Down The Highway
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Down The Highway
''Down the Highway'' is a compilation album by American singer-songwriter Jim Croce, released in 1980 on Lifesong Records as LS 8030. Track listing All tracks composed by Jim Croce; except where indicated #"I Got a Name" ( Charles Fox, Norman Gimbel) – 3:12 #"Mississippi Lady" – 3:59 #"New York's Not My Home" – 3:08 #" Chain Gang Medley: Chain Gang/He Don't Love You/Searchin'" (Sam Cooke; Jerry Butler, Calvin Carter, Curtis Mayfield; Jerry Leiber, Mike Stoller) – 4:32 #"You Don't Mess Around with Jim" – 3:03 #"Ol' Man River" ( Oscar Hammerstein, Jerome Kern Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over ...) – 2:27 #"Which Way Are You Goin'?" – 2:19 #" Bad, Bad Leroy Brown" – 3:01 #"Walkin' Back to Georgia" – 2:50 #"Box #10" – 2:26 #"Speedball Tucker" – 2:26 ...
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Jim Croce
James Joseph Croce (; January 10, 1943 – September 20, 1973) was an American folk and rock singer-songwriter. Between 1966 and 1973, he released five studio albums and numerous singles. During this period, Croce took a series of odd jobs to pay bills while he continued to write, record, and perform concerts. After he formed a partnership with songwriter and guitarist Maury Muehleisen, his fortunes turned in the early 1970s. His breakthrough came in 1972; his third album, ''You Don't Mess Around with Jim'', produced three charting singles, including "Time in a Bottle", which reached No. 1 after his death. The follow-up album, '' Life and Times'', included the song " Bad, Bad Leroy Brown", which was the only No. 1 hit he had during his lifetime. On September 20, 1973, at the height of his popularity and the day before the lead single to his fifth album ''I Got a Name'' was released, Croce and five others died in a plane crash. His music continued to chart throughout the 1970s fol ...
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Calvin Carter
Calvin T. Carter (May 27, 1925 – July 9, 1986) was an American record producer, record label manager and songwriter of jazz and pop songs. Calvin Carter was born in Gary, Indiana, in 1925. He joined Vee-Jay Records, founded by his sister Vivian Carter and her husband James Bracken, in 1953 and became its principal A&R man and producer, in charge of recording sessions. According to Allmusic, he was responsible for giving "direction and vision" to the company, which mainly recorded R&B acts such as Elmore James, John Lee Hooker, Billy Emerson and Jimmy Reed. In the 1960s, Vee Jay Records was the first American company to sign The Beatles and helped to establish The Four Seasons as a major-selling group. After Vee Jay was forced to close by financial problems, Calvin Carter worked at Liberty Records, running their soul subsidiary, Minit Records, for a while and working with Canned Heat. He produced leading blues artist, Little Milton for Chess Records in the late 1960s ...
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Compilation Albums Published Posthumously
Compilation may refer to: *In computer programming, the translation of source code into object code by a compiler **Compilation error **Compilation unit *Product bundling, a marketing strategy used to sell multiple products *Compilation thesis Media Literature * Anthology, a collection of short works, most often poetry or short stories Film & TV * Anthology film *Compilation documentary *Compilation film, a feature film that is mostly composed of footage from an older television serial, movie serial or short films *Compilation episode, a clip show A clip show is an episode of a television series that consists primarily of excerpts from previous episodes. Most clip shows feature the format of a frame story in which cast members recall past events from past installments of the show, depicte ... with clips from a TV series assembled together in one episode *Compilation ( adult), an adult film or video made up of various segments from other productions or leftover/spare footage ...
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Jim Croce Albums
Jim or JIM may refer to: * Jim (given name), a given name * Jim, a diminutive form of the given name James * Jim, a short form of the given name Jimmy * OPCW-UN Joint Investigative Mechanism * ''Jim'' (comics), a series by Jim Woodring * ''Jim'' (album), by soul artist Jamie Lidell * Jim (''Huckleberry Finn''), a character in Mark Twain's novel * Jim (TV channel), in Finland * JIM (Flemish TV channel) * JIM suit, for atmospheric diving * Jim River, in North and South Dakota, United States * Jim, the nickname of Yelkanum Seclamatan (died April 1911), Native American chief * ''Journal of Internal Medicine'' * Juan Ignacio Martínez (born 1964), Spanish footballer, commonly known as JIM * Jim (horse), milk wagon horse used to produce serum containing diphtheria antitoxin * "Jim" (song), a 1941 song. * JIM, Jiangxi Isuzu Motors, a joint venture between Isuzu and Jiangling Motors Corporation Group (JMCG). * Jim (Medal of Honor recipient) See also * * Gym * Jjim * Ǧīm * Jam ...
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Bad, Bad Leroy Brown
"Bad, Bad Leroy Brown" is an uptempo, strophic story song written by American folk rock singer Jim Croce. Released as part of his 1973 album '' Life and Times'', the song was a No. 1 hit for him, spending two weeks at the top of the ''Billboard'' Hot 100 in July 1973. ''Billboard'' ranked it as the No. 2 song for 1973. Croce was nominated for two 1973 Grammy Awards in the Pop Male Vocalist and Record of the Year categories for "Bad, Bad Leroy Brown". It was his only number-one single before his death on September 20 of that year. Synopsis The song's titular character is a 6'4" tall man from the South Side of Chicago whose size, attitude, and tendency to carry weapons have given him a reputation in which he is adored by women and feared by men. He is said to dress in fancy clothes and wear diamond rings, and to own a custom Lincoln Continental and a Cadillac Eldorado, implying he has a lot of money. He is also known to carry a .32 caliber handgun in his pocket and a razor in h ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ...
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Ol' Man River
"Ol' Man River" is a show tune from the 1927 musical ''Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat,"Lesson: Ol’ Man River" (school lesson for Mississippi River), Michael E. Marrapodi, New Covenant Christian School, Ashland, Massachusetts, 2006, webpageMassGeo-River: shows phrase "feared of dyin' " (rather than "skeered" of dying) as sung in earlier recordings. and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This ha ...
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You Don't Mess Around With Jim (song)
"You Don't Mess Around with Jim" is a 1972 strophic (all verses have the same tune) story song by Jim Croce from his album of the same name. It was Croce's debut single, released on ABC Records as ABC-11328. ABC Records promotion man Marty Kupps took it to KHJ 930 AM in Los Angeles, CA where it first aired. It made the KHJ "30" chart (at #27) that week of June 6, 1972. After spending 11 weeks on the ''Billboard'' Hot 100 chart, the song peaked at No. 8 the week ending September 9. Croce performed the song on ''American Bandstand'' on August 12, 1972. ''Billboard'' ranked it as the No. 68 song for 1972. Content The lyrics are set around an underground pool hall on 42nd Street in New York City. "Big" Jim Walker, a pool hustler who is not too bright but is respected because of his tough reputation, his considerable strength and size, and his skill at pool, has formed a sort of gang of "bad folks" who regularly gather at night in the pool hall. Their recurring words of advice is as ...
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Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ...
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Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ...
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Curtis Mayfield
Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music.Curtis Mayfield
, Rock and Roll Hall of Fame and Museum. "…significant for the forthright way in which he addressed issues of black identity and self-awareness. …left his imprint on the Seventies by couching social commentary and keenly observed black-culture archetypes in funky, danceable rhythms. …sounded urgent pleas for peace and brotherhood overextended, -funk tracks that laid out a fresh musical agenda for the new decade." Accessed 28 November 2006.
Dubbed t ...
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