Duke's In Bed
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Duke's In Bed
''Duke's in Bed'' is an album recorded by American jazz saxophonist Johnny Hodges with members of the Duke Ellington Orchestra featuring performances recorded in 1956 and released on the Verve label.Verve Records Catalog: 8200 series
accessed February 16, 2016
All arrangements were done by Billy Strayhorn.


Reception

The site awarded the album 3 stars.


Track listing

''All compositions by Johnny Hodges except as indicated'' # "A-Oodie-Oobie" – 3:31 # "Meet Mr. Rabbit" – 7:16 # "Duke's in Bed" (

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Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ...
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Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ...
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Johnny Hodges Albums
Johnny is an English language personal name. It is usually an affectionate diminutive of the masculine given name John, but from the 16th century it has sometimes been a given name in its own right for males and, less commonly, females. Variant forms of Johnny include Johnnie, Johnney, Johnni and Johni. The masculine Johnny can be rendered into Scottish Gaelic as . Notable people and characters named Johnny or Johnnie include: People Johnny * Johnny Adams (born 1932), American singer * Johnny Aba (born 1956), Papua New Guinean professional boxer * Johnny Abarrientos (born 1970), Filipino professional basketball player * Johnny Abbes García (1924–1967), chief of the government intelligence office of the Dominican Republic * Johnny Abel (1947–1995), Canadian politician * Johnny Abrego (born 1962), former Major League baseball player * Johnny Ace (1929–1954), American rhythm and blues singer * John Laurinaitis, (born 1962) also known as Johnny Ace, American wrestler and p ...
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Sam Woodyard
Sam Woodyard (January 7, 1925 – September 20, 1988) was an American jazz drummer. He was born in Elizabeth, New Jersey, United States. Woodyard was largely an autodidact on drums and played locally in the Newark, New Jersey area in the 1940s. He performed with Paul Gayten in an R&B group, then played in the early 1950s with Joe Holiday, Roy Eldridge, and Milt Buckner. In 1955, he joined Duke Ellington's orchestra and remained until 1966. After his time with Ellington, Woodyard worked with Ella Fitzgerald, then moved to Los Angeles. In the 1970s, he played less due to health problems, but he recorded with Buddy Rich, and toured with Claude Bolling. In 1983, he belonged to a band with Teddy Wilson, Buddy Tate, and Slam Stewart. His last recording was on Steve Lacy's 1988 album, '' The Door''. He died of cancer in Paris at the age of 63. Discography With Cat Anderson * ''Plays at 4 a.m.'' (Columbia, 1958) * ''Ellingtonia'' (Wynne, 1959) * ''A Chat with Cat Anderson'' (Columbi ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Jimmy Woode
James Bryant Woode (September 23, 1926 – April 23, 2005) was an American jazz bassist. He played and/or recorded in bands with Flip Phillips, Sarah Vaughan, Ella Fitzgerald, Charlie Parker, Duke Ellington, Coleman Hawkins, Nat Pierce, Sidney Bechet, Billie Holiday, Jaki Byard, Earl Hines, Jimmy Witherspoon, Clark Terry and Miles Davis. Biography Woode was born September 23, 1926 in Philadelphia, Pennsylvania, United States. His father, also named Jimmy Woode, was a music teacher and pianist who had played with Hot Lips Page. Woode studied piano and bass in Boston at Boston University and at the Conservatory of Music, as well as at the Philadelphia Academy. He joined the Duke Ellington Orchestra in 1955,Steve Vocebr>Obituary: Jimmy Woode ''The Independent'', 28 April 2005 appearing on many of Ellington's recordings, including '' Such Sweet Thunder'' and ''Ella Fitzgerald Sings the Duke Ellington Songbook'', both from 1957, as well as the performance at the 1956 Newport Jazz Fes ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Harry Carney
Harry Howell Carney (April 1, 1910 – October 8, 1974) was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra. He played a variety of instruments but primarily used the baritone saxophone, being a critical influence on the instrument in jazz. Early life Carney was born on April 1, 1910, in Boston, Massachusetts. In Boston, he grew up close to future bandmate Johnny Hodges. Carney began by playing the piano at age seven, moved to the clarinet at 14, and added the alto saxophone a year later. He first played professionally in clubs in Boston. Early influences on Carney's playing included Buster Bailey, Sidney Bechet, and Don Murray. Carney also reported that, for his baritone saxophone playing, he "tried to make the upper register sound like Coleman Hawkins and the lower register like Adrian Rollini". Later life and career After playing a variety of gigs in New York City at the age of 17, Carney was invited to join the ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ...
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Jimmy Hamilton
Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra. Biography Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilson sextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter. In 1943, he replaced Barney Bigard in the Duke Ellington orchestra and stayed with Ellington until 1968. His style was different on his two instruments: on tenor saxophone he had an R&B sound, while on clarinet he was much more precise and technical. He wrote some of his own material in his time with Ellington. Aft ...
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