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Drama Desk Award For Outstanding Director Of A Musical
The Drama Desk Award for Outstanding Director of a Musical is an annual award presented by Drama Desk in recognition of achievements in the theatre among Broadway, Off Broadway and Off-Off Broadway productions. The awards were established in 1955, with the Drama Desk Award for Outstanding Director being presented to directors of both plays and musicals. The new award categories were later created in the 1975 ceremony. Winners and nominees 1970s 1980s 1990s 2000s 2010s 2020s Multiple wins ; 4 wins * Harold Prince ; 3 wins * Tommy Tune * Michael Mayer ; 2 wins * Rachel Chavkin * John Doyle * James Lapine * Wilford Leach * Bartlett Sher See also * Laurence Olivier Award for Best Director * Tony Award for Best Direction of a Musical References * External links Drama Desk official website {{DEFAULTSORT:Drama Desk Award Musical Director Musical Director A music(al) director or director of music is the person responsible for the musical aspects of a performance ...
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Drama Desk Award
The Drama Desk Award is an annual prize recognizing excellence in New York theatre. First bestowed in 1955 as the Vernon Rice Award, the prize initially honored Off-Broadway productions, as well as Off-off-Broadway, and those in the vicinity. Following the 1964 renaming as the Drama Desk Awards, Broadway productions were included beginning with the 1968–69 award season. The awards are considered a significant American theater distinction. History The Drama Desk organization was formed in 1949 by a group of New York theater critics, editors, reporters and publishers, in order to make the public aware of the vital issues concerning the theatrical industry. They debuted the presentations of the ''Vernon Rice Awards''. The name honors the '' New York Post'' critic Vernon Rice, who had pioneered Off-Broadway coverage in the New York press. The name was changed for the 1963–1964 awards season to the ''Drama Desk Awards''. In 1974, the Drama Desk became incorporated as a not-for ...
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The Threepenny Opera
''The Threepenny Opera'' ( ) is a " play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, '' The Beggar's Opera'', and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, Hauptmann might have contributed to the text, Brecht is usually listed as sole author. The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm. Songs from ''The Threepenny Opera'' have been widely covered and become standards, most notably "" ("The Ballad of Mack the Knife") and "" ("Pirate Jenny"). Background Origins In the winter of 1927–28, Elizabeth Hauptmann, Brecht's lover at the time, received a copy of Gay's play from friends in England and, fascinated by the female characters and its critique of the condition of the London poor, began translating it into German. Brecht at first took ...
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Peter Masterson
Peter Masterson (born Carlos Bee Masterson Jr.; June 1, 1934 – December 18, 2018) was an American actor, director, producer, and writer. Life and career Masterson often worked with his cousin, writer Horton Foote. Acting from the mid-1960s to the mid-1980s, including 1975's '' The Stepford Wives'' as Walter Eberhart, since then he concentrated mostly on directing and producing. Actress Mary Stuart Masterson is his daughter; she appeared with her father in '' The Stepford Wives'', playing one of his daughters. His other acting credits include roles in ''Ambush Bay'' (1966), '' In the Heat of the Night'' (1967), ''Counterpoint'' (1968), ''Von Richthofen and Brown'' (1971), '' Tomorrow'' (1972), ''The Exorcist'' (1973), '' Man on a Swing'' (1974), and '' Gardens of Stone'' (1987). Masterson co-wrote (with Larry L. King) the books for the hit musical '' The Best Little Whorehouse in Texas'' (1978) and its short-lived sequel '' The Best Little Whorehouse Goes Public'' (1994).
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The Club (1980 Film)
''The Club'' is a satirical film based on the play of the same name by the Australian playwright and dramatist David Williamson. It follows the fortunes of an Australian rules football club over the course of a season, and explores the clashes of individuals from within the club. It was inspired by the backroom dealings and antics of the Victorian Football League's Collingwood Football Club. The film was produced in 1980, written by Williamson and directed by Bruce Beresford. It stars John Howard, Jack Thompson, Graham Kennedy and Frank Wilson. The film was described as a "hilarious, sharply observed slice of life". The film features Mike Brady's 1978 football anthem "Up There Cazaly". Plot The club pays a high price for Tasmanian recruit, Geoff Hayward (Howard). Geoff does not play well initially, infuriating the dedicated coach, Laurie Holden (Thompson). With the club playing so badly, Laurie's coaching days may be over soon. Club president Ted Parker (Kennedy) is forced t ...
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Tommy Tune
Thomas James Tune (born February 28, 1939) is an American actor, dancer, singer, theatre director, producer, and choreographer. Over the course of his career, he has won ten Tony Awards, the National Medal of Arts, and a star on the Hollywood Walk of Fame. Early life Tune was born in Wichita Falls, Texas, to oil rig worker, horse trainer, and restaurateur Jim Tune and Eva Mae Clark along with his sister, Gracey. He attended Mirabeau B. Lamar High School, Houston and the Methodist-affiliated Lon Morris College in Jacksonville, Texas. He studied dance under Patsy Swayze in Houston. He also studied dance with Kit Andree in Boulder, Colorado. He went on to earn his Bachelor of Fine Arts in Drama from the University of Texas at Austin in 1962 and his Master of Fine Arts in Directing from the University of Houston. Tune later moved to New York to start his career. Career Tune stands a lanky tall, and at first he found his height to be a disadvantage when auditioning for roles, as he ...
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I Love My Wife
''I Love My Wife'' is a musical with a book and lyrics by Michael Stewart and music by Cy Coleman, based on a play by Luis Rego. A satire of the sexual revolution of the 1970s, the musical takes place on Christmas Eve in suburban Trenton, New Jersey, where two married couples who have been close friends since high school find themselves contemplating a ménage-à-quatre. Synopsis In Trenton, New Jersey, old high school buddies Wally (now an executive in public relations) and Alvin (a furniture mover) discuss the possibility of adding some spice to their lives by having a foursome. Alvin suggests to his wife Cleo that they share their bed with Monica, Wally's wife. Cleo thinks that she would enjoy Wally. They agree that whoever enters first becomes the evening's partner, but the couple walks in together. The three discuss the situation after Monica has left, and decide on a foursome on Christmas Eve. Alvin and Cleo arrive for dinner and the later foursome on Christmas Eve, but ...
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Gene Saks
Gene Saks (born Jean Michael Saks; November 8, 1921 – March 28, 2015) was an American director and actor. An inductee of the American Theater Hall of Fame, his acting career began with a Broadway debut in 1949. As a director, he was nominated for seven Tony Awards, winning three for his direction of '' I Love My Wife'', ''Brighton Beach Memoirs'' and ''Biloxi Blues''. He also directed a number of films during his career. He was married to Bea Arthur from 1950 until 1978, and subsequently to Keren Saks from 1980 to his death in 2015. Early life Saks was born in New York City, the son of Beatrix (née Lewkowitz) and Morris J. Saks. Saks first became involved in theater as a student at Hackensack High School. He studied at Cornell University. Upon graduation, he served in the United States Navy during World War II, taking part in the Normandy landings.
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Porgy And Bess
''Porgy and Bess'' () is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play '' Porgy'', itself an adaptation of DuBose Heyward's 1925 novel of the same name. ''Porgy and Bess'' was first performed in Boston on September 30, 1935, before it moved to Broadway in New York City. It featured a cast of classically trained African-American singers—a daring artistic choice at the time. A 1976 Houston Grand Opera production gained it a renewed popularity after languishing in the doldrums of the 1960s and early 1970s, and it is now one of the best known and most frequently performed operas. The libretto of ''Porgy and Bess'' tells the story of Porgy, a disabled black street beggar living in the slums of Charleston. It deals with his attempts to rescue Bess from the clutches of Crown, her violent and possessive lover, and Sportin ...
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Jack O'Brien (director)
Jack O'Brien (born June 18, 1939) is an American director, producer, writer and lyricist. He served as the Artistic Director of the Old Globe Theatre in San Diego, California from 1981 through the end of 2007. O'Brien has won three Tony Awards and been nominated for seven more, and won five Drama Desk Awards. He has directed and produced musicals, including ''The Full Monty'' and '' Hairspray'', contemporary dramas such as ''The Piano Lesson'', ''The Invention of Love'' and '' The Coast of Utopia'', Shakespeare classics, including ''Hamlet'' and ''Henry IV'' (a combination of ''Part 1'' and '' Part 2''), and operas, including '' Il trittico'' at the Metropolitan Opera''. He has also been associated with some notorious Broadway failures. In 1972, he wrote the lyrics and co-wrote the book for ''The Selling of the President'', which closed after five performances. The Old Globe also co-produced the stage adaptation of ''Oldest Living Confederate Widow Tells All'', which closed ...
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Annie (musical)
''Annie'' is a Broadway theatre, Broadway musical theatre, musical based upon the popular Harold Gray comic strip ''Little Orphan Annie'' and loosely based on the 1885 poem "Little Orphant Annie" written by James Whitcomb Riley. The musical includes music by Charles Strouse, lyrics by Martin Charnin, and a musical theater, book by Thomas Meehan (writer), Thomas Meehan. The original Broadway production opened in 1977 and ran for nearly six years, setting a record for the Alvin Theatre (now the Neil Simon Theatre). It spawned numerous productions in many countries, as well as national tours, and won seven Tony Awards, including the Tony Award for Best Musical. The musical's songs "Tomorrow (song from Annie), Tomorrow" and "It's the Hard Knock Life" are among its most popular musical numbers. Background Charnin first approached Meehan to write the book of a musical about ''Little Orphan Annie'' in 1972. Meehan researched by rereading prints of the comic strip, but was unable to fin ...
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Martin Charnin
Martin Charnin (November 24, 1934 – July 6, 2019) was an American lyricist, writer, and theatre director. Charnin's best-known work is as conceiver, director, and lyricist of the musical '' Annie.'' Life and career Charnin was born in New York City, the son of Birdie (Blakeman) and William Charnin, an opera singer. His family was Jewish. Charnin graduated from The High School of Music & Art and then from The Cooper Union, where he earned a BFA."Martin Charnin Biography".
FilmReference.com, accessed July 11, 2012
Charnin began his theatrical career as a performer, appearing as "Big Deal", one of the Jets in the original production of ''''.
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Pacific Overtures
''Pacific Overtures'' is a musical with music and lyrics by Stephen Sondheim, and a book by John Weidman, with "additional material by" Hugh Wheeler. Set in 19th-century Japan, it tells the story of the country's westernization starting in 1853, when American ships forcibly opened it to the rest of the world. The story is told from the point of view of the Japanese, and focuses in particular on the lives of two friends who are caught in the change. Sondheim wrote the score in a quasi-Japanese style of parallel 4ths and no leading-tone. He did not use the pentatonic scale; the 4th degree of the major scale is represented from the opening number through the finale, as Sondheim found just five pitches too limiting. The music contrasts Japanese contemplation ("There Is No Other Way") with Western ingenuousness ("Please Hello") while over the course of the 127 years, Western harmonies, tonality and even lyrics are infused into the score. The score is generally considered to be one ...
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