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Duke Of Buccleuch Collection
The art collection of the Duke of Buccleuch is mostly European. The holdings, principally collected over a period of 300 years, comprise some 500 paintings, 1,000 miniatures and an enormous selection of objets d'art including furniture, porcelain, armour, jewellery and silverwork. The vast majority of the collection is divided between three principal locations: Bowhill House, Drumlanrig Castle and Boughton House. Collection Paintings and Drawing ''Dutch School'' :* Cuyp, Aelbert Jacobsz :* Rembrandt, Harmenszoon van Rijn (''Old Woman Reading'', 1655 - one of Rembrandt's greatest works) :* Ruisdael, Jacob van - 2 paintings (''Landscape'', one of his three greatest works) :* Wouwerman, Philips :* Wyck, Jan - 5 paintings (''Equestrian portrait of James Scott, 1st Duke of Monmouth and Buccleuch'', c. 1670s) ''English School'' :* Bardwell, Thomas - 10 paintings :* Beechey, William - 7 paintings :* Cotes, Francis - 2 paintings :* Gainsborough, Thomas - 6 paintings :* Kneller, Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt Harmensz
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godfrey Kneller
Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller; 8 August 1646 – 19 October 1723), was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to Kingdom of England, English and British monarchs from Charles II of England, Charles II to George I of the United Kingdom, George I. His major works include ''The Chinese Convert'' (1687; Royal Collection, London); a series of four portraits of Isaac Newton painted at various junctures of the latter's life; a series of ten reigning European monarchs, including King Louis XIV of France; over 40 "kit-cat portraits" of members of the Kit-Cat Club; and ten "Hampton Court Beauties, beauties" of the court of William III of England, William III, to match a similar series of ten of Charles II's Windsor Beauties, mistresses painted by Kneller's predecessor as court painter, Sir Peter Lely. Early life Kneller was born Gottfried Kniller in the Free City of Lübeck, the son of Za ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Dumont (painter)
François Dumont (; 7 January 1751 – 27 August 1831) was a French painter of portrait miniatures. Dumont was born at Lunéville (Meurthe Department, Meurthe), and was left an orphan when young, with five brothers and sisters to support. He was for a while a student under Jean Girardet, and then, on. the advice of a Lunville Academician, Madame Coster, set up a studio for himself. In 1784 he journeyed to Rome, returning after four years careful study, and in 1788 was accepted as an Academician and granted an apartment in the Louvre. He married Marie-Nicole Vestier, Marie-Nicole, the daughter of Antoine Vestier, the miniature painter, at the ''Dictionary of Pastellists Before 1800''. and had two sons, Aristide and Bias, both of whom became painters. Dumont was one of the three greatest miniatu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspard Dughet
Gaspard Dughet (15 June 1615 – 25 May 1675), also known as Gaspard Poussin, was a French painter born in Rome. Life Dughet was born in Rome, the son of a French pastry-cook and his Italian wife. He has always generally been considered as a French painter, although in fact he never visited France. Between around 1631 and 1635 he became a pupil of Nicolas Poussin, who had married his sister Anne five years earlier. Because of this connection he was widely known as "Gaspard Poussin." After leaving Poussin's studio his works developed a more fluid style and developed his pictures of storms which account for 30 out of his 400 known works. He specialised in painting landscapes of the Roman Campagna becoming, along with his exact contemporary Salvator Rosa, one of the two leading landscape painters of his time. He painted several cycles of frescoes, including one, showing various sites around Rome, at the Colonna Palace. He worked with Pier Francesco Mola, Cozza, and Mattia Preti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri-Pierre Danloux
Henri-Pierre Danloux (24 February 1753 – 3 January 1809) was a French painter and draftsman. He was born in Paris. Brought up by his architect uncle, Danloux was a pupil of Lépicié and later of Vien, whom he followed to Rome in 1775. In 1783, he returned to Lyon and Paris, where he was patroned by the Baronne Mégret de Sérilly d'Etigny, who secured for him a number of important portrait commissions exclusively for the aristocracy. He emigrated to London in 1792 thereby escaping the French Revolution and its potential consequences. While in England, he was commissioned for portraits of the officer class and the well-to-do. Members of one such family, the Lamberts of Oxfordshire, engaged the master in 1800 and had sittings for its individual members: father, mother and son (Henry John Lambert, Bt.), himself, later in life, serving in the Grenadier Regiment of Foot Guards, a Deputy Lieutenant for Oxfordshire and High Sheriff eter Lambert from a letter - Pawsey & Payne, 1973 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sébastien Bourdon
Sébastien Bourdon (2 February 1616 – 8 May 1671) was a French painter and engraver. His ''chef d'œuvre'' is ''The Crucifixion of St. Peter'' made for the cathedral of Notre Dame de Paris, Notre Dame. Biography Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636. There he studied the paintings of masters such as Nicolas Poussin, Claude Lorrain and Caravaggio. He was forced to flee Rome in 1638, fearing prosecution for his Reformed Protestant faith.Thierry Bayou''Bourdon, Sébastien'' Grove Art Online. He lived in Paris from 1637 to 1652. In 1648, Bourdon was one of the founders of the Académie de peinture et de sculpture, French Royal Academy of Painting and Sculpture and was elected as one of the original twelve elders in charge of its running. In 1652 he departed for Sweden, where Queen Christina of Sweden made him her first court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles D'Agar
Charles d'Agar (1669–1723) was a French, and , describe d'Agar as a French painter. Alternately, , says that " 'Agar's''œuvre'' was clearly of more consequence to English art than that of his father." portrait painter, the son of Jacques d'Agar. Active in England for much of his life, he is most known for portraits made during the Late Stuart and Early Georgian eras. D'Agar came to England with his father in 1681. He primarily painted portraits on commission for patrons such as the Duke of Buccleuch and Lord Bolingbroke. Some of his works can be found at Nunnington Hall Nunnington Hall is a country house situated in the English county of North Yorkshire. The River Rye, Yorkshire, river Rye, which gives its name to the local area, Ryedale, runs past the house, flowing away from the village of Nunnington. A s .... Notes References Further reading ;Contemporary accounts * * ;Scholarly notes * * * * * * * ;Reference books * * * * * * * * * 17th- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Teniers The Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output.Teniers the Younger, David at the National Gallery of Art He was an innovator in a wide range of genres such as history painting, genre painting, , |
Jan Mabuse
Jan Gossaert (c. 1478 – 1 October 1532) was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe ( Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity. From at least 1508 he was apparently continuously employed, or at least retained, by quasi-royal patrons, mostly members of the extended Habsburg family, heirs to the Valois Duchy of Burgundy. These were Philip of Burgundy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John De Critz
John de Critz or John Decritz (1551/2 – 14 March 1642 (buried)) was one of a number of painters of Flemish origin active at the English royal court during the reigns of James I of England and Charles I of England. He held the post of Serjeant Painter to the king from 1603, at first jointly with Leonard Fryer and from 1610 jointly with Robert Peake the Elder. Family John de Critz's father was Troilus de Critz, a goldsmith from Antwerp. De Critz was born in Antwerp. His Flemish parents brought him as a boy to England from Antwerp, during the Spanish persecution of Protestants in the Habsburg Netherlands. He was apprenticed to the artist and poet Lucas de Heere, also from Antwerp, who may have taught members of the Gheeraerts family and Robert Peake as well. De Critz established himself as an independent artist by the late 1590s. John de Critz's sister Magdalena married Marcus Gheeraerts the Younger, another Flemish court painter, who may also have been a pupil of de Heere. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Brueghel The Younger
Jan Brueghel (also Bruegel or Breughel) the Younger (, ; ; 13 September 1601 – 1 September 1678) was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he largely painted the same subjects as his father in a style which was similar to that of his father.Jan Brueghel the Younger at the Getty Center He gradually was able to break away from his father's style by developing a broader, more painterly, and less structured manner of painting. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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