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Drúedain
The Drúedain are a fictional race of Men, living in the Drúadan Forest, in the Middle-earth legendarium created by J. R. R. Tolkien. They were counted among the Edain who made their way into Beleriand in the First Age, and were friendly to the Elves. In ''The Lord of the Rings'', they assist the Riders of Rohan to avoid ambush on the way to the Battle of the Pelennor Fields. The Drúedain are based on the mythological woodwoses, the wild men of the woods of Britain and Europe; the Riders of Rohan indeed call them woses. Names and etymology Within Tolkien's fiction, the Drúedain call themselves ''Drughu''. When the Drúedain settled in Beleriand, the Sindarin Elves adapted this to ''Drû'' (plurals ''Drúin'', ''Drúath'') and later added the suffix ''-adan'' "man", resulting in the usual Sindarin form ''Drúadan'' (plural ''Drúedain'')., "The Drúedain" Tolkien also used the form ''Drûg'', with a regular English plural ''Drûgs''. ''Drughu'' became ''Rú'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwose
The wild man, wild man of the woods, or woodwose/wodewose is a mythical figure that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to '' Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–1528) among others. Terminology The normal Middle English term, als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wose
The wild man, wild man of the woods, or woodwose/wodewose is a mythical figure that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to '' Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–1528) among others. Terminology The normal Middle English term, also u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man (Middle-earth)
In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elves, Dwarves, Orcs, and other humanoid races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs. Tolkien uses the Men of Middle-earth, interacting with immortal Elves, to explore a variety of themes in ''The Lord of the Rings'', especially death and immortality. This appears throughout, but is the central theme of an appendix, " The Tale of Aragorn and Arwen". Where the Hobbits stand for simple, earthbound, comfort-loving people, Men are far more varied, from petty villains and slow-witted publicans to the gentle warrior Faramir and the genuinely heroic Aragorn; Tolkien had wanted to create a heroic romance suitable for the modern age. Scholars have identified real-world a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edain
In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elves, Dwarves, Orcs, and other humanoid races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs. Tolkien uses the Men of Middle-earth, interacting with immortal Elves, to explore a variety of themes in ''The Lord of the Rings'', especially death and immortality. This appears throughout, but is the central theme of an appendix, "The Tale of Aragorn and Arwen". Where the Hobbits stand for simple, earthbound, comfort-loving people, Men are far more varied, from petty villains and slow-witted publicans to the gentle warrior Faramir and the genuinely heroic Aragorn; Tolkien had wanted to create a heroic romance suitable for the modern age. Scholars have identified real-world analo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of The Pelennor Fields
In J. R. R. Tolkien's novel ''The Lord of the Rings'', the Battle of the Pelennor Fields () was the defence of the city of Minas Tirith by the forces of Gondor and the cavalry of its ally Rohan, against the forces of the Dark Lord Sauron from Mordor and its allies the Haradrim and the Easterlings. It was the largest battle in the War of the Ring. It took place at the end of the Third Age in the Pelennor Fields, the townlands and fields between Minas Tirith and the River Anduin. In search of Tolkien's sources, scholars have compared the battle with the historic account of the Battle of the Catalaunian Fields where King Theodoric I was trampled to death by his own men after he fell from his horse. Others have likened the death of the Witch-King of Angmar to the death of Macbeth, who was similarly prophesied not to die by the hand of man "of woman born"; and the crowing of a cockerel at the moment the Witch-King was about to enter the city has been said to recall the cock-cro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orc (Middle-earth)
An Orc (or Ork) is a fictional humanoid monster like a goblin. Orcs were brought into modern usage by the fantasy writings of J. R. R. Tolkien, especially ''The Lord of the Rings''. In Tolkien's works, Orcs are a brutish, aggressive, ugly, and malevolent race of monsters, contrasting with the benevolent Elves. There is a suggestion, among several somewhat contradictory origin stories, that they are a corrupted race of elves. Mythological monsters with names similar to "orc" can be found in the Old English poem ''Beowulf'', in Early Modern poetry, and in Northern European folk tales and fairy tales. Tolkien stated that he took the name from ''Beowulf''. The orc appears on lists of imaginary creatures in two of Charles Kingsley's mid-1860s novels. Tolkien's concept of orcs has been adapted into the fantasy fiction of other authors, and into games of many different genres such as '' Dungeons & Dragons'', '' Magic: The Gathering'', and '' Warcraft''. Etymology Old Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream
''A Midsummer Night's Dream'' is a comedy written by William Shakespeare 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Characters * Theseus—Duke of Athens * Hippolyta—Queen of the Amazons * Egeus—father of Hermia * Hermia—daughter of Egeus, in love with Lysander * Lysander—in love with Hermia * Demetrius—suitor to Hermia * Helena—in love with Demetrius * Philostrate— Master of the Revels * Peter Quince—a carpenter * Nick Bottom—a weaver * Francis Flute—a bellows-mender * Tom Snout—a tink ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudyard Kipling
Joseph Rudyard Kipling ( ; 30 December 1865 – 18 January 1936)''The Times'', (London) 18 January 1936, p. 12. was an English novelist, short-story writer, poet, and journalist. He was born in British India, which inspired much of his work. Kipling's works of fiction include the ''Jungle Book'' duology ('' The Jungle Book'', 1894; '' The Second Jungle Book'', 1895), ''Kim'' (1901), the '' Just So Stories'' (1902) and many short stories, including "The Man Who Would Be King" (1888). His poems include " Mandalay" (1890), " Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), " The White Man's Burden" (1899), and "If—" (1910). He is seen as an innovator in the art of the short story.Rutherford, Andrew (1987). General Preface to the Editions of Rudyard Kipling, in "Puck of Pook's Hill and Rewards and Fairies", by Rudyard Kipling. Oxford University Press. His children's books are classics; one critic noted "a versatile and luminous narrative gift".Rutherford, Andrew ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puck Of Pook's Hill
''Puck of Pook's Hill'' is a fantasy book by Rudyard Kipling, published in 1906, containing a series of short stories set in different periods of English history. It can count both as historical fantasy – since some of the stories told of the past have clear magical elements, and as contemporary fantasy – since it depicts a magical being active and practising his magic in the England of the early 1900s when the book was written. The stories are all narrated to two children living near Burwash, in the High Weald of Sussex, in the area of Kipling's own house Bateman's, by people magically plucked out of history by the elf Puck, or told by Puck himself. (Puck, who refers to himself as "the oldest Old Thing in England", is better known as a character in William Shakespeare's play ''A Midsummer Night's Dream''.) The genres of particular stories range from authentic historical novella (A Centurion of the Thirtieth, On the Great Wall) to children's fantasy (Dymchurch Flit). Ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westron
The English philologist and author J. R. R. Tolkien created a number of constructed languages, including languages devised for fictional settings. Inventing languages, something that he called ''glossopoeia'' (paralleling his idea of ''mythopoeia'' or myth-making), was a lifelong occupation for Tolkien, starting in his teens. An early project was the reconstruction of an unrecorded early Germanic language which might have been spoken by the people of ''Beowulf'' in the Germanic Heroic Age. The most developed of his glossopoeic projects was his family of Elvish languages. He first started constructing an ''Elvin tongue'' in while he was at King Edward's School, Birmingham. He later called it Quenya (), and he continued actively developing the history and grammar of his Elvish languages until his death in 1973. In 1931, he held a lecture about his passion for constructed languages, titled ''A Secret Vice''. Here he contrasts his project of artistic languages constructed for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Age
In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar. Major themes of the history are the divine creation of the world, followed by the splintering of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Shippey
Thomas Alan Shippey (born 9 September 1943) is a British medievalist, a retired scholar of Middle and Old English literature as well as of modern fantasy and science fiction. He is considered one of the world's leading academic experts on the works of J. R. R. Tolkien about whom he has written several books and many scholarly papers. His book '' The Road to Middle-Earth'' has been called "the single best thing written on Tolkien". Shippey's education and academic career have in several ways retraced those of Tolkien: he attended King Edward's School, Birmingham, became a professional philologist, occupied Tolkien's professorial chair at the University of Leeds, and taught Old English at the University of Oxford to the syllabus that Tolkien had devised. He has received three Mythopoeic Awards and a World Fantasy Award. He participated in the creation of Peter Jackson's ''The Lord of the Rings'' film trilogy, assisting the dialect coaches. He featured as an expert medievali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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