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Dragnet (album)
''Dragnet'' is the second studio album by English post-punk band the Fall, released on 26 October 1979 through Step-Forward Records. Appearing less than eight months after its predecessor, ''Live at the Witch Trials,'' ''Dragnet'' established at an early stage two key patterns characteristic of the group's future: that of high productivity and that of a regular turnover of group members. Background and recording Only Mark E. Smith and Marc Riley remained in the lineup from the band's debut album, ''Live at the Witch Trials''. Drummer Karl Burns left soon after recording and was replaced by Mike Leigh, while founder member Martin Bramah quit mid-tour in April 1979, when some of the material intended for the second album had already been written. Smith quickly recruited guitarist Craig Scanlon and bassist Steve Hanley, who were Fall roadies, members of support band Staff 9 and friends of Marc Riley's; both were just 18 & 19, respectively, when they joined the group and would f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fall (band)
The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Marc Riley, Craig Scanlon and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as ''Hex Enduction Hour'' to the late 1990s. First associated with the late 1970s punk movement, the Fall's music underwent numerous stylistic changes, often concurrently with changes in the group's lineup. Nonetheless, their music has generally been characterised by an abrasive, repetitive guitar-driven sound, tense bass and drum rhythms, and Smith's caustic lyrics, described by critic Simon Reynolds as "a kind of Northern English magic realism that mixed industrial grime with the unearthly and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dice Man
The Dice Man is a 1971 novel by American novelist George Cockcroft, writing under the pen name, "Luke Rhinehart". The book tells the story of a psychiatrist who makes daily decisions based on the casting of a diсe. Cockcroft describes the origin of the title idea variously in interviews, once recalling a college "quirk" he and friends used to decide "what they were going to do that night" based on a die-roll, or sometimes to decide between mildly mischievous pranks. ''The Hitchhiker's Guide to the Galaxy'' user site describes the novel as a book that was viewed as subversive, as having "anti-psychiatry Anti-psychiatry is a movement based on the view that psychiatric treatment is often more damaging than helpful to patients, highlighting controversies about psychiatry. Objections include the reliability of psychiatric diagnosis, the questionabl ... sentiment", and as "reflecting the mood of the early 1970s in permissiveness". It has content that includes the protagonist's d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon & Schuster
Simon & Schuster () is an American publishing company and a subsidiary of Paramount Global. It was founded in New York City on January 2, 1924 by Richard L. Simon and M. Lincoln Schuster. As of 2016, Simon & Schuster was the third largest publisher in the United States, publishing 2,000 titles annually under 35 different imprints. History Early years In 1924, Richard Simon's aunt, a crossword puzzle enthusiast, asked whether there was a book of ''New York World'' crossword puzzles, which were very popular at the time. After discovering that none had been published, Simon and Max Schuster decided to launch a company to exploit the opportunity.Frederick Lewis Allen, ''Only Yesterday: An Informal History of the 1920s'', p. 165. . At the time, Simon was a piano salesman and Schuster was editor of an automotive trade magazine. They pooled , equivalent to $ today, to start a company that published crossword puzzles. The new publishing house used "fad" publishing to publish bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Collector
''Record Collector'' is a British monthly music magazine. It was founded in 1980 and distributes worldwide. History The early years The first standalone issue of ''Record Collector'' was published in March 1980, though its history stretches back further. In 1963, publisher Sean O'Mahony (alias Johnny Dean) had launched an official Beatles magazine, ''The Beatles Book''. Although it shut down in 1969, ''The Beatles Book'' reappeared in 1976 due to popular demand. Through the late-1970s, the small ads section of ''The Beatles Book'' became an increasingly popular avenue through which collectors could make contact and buy, sell, or trade Beatles records. Reflecting a burgeoning collecting scene in the 1970s, as time went by, the adverts were becoming dominated by traders who were interested in rare vinyl unassociated with the Beatles. In September 1979, ''The Beatles Book'' came with a record collecting supplement, and the response was positive enough for O'Mahony to launch ''Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Q (magazine)
''Q'' was a popular music magazine published monthly in the United Kingdom. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series ''The Old Grey Whistle Test''. ''Q'''s final issue was published in July 2020. ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP sold its consumer magazine titles, including ''Q'', to the Bauer Media Group. Bauer put the title up for sale in 2020 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rough Trade Records
Rough Trade Records is an independent record label based in London, England. It was formed in 1976 by Geoff Travis who had opened a record store off Ladbroke Grove. Having successfully promoted and sold records by punk rock and early post-punk and indie pop bands such as the Normal and Desperate Bicycles, Travis began to manage acts and distribute bands such as Scritti Politti and began the label, which was informed by left-wing politics and structured as a co-operative. Soon after, Rough Trade also set up a distribution arm that serviced independent retail outlets across Britain, a network that became known as the Cartel. In 1983, Rough Trade signed the Smiths. Interest and investment of major labels in the UK indie scene in the late 1980s, as well as overtrading on behalf of Rough Trade's distribution wing, led to cash flow problems, and eventually to bankruptcy, forcing the label into receivership. However, Travis resurrected the label in the late 1990s, finding success w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Copeland III
Miles Axe Copeland III (born May 2, 1944) is an American music and entertainment executive and former manager of The Police. Copeland later managed Sting's musical and acting career. In 1979, Copeland founded the I.R.S. Records label, producing R.E.M., The Bangles, Berlin, The Cramps, Dead Kennedys, The Alarm, The Go-Go's, and others. Early life, family and education Copeland was born in London, England, to Miles Axe Copeland Jr., a US Central Intelligence Agency (CIA) officer from Birmingham, Alabama, US; and Lorraine Adie, a Scottish archaeologist who worked in British intelligence. They had three sons: Ian, Miles, and Stewart, and a daughter, Leonora. The family lived in the Washington, DC, area and throughout the Middle East, in particular Syria, Egypt, and Lebanon. At an early age, Copeland and his brothers were fluent in Arabic. Copeland attended Birmingham-Southern College in Birmingham, Alabama, in 1962. He graduated with a degree in history and political science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
