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Dragomirna, Suceava
The Dragomirna Monastery was built during the first three decades of the 17th century, 15 km from Suceava, in the Mitocu Dragomirnei commune. It is the tallest medieval monastery in northern Moldavia and renowned in Orthodox architecture for its unique proportions and intricate details, mostly carved into stone. It lies among forested hills of fir and oak. The history of the monastery started in 1602, when the small church in the graveyard was built and dedicated to Saints Enoch, Elijah, and John the Theologian. In 1609 the dedication of the larger church was made to the "Descent of the Holy Spirit". History Unlike other monasteries, there is no votive inscription at Dragomirna. The year in which it was built and the names of the founders were discovered only after study of the documents of the time. The founders were the same as for the small church in the graveyard, the scholar, artist, and Metropolitan Anastasie Crimca; the high chancellor Lupu Stroici; and his broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragomirna Monastery Sunset
The Dragomirna Monastery was built during the first three decades of the 17th century, 15 km from Suceava, in the Mitocu Dragomirnei commune. It is the tallest medieval monastery in northern Moldavia and renowned in Orthodox architecture for its unique proportions and intricate details, mostly carved into stone. It lies among forested hills of fir and oak. The history of the monastery started in 1602, when the small church in the graveyard was built and dedicated to Saints Enoch (ancestor of Noah), Enoch, Elijah (prophet), Elijah, and John the Apostle, John the Theologian. In 1609 the dedication of the larger church was made to the "Descent of the Holy Spirit". History Unlike other monasteries, there is no votive inscription at Dragomirna. The year in which it was built and the names of the founders were discovered only after study of the documents of the time. The founders were the same as for the small church in the graveyard, the scholar, artist, and metropolitan bishop, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bema
A bema was an elevated platform used as an orator's podium in ancient Athens. The term can refer to the raised area in a sanctuary. In Jewish synagogues, where it is used for Torah reading during services, the term used is bima or bimah. Ancient Greece The Ancient Greek ''bēma'' () means both 'platform' and 'step', being derived from '' bainein'' (, 'to go'). The original use of the bema in Athens was as a tribunal from which orators addressed the citizens as well as the courts of law, for instance, in the Pnyx. In Greek law courts the two parties to a dispute presented their arguments each from separate bemas. By metonymy, bema was also a place of judgement, being the extension of the raised seat of the judge, as described in the New Testament, in and , and further, as the seat of the Roman emperor, in , and of God, in , when speaking in judgment. Judaism Etymology The post-Biblical Hebrew ''bima'' (), 'platform' or 'pulpit', is almost certainly derived from the Anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petru Rareş
Petru is a given name, and may refer to: * Petru I of Moldavia (Petru Mușat, 1375–1391), ruler of Moldavia * Petru Aron (died 1467), ruler of Moldavia * Petru Bălan (born 1976), Romanian rugby union footballer * Petru Cărare (1935–2019), writer from Moldova * Petru Cercel (died 1590), voivode of Wallachia, polyglot * Petru Dugulescu (1945–2008), Romanian Baptist pastor, poet, and politician * Petru Filip (born 1955), current mayor of the municipality of Oradea * Petru Fudduni ( 1600–1670), poet * Petru Giovacchini (1910–1955), Corsican hero * Petru Groza (1884–1958), Romanian politician and Prime Minister * Petru Lucinschi (born 1940), Moldova's second president * Petru Luhan (born 1977), Romanian politician * Petru Maior ( 1756–1821), Romanian writer * Petru Mocanu (1931–2016), Romanian mathematician * Petru Pavel Aron (1709–1764), Romanian Greek-Catholic cleric and intellectual * Petru Poni (1841–1925), Romanian chemist * Petru Rareș ( 1487–1546), ruler o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity
The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, three distinct persons sharing one ''homoousion'' (essence) "each is God, complete and whole." As the Fourth Lateran Council declared, it is the Father who begets, the Son who is begotten, and the Holy Spirit who proceeds. In this context, the three persons define God is, while the one essence defines God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This doctrine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcade (architecture)
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters. Many medieval arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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