Dr. Buzzard's Original Savannah Band (album)
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Dr. Buzzard's Original Savannah Band (album)
''Dr. Buzzard's Original Savannah Band'' is the debut studio album by Dr. Buzzard's Original Savannah Band. It was released in 1976 by RCA. It peaked at number 22 on the ''Billboard'' 200 chart and number 31 on the Top R&B Albums chart. In his book ''Turn the Beat Around: The Secret History of Disco'', music writer Peter Shapiro described the album as "one of the most fully realized, dazzling artifacts from the black bohemian intelligentsia". Track listing Personnel ;Dr. Buzzard's Original Savannah Band * Cory Daye – vocals * Don Armando Bonilla – percussion * Stony Browder – guitar, keyboards, vocals * August Darnell Thomas August Darnell Browder (born August 12, 1950), known professionally as August Darnell and under the stage name Kid Creole, is an American musician, singer and songwriter. He co-founded Dr. Buzzard's Original Savannah Band and subsequently ... – bass, vocals * Andy "Coati Mundi" Hernandez – percussion * Mickey Sevilla – drums Charts Ref ...
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Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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Coati Mundi (musician)
Andy Hernandez (born January 3, 1950), better known by his stage name Coati Mundi, is an American musician, percussionist, notably playing the vibraphone, and a member of Dr. Buzzard's Original Savannah Band, then of Kid Creole and the Coconuts. He scored the Top 40 UK hit "Me No Pop I" in 1981, just before the release of ''Tropical Gangsters''. He produced and arranged an album by "Don Armando Second Avenue Rhumba Band", which spurred the disco hit song "Deputy of Love". Early life Hernandez is a first-generation Puerto Rican who grew up in Spanish Harlem, New York City. As a young teenager, the first band he played and recorded with was called Eddie Hernandez & his Orchestra. He learned to play the vibes from George Rodriguez of The New Swing Sextet. Career Hernandez has worked with assorted musical groups and artists including Ralfi Pagan, Joe Bataan, Vernon Reid, N'Dea Davenport, Nona Hendryx, Tito Puente, Manny Oquendo & Conjunto Libre, Hall & Oates and Machito. He was ...
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C'est Si Bon
"" (; ) is a French popular song composed in 1947 by Henri Betti with the lyrics by André Hornez. The English lyrics were written in 1949 by Jerry Seelen. The song has been adapted in several languages. History In July 1947, Henri Betti was in Nice and on his way to join his father in the center of town to play a game of bridge. Passing under the arcades of the he stopped in front of the window of a lingerie shop and it was there that the first nine musical notes of the song came into his head: F, E, E, F, G, A, G, F, D. He wrote the notes on a sheet of music paper so that he would remember them. Once back home at 52 , he composed the melody in less than ten minutes. He then went up to Paris and made an appointment with the lyricist André Hornez at the Hôtel Grand Powers at 52 to find a title for his song. André Hornez said that the title should be three syllables, sung to the first three notes of the song. The next day the lyricist showed Henri Betti a list of ten t ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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Night And Day (song)
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical ''Gay Divorce''. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. Fred Astaire introduced "Night and Day" on stage. His studio recording of the song with the Leo Reisman orchestra was released on Victor Records on January 13, 1933, and it became a No. 1 hit, topping the charts of the day for ten weeks. In December, it beat " The Last Round-Up" by George Olsen (nine weeks) and " Stormy Weather" by Harold Arlen and Ted Koehler (eight weeks) to become the Number 1 record for the year 1933. Astaire performed it again in the 1934 film version of the show, renamed ''The Gay Divorcee'', and it became one of his signature songs. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architect ...
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August Darnell
Thomas August Darnell Browder (born August 12, 1950), known professionally as August Darnell and under the stage name Kid Creole, is an American musician, singer and songwriter. He co-founded Dr. Buzzard's Original Savannah Band and subsequently formed and led Kid Creole and the Coconuts. Early life and career Darnell was born in The Bronx in 1950. His mother was from South Carolina with Caribbean and Italian parents and his father from Savannah, Georgia. As an adult, Thom Browder began going by his two middle names, August Darnell. Claims from some sources that he was born in Montréal in Canada, are erroneous; according to Darnell they stem from the fictitious back-story behind the Kid Creole character. Growing up in the multicultural area of the Bronx, Darnell was exposed early on to all kinds of music. Darnell began his musical career in a band named The In-Laws with his half-brother, Stony Browder Jr., in 1965. The band disbanded so Darnell could pursue a career as an En ...
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Slant Magazine
''Slant Magazine'' is an American online publication that features reviews of movies, music, TV, DVDs, theater, and video games, as well as interviews with actors, directors, and musicians. The site covers various film festivals like the New York Film Festival. History ''Slant Magazine'' was launched in 2001. On January 21, 2010, it was relaunched and absorbed the entertainment blog ''The House Next Door'', founded by Matt Zoller Seitz, a former ''New York Times'' and ''New York Press'' writer, and maintained by Keith Uhlich, former ''Time Out New York'' film critic, who was the blog's editor until 2012. In the media ''Slant''s reviews, which A. O. Scott of ''The New York Times'' has described as "passionate and often prickly", have occasionally been the source of debate and discourse online and in the media. Ed Gonzalez's review of Kevin Gage's 2005 film ''Chaos'' sparked some controversy when Roger Ebert quoted it in his review of the film for the ''Chicago Sun-Times''; '' ...
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Peter Shapiro (journalist)
Peter Shapiro is a freelance music journalist, who has written for '' Spin'', '' URB'', ''Music Week'', ''Uncut'', ''Vibe'', ''The Wire'' and ''The Times ''The Times'' is a British daily national newspaper based in London. It began in 1785 under the title ''The Daily Universal Register'', adopting its current name on 1 January 1788. ''The Times'' and its sister paper ''The Sunday Times'' (fou ...''. Literary works *''The Rough Guide to Hip-hop'' *''The Rough Guide to Soul and R'n'B'' *''The Rough Guide to Drum 'n' Bass *''Turn The beat around: The Secret History of Disco *'' Modulations A History of Electronic Music Throbbing Words on Sound'' (ed.) (2000) The Oxford Handbook of Computer Music - Page 352 0195331613 R. T. Dean - 2009 - Shapiro, P., ed. 2000. Modulations. A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha References External linksPeter Shapiro on the 'roots' of Euro-Disco
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Top R&B Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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