceeding from family to the individual while the other proceeds from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
