Doxy (song)
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Doxy (song)
"Doxy" is an early composition by jazz saxophonist Sonny Rollins. It was originally recorded by Rollins with Miles Davis in 1954, and appeared on the 10-inch LP '' Miles Davis with Sonny Rollins''. It was also included on the 1957 Davis album '' Bags' Groove''. The original recording features Davis on trumpet, Rollins on tenor saxophone, Horace Silver on piano, Percy Heath on bass, and Kenny Clarke on drums. When Rollins eventually established his own record label, he named it Doxy Records. The chords are from Bob Carleton's 16-bar song "Ja-Da". "Doxy" has become a jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive lis ..., a frequently performed and recorded part of many musicians' repertoires. "Doxy" was written by Sonny Rollins during his stopover in England on a European ...
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Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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Miles Davis With Sonny Rollins
''Miles Davis with Sonny Rollins'' (PRLP 187) is a 1954 10 inch LP album by Miles Davis, released by Prestige Records. The four tracks on this LP, along with a second take of " But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954. The album showcases the musical and compositional abilities of Sonny Rollins, who was Davis' favoured saxophonist at this point in his career. Three of the four tunes were Sonny Rollins originals, and would go on to become regular parts of both Davis' and Rollins' live sets. In his autobiography, Davis says that Rollins was writing the music on scraps of paper in the studio during the recording session. Davis also states the cover of Gershwin's "But Not for Me" was an early example of himself being influenced by the spacing and lyricism of the pianist Ahmad Jamal."Miles: the Autobiography", Miles Davis with Quincy Troupe, 1989, p. 178. After the 10" LP format was discontinued, all four tracks, along wit ...
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Bags' Groove
''Bags' Groove'' (PRLP 7109) is a jazz album by Miles Davis, released in 1957 by Prestige Records, compiling material from two 10" LPs recorded in 1954, plus two alternative takes. Recording Both takes of the title track come from a session on December 24, 1954, the first version having been previously released on '' Miles Davis All Stars, Volume 1'' (PRLP 196). ("Bags" was vibraphonist Milt Jackson's nickname.) The other tracks recorded during this session may be found on ''Miles Davis and the Modern Jazz Giants'' (PRLP 7150), and all of them are also featured on the compilation album ''Thelonious Monk: The Complete Prestige Recordings''. The rest of the album was recorded earlier in the year, on June 29, and four of the tracks had already been released as '' Miles Davis with Sonny Rollins'' (PRLP 187), with the fifth being a previously unreleased alternative take. Music The title track was written by Milt Jackson (“Bags” is his nickname) and the three compositions wri ...
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Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ...
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Percy Heath
Percy Heath (April 30, 1923 – April 28, 2005) was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk. Biography Heath was born in Wilmington, North Carolina, United States, and spent his childhood in Philadelphia. His father played the clarinet and his mother sang in the church choir. He started playing violin at the age of eight and also sang locally. He was drafted into the Army in 1944, but saw no combat. Deciding after the war to go into music, he bought a stand-up bass and enrolled in the Granoff School of Music in Philadelphia. Soon he was playing in the city's jazz clubs with leading artists. In Chicago in 1948, he recorded with his brother on a Milt Jackson album, as members of the Howard McGhee Sextet.
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Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ...
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Bob Carleton
Robert Louis Carleton (November 8, 1894, Missouri — July 13, 1956, Burbank, California) was an American pianist and composer of popular music. He grew up in St Louis, Missouri, the son of a saloon keeper, and was earning a living by age 15 as a theatre musician. He composed over 500 songs, including the World War I hit, "Ja-Da" in 1918.Robert L. Carleton, Composer of "Ja-Da", ''The New York Times'', July 14, 1956 He made a brief appearance as a pianist in the 1946 film ''Bringing Up Father ''Bringing Up Father'' is an American comic strip created by cartoonist George McManus. Distributed by King Features Syndicate, it ran for 87 years, from January 2, 1913, to May 28, 2000. The strip was later titled ''Jiggs and Maggie'' (or ''M ...''. References 1894 births 1956 deaths Songwriters from Missouri American male composers 20th-century American pianists 20th-century American composers American male pianists 20th-century American male musicians American male ...
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Ja-Da
"Ja-Da (Ja Da, Ja Da, Jing, Jing, Jing!)" is a hit song written in 1918 by Bob Carleton. The title is sometimes rendered simply as "Jada." Ja-Da has flourished through the decades as a jazz standard. In his definitive ''American Popular Songs'', Alec Wilder writes about the song's simplicity: Selected renditions of Ja-Da * Player piano roll, Vocalstyle Company, #11302. Vodvil Series, as played by Cliff Hess * 1918 — Original New Orleans Jazz Band * 1918 — Arthur Fields * 1938 — Tommy Ladnier and Sidney Bechet * 1939 — Alice Faye sings it in the musical film ''Rose of Washington Square'' (1939) * 1945 — Bunk Johnson and Don Ewell * 1947 — Frank Sinatra & Peggy Lee * 1947 — Muggsy Spanier * 1954 — Big Chief Jazzband (on the 78 rpm record His Master's Voice A.L. 3401) * 1955 — Marian McPartland - '' At the Hickory House'' * 1957 — Pee Wee Hunt * 1958 — Ted Heath Orchestra * 1961 — Fr ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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Spread (food)
A spread is a food that is spread, generally with a knife, onto foods such as bread and crackers. Spreads are added to food to enhance the flavor or texture of the food, which may be considered bland without it. Butter and soft cheeses are typical spreads. A sandwich spread is a spreadable condiment used in a sandwich, in addition to more solid ingredients. Butter, mayonnaise, prepared mustard, and ketchup are typical sandwich spreads, along with their variants such as Thousand Island dressing, Tartar sauce, and Russian dressing. Spreads are different from dips, such as salsa, which are generally not applied to spread onto food, but have food dipped into them, instead. Common spreads include dairy spreads (such as cheeses, creams, and butters, although the term "butter" is broadly applied to many spreads), margarines, honey, plant-derived spreads (such as jams, jellies, and hummus), yeast spreads (such as vegemite and marmite), and meat-based spreads (such as ''pâté''). ...
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1950s Jazz Standards
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 ''Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his head ...
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