Drishti (yoga)
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Drishti (yoga)
Drishti ( sa, दृष्टि, translit=dṛṣṭi; ), or focused gaze, is a means for developing concentrated intention. It relates to the fifth limb of yoga, pratyahara, concerning sense withdrawal, as well as the sixth limb, dharana, relating to concentration. In Ashtanga Vinyasa Yoga, each asana is associated with one of the 8 focused gazes, namely Angusthamadhye (thumb), Bhrumadhye (eyebrow), Nasagre (tip of nose), Hastagrahe (tips of hands), Parshva (side), Urdhva (up), Nabhicakre (navel), and Padayoragre (tips of feet) Drishtis. In some other styles such as Sivananda Yoga, less use is made of the gaze, and fewer types are employed. History The ''Yoga Sutras of Patanjali'' define eight limbs of yoga but do not mention the gaze. The sixth limb, dharana (concentration), however requires holding one's mind onto an inner state, subject or topic. The mind can for example be fixed on a mantra, one's breath, or a part of the body such as the navel or the tip of the t ...
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Ashtanga (eight Limbs Of Yoga)
Ashtanga yoga (, "the eight limbs of yoga") is Patanjali's classification of classical yoga, as set out in his ''Yoga Sutras''. He defined the eight limbs as yamas (abstinences), niyama (observances), asana (postures), pranayama (breathing), pratyahara (withdrawal), dharana (concentration), dhyana (meditation) and samadhi (absorption). The eight limbs form a sequence from the outer to the inner. Postures, important in modern yoga as exercise, form just one limb of Patanjali's scheme; he states only that they must be steady and comfortable. The main aim is ''kaivalya'', discernment of ''Purusha'', the witness-conscious, as separate from '' prakriti'', the cognitive apparatus, and disentanglement of ''Purusha'' from its muddled defilements. Definition of yoga Patanjali begins his treatise by stating the purpose of his book in the first sutra, followed by defining the word "yoga" in his second sutra of Book 1: * Sanskrit Original with Translation 1The Yoga PhilosophyTR Tatya ...
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Urdhva Vrikshasana
Tadasana ( sa , ताड़ासन, translit=Tāḍāsana), Mountain pose or Samasthiti ( sa, समस्थिति; IAST: ''samasthitiḥ'') is a standing asana in modern yoga as exercise; it is not described in medieval hatha yoga texts. It is the basis for several other standing asanas. Etymology and origins Tāḍāsana is from the Sanskrit words ताड ''tāḍa'', "mountain" and आसन ''āsana'' meaning "posture" or "seat". Samasthitiḥ is from सम ''sama'' meaning "equal", level", or "balanced"; and स्थिति ''sthiti'', "standing". The pose was unknown in hatha yoga until the 20th century '' Light on Yoga'', but it appears in the 1896 ''Vyayama Dipika'', a manual of gymnastics, as part of the "very old" sequence of ''danda'' (Sanskrit for "staff" or "stick") exercises. Norman Sjoman suggests that it was among the poses adopted into modern yoga as exercise in Mysore by Krishnamacharya to form the "primary foundation" for his vinyasas wit ...
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Marichyasana C
Marichyasana ( sa, मरीच्यासन ; IAST: ''Maricyāsana'', the pose of the sage Marichi) is a sitting twist asana in modern yoga as exercise, in some forms combined with a forward bend. Etymology and origins The name of the pose is from Sanskrit मरीचि Marichi, the name of a sage in Hindu mythology, and आसन, ''āsana'', meaning posture or seat. The pose is not found in medieval hatha yoga texts, but is described in Krishnamacharya's 1934 ''Yoga Makaranda'' and in the teaching of his pupils, B. K. S. Iyengar and Pattabhi Jois. Description This twisting asana is normally performed sitting. In Marichyasana I, one leg is stretched out straight ahead of the body, the other is bent with the sole of the foot on the floor and the knee up beside the body. The body is twisted towards the side with the straight leg, and the arms are clasped behind the back and around the raised knee. The body may then lean forwards until the nose and chin touch the ...
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Utthita Parshvasahita
Utthita Hasta Padangusthasana (Sanskrit: उत्थित हस्त पादाङ्गुष्ठासन, IAST: Utthita Hasta Pādāṅguṣṭhāsana), Standing Big Toe Hold or Extended Hand-to-Big-Toe Pose is a standing balancing asana in modern yoga as exercise. Etymology and origins The name comes from the Sanskrit words ''Utthita'' (उत्थित) meaning "extended", ''Hasta'' (हस्त) meaning "hand", ''Pada'' (पद) meaning "foot", ''Angustha'' (ङ्गुष्ठ) meaning "thumb" or "toe", and ''Asana'' (आसन) meaning "posture" or "seat". The pose however does not appear to be Indian in origin, and it is not found in the medieval hatha yoga texts. A similar pose was described in Niels Bukh's early 20th century Danish text ''Primitive Gymnastics'', which in turn was derived from a 19th century Scandinavian tradition of gymnastics. The pose had arrived in India by the 1920s. Swami Kuvalayananda incorporated it into his system of exercise ...
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Parivritta Trikonasana
Trikonasana or Utthita Trikonasana ( sa, उत्थित त्रिकोणासन; IAST: ''utthita trikoṇāsana''), xtendedTriangle Pose is a standing asana in modern yoga as exercise. Variations include Baddha Trikonasana (bound triangle pose) and Parivrtta Trikonasana (revolved triangle pose). Etymology and origins The name comes from the Sanskrit words ''utthita'' (उत्थित), "extended", ''trikoṇa'' (त्रिकोण) "triangle", and ''āsana'' (आसन) "posture" or "seat". The pose is first described in the 20th century, appearing in the teaching of Tirumalai Krishnamacharya, including his 1934 book ''Yoga Makaranda'', and in the works of his students. Description Trikonasana is performed in two parts, facing left, and then facing right. The practitioner begins standing with the feet one leg-length apart, knees unbent, turns the right foot completely to the outside and the left foot less than 45 degrees to the inside, keeping the heels in ...
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Utthita Trikonasana
Trikonasana or Utthita Trikonasana ( sa, उत्थित त्रिकोणासन; IAST: ''utthita trikoṇāsana''), xtendedTriangle Pose is a standing asana in modern yoga as exercise. Variations include Baddha Trikonasana (bound triangle pose) and Parivrtta Trikonasana (revolved triangle pose). Etymology and origins The name comes from the Sanskrit words ''utthita'' (उत्थित), "extended", ''trikoṇa'' (त्रिकोण) "triangle", and ''āsana'' (आसन) "posture" or "seat". The pose is first described in the 20th century, appearing in the teaching of Tirumalai Krishnamacharya, including his 1934 book ''Yoga Makaranda'', and in the works of his students. Description Trikonasana is performed in two parts, facing left, and then facing right. The practitioner begins standing with the feet one leg-length apart, knees unbent, turns the right foot completely to the outside and the left foot less than 45 degrees to the inside, keeping the heels in ...
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Virabhadrasana
Virabhadrasana ( sa , वीरभद्रासन; IAST: Vīrabhadrāsana) or Warrior Pose is a group of related lunging standing asanas in modern yoga as exercise commemorating the exploits of a mythical warrior, Virabhadra. The name of the pose derives from the Hindu myth, but the pose is not recorded in the hatha yoga tradition until the 20th century. Virabhadrasana has some similarity with poses in the gymnastics of Niels Bukh the early 20th century; it has been suggested that it was adopted into yoga from the tradition of physical culture in India at that time, which was influenced by European gymnastics. Virabhadrasana has been described as one of the most iconic poses in yoga. Etymology and origins The name is from the Sanskrit वीरभद्र '' Vīrabhadra'', a mythical warrior, and आसन ''āsana'', a yoga posture or meditation seat. Accordingly the asana is often called "Warrior Pose" in English. Ancient cave rock sculptures in the Ellora Caves, sp ...
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Chaturanga Dandasana
Chaturanga Dandasana ( sa, चतुरङ्ग दण्डासन; IAST: ''Caturaṅga Daṇḍāsana'') or Four-Limbed Staff pose, also known as Low Plank, is an asana in modern yoga as exercise and in some forms of Surya Namaskar (Salute to the Sun), in which a straight body parallel to the ground is supported by the toes and palms, with elbows at a right angle along the body. The variation Kumbhakasana, Phalakasana, or High Plank has the arms straight. Etymology and origins The name comes from the sa, चतुर् IAST ''catur'', "four"; अङ्ग ''aṅga'', "limb"; दण्ड ''daṇḍa'', "staff"; and आसन; ''āsana'', "posture" or "seat". The pose is unknown in hatha yoga until the 20th century '' Light on Yoga'', but the pose appears in the 1896 ''Vyayama Dipika'', a manual of gymnastics, as part of the "very old" sequence of ''danda'' exercises. Norman Sjoman suggests that it is one of the poses adopted into modern yoga in Mysore by Krishnam ...
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Tadasana
Tadasana ( sa , ताड़ासन, translit=Tāḍāsana), Mountain pose or Samasthiti ( sa, समस्थिति; IAST: ''samasthitiḥ'') is a standing asana in modern yoga as exercise; it is not described in medieval hatha yoga texts. It is the basis for several other standing asanas. Etymology and origins Tāḍāsana is from the Sanskrit words ताड ''tāḍa'', "mountain" and आसन ''āsana'' meaning "posture" or "seat". Samasthitiḥ is from सम ''sama'' meaning "equal", level", or "balanced"; and स्थिति ''sthiti'', "standing". The pose was unknown in hatha yoga until the 20th century '' Light on Yoga'', but it appears in the 1896 ''Vyayama Dipika'', a manual of gymnastics, as part of the "very old" sequence of ''danda'' (Sanskrit for "staff" or "stick") exercises. Norman Sjoman suggests that it was among the poses adopted into modern yoga as exercise in Mysore by Krishnamacharya to form the "primary foundation" for his vinyasas wit ...
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Surya Namaskara
Sun Salutation, also called Surya Namaskar(a) or Salute to the Sun (), is a practice in yoga as exercise incorporating a flow sequence of some twelve gracefully linked asanas. The asana sequence was first recorded as yoga in the early 20th century, though similar exercises were in use in India before that, for example among wrestlers. The basic sequence involves moving from a standing position into Downward and Upward Dog poses and then back to the standing position, but many variations are possible. The set of 12 asanas is dedicated to the Hindu solar deity, Surya. In some Indian traditions, the positions are each associated with a different mantra. The precise origins of the Sun Salutation are uncertain, but the sequence was made popular in the early 20th century by Bhawanrao Shriniwasrao Pant Pratinidhi, the Rajah of Aundh, and adopted into yoga by Krishnamacharya in the Mysore Palace, where the Sun Salutation classes, not then considered to be yoga, were held next door to ...
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Adho Mukha Svanasana
Downward Dog Pose or Downward-facing Dog Pose, also called Adho Mukha Shvanasana ( sa, अधोमुखश्वानासन; IAST: ''Adho Mukha Śvānāsana''), is an inversion asana, often practised as part of a flowing sequence of poses, especially Surya Namaskar, the Salute to the Sun. The asana is commonly used in modern yoga as exercise. The asana does not have formally named variations, but several playful variants are used to assist beginning practitioners to become comfortable in the pose. Downward Dog stretches the hamstring and calf muscles in the backs of the legs, and builds strength in the shoulders. Some popular sites have advised against it during pregnancy, but an experimental study of pregnant women found it beneficial. Downward Dog has been called "deservedly one of yoga's most widely recognized yoga poses" and the "quintessential yoga pose". As such it is often the asana of choice when yoga is depicted in film, literature, and advertising. The pose ha ...
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Urdhva Mukha Svanasana
Bhujangasana ( sa, भुजंगासन; IAST: ''Bhujaṅgāsana'') or Cobra Pose is a reclining back-bending asana in hatha yoga and modern yoga as exercise. It is commonly performed in a cycle of asanas in Surya Namaskar, Salute to the Sun, as an alternative to Urdhva Mukha Svanasana, Upward Dog Pose. The Yin Yoga form is Sphinx Pose. Etymology and origins The name Bhujangasana comes from the Sanskrit words भुजंग ''bhujaṅga'', " cobra" and आसन ''āsana'', "posture" or "seat", from the resemblance to a cobra with its hood raised and was described in the 17th century hatha yoga text '' Gheranda Samhita'' in chapter 2, verses 42–43. In the 19th century ''Sritattvanidhi'', the pose is named सरपासन ''Sarpāsana'', "Serpent Pose", from सरप, ''sarpa ', "serpent" or "snake". It is described and illustrated in halftone as Bhujangasana in the 1905 '' Yogasopana Purvacatuska''. Urdhva Mukha Shvanasana ( sa, ऊर्ध्वमुखश् ...
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