Down Home (Zoot Sims Album)
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Down Home (Zoot Sims Album)
''Down Home'' is an album by American jazz tenor saxophonist Zoot Sims. Reception ''Billboard'' magazine called it an "unusual album", in that Sims "applied his improvisational skill to a number of real oldies". The magazine reviewed the singles as well, noting the "all-star rhythm section" and generally saying the songs were "perfect for jazz jukeboxes". ''Down Beat'' called it "a marvellous example of Sims' ability to swing". Scott Yanow, writing for AllMusic, called it "enjoyable and consistently swinging", noting that it "gives one a look at the great pianist Dave McKenna in his early days". ''The Penguin Guide to Jazz'' described it as "a classic Zoot date, with the saxophonist swinging as hard as ever and McKenna offering his characteristic full-blooded support". Track listing Personnel *Zoot Sims – tenor saxophone *Dave McKenna – piano * George Tucker – double bass *Dannie Richmond – drums A drum kit (also called a drum set, trap set, ...
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Zoot Sims
John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn. Biography Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims. Sims began on tenor saxophone at age 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and Bobby Sh ...
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Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records. Biography DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi Fraternity. His Portuguese-born father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. His father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the daughter of Los Angeles police chief George E. Gard. DeSylva's first successful songs were those used by Al Jolson on Broadway in the 1918 production of ''Sinbad'', which included "I'll Say She Does". Soon thereafter, he met Jolson and in 1918 the pair went to New York and DeSylva began working as a songwriter in Tin Pan Alley. In the early 1920s, DeSylva frequent ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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There'll Be Some Changes Made
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online '' The Jazz Discography'' (an index of jazz-only recordings), "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters ( Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it (Ethel Waters), the owners of Black Swan (the record label), the opera singer (Elizabeth Greenfield) for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance. History and popularity milestones 1920s The debut recording with Ethel Waters was recorde ...
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Ray Noble
Raymond Stanley Noble (17 December 1903 – 2 April 1978) was an English jazz and big band musician, who was a bandleader, composer and arranger, as well as a radio host, television and film comedian and actor; he also performed in the United States. Noble wrote both lyrics and music for many popular songs during the British dance band era, known as the "Golden Age of British music", notably for his longtime friend and associate Al Bowlly, including "Love Is the Sweetest Thing", "Cherokee", "The Touch of Your Lips", "I Hadn't Anyone Till You", and his signature tune, "The Very Thought of You". Noble played a radio comedian opposite American ventriloquist Edgar Bergen's stage act of Mortimer Snerd and Charlie McCarthy, and American comedy duo Burns and Allen, later transferring these roles from radio to TV and popular films. Early life and career Noble was born at 1 Montpelier Terrace in the Montpelier area of Brighton, England. A blue plaque on the house commemorates him. He ...
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Jimmy Campbell And Reg Connelly
Jimmy Campbell (born James Alexander Campbell-Tyrie; 5 April 1903–19 August 1967) and Reg Connelly (born Reginald John Connelly; 22 October 1895–23 September 1963) were English songwriters and Music publisher (popular music), music publishers. Writing together in the 1920s and 1930s, they sometimes used the pseudonym Irving King for their song compositions, and often worked as lyricists in collaboration with other composers. Together, they established the successful music publishing firm Campbell Connelly. Early life and songwriting partnership Connelly was born in Buckhurst Hill, Essex, in 1895, and Campbell in Gosforth, Northumberland, in 1903. They had contrasting personalities: Campbell was extravagant and dismissive of financial security, while Connelly was reserved, and an astute businessman.Richard Anthony Baker, ''Old Time Variety: an illustrated history'', Pen & Sword, 2011, , pp.86-87 By 1925 they had started working together as songwriters, and wrote ...
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Goodnight Sweetheart (1931 Song)
"Goodnight, Sweetheart" is a British popular song written in 1931. It has been performed by Al Bowlly, Kate Smith, Connie Francis (for her 1959 album '' My Thanks to You''), Dick Haymes (for his ''Imagination'' album), Gordon MacRae (for his 1957 album ''Motion Picture Soundstage''), Sarah Vaughan (for her 1962 album ''Sarah + 2'') and Dean Martin (for his 1958 album ''Sleep Warm''), among others, and was the theme song for the 1990s BBC time-travel sitcom '' Goodnight Sweetheart'' starring Nicholas Lyndhurst, which was named after it. "Goodnight, Sweetheart" was written in 1931 by the song-writing team of Ray Noble, Jimmy Campbell and Reg Connelly. It was recorded in 1931 by the Wayne King Orchestra (vocals by Ernie Birchill), Russ Columbo, Bing Crosby, Ruth Etting and the Ray Noble Orchestra (vocals by Al Bowlly). Guy Lombardo also recorded his own version of the song in 1931 with vocals by Carmen Lombardo. Lombardo's version remained at No. 1 for a number of weeks in t ...
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Hughie Cannon
Hugo Cannon (April 9, 1877 – June 17, 1912) was an American songwriter and pianist whose best-known composition was the popular ragtime song " (Won't You Come Home) Bill Bailey". Biography Cannon was born in Detroit, Michigan in 1877. He began performing with Barlow's Minstrels in the 1890s, as a singer, dancer, and piano player, often working with actor John Queen and having several songs published. Bill Edwards, "Hugo "Hughie" Cannon", ''RagPiano.com''
Retrieved 5 April 2017
He occasionally worked as a bar pianist in , where he met local musician Willard "Bill" Bailey. Reportedly, on one occasion in 1902, Bailey was talking to Cannon about the st ...
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Won't You Come Home Bill Bailey
"(Won't You Come Home) Bill Bailey", originally titled "Bill Bailey, Won't You Please.... Come Home?" is a popular song published in 1902. It is commonly referred to as simply "Bill Bailey". Its words and music were written by Hughie Cannon, an American songwriter and pianist, and published by Howley, Haviland and Dresser. It is still a standard with Dixieland and traditional jazz bands. The simple 32-bar chord sequence of its chorus also underpins many other tunes played mainly by jazz bands, such as " Over the Waves", "Washington and Lee Swing", " Bourbon Street Parade", "My Little Girl", and the final themes of "Tiger Rag" and "The Beer Barrel Polka". Origin Cannon wrote the song in 1902 when he was working as a bar pianist at Conrad Deidrich’s Saloon in Jackson, Michigan. Willard "Bill" Bailey, also a jazz musician, was a regular customer and friend, and one night told Cannon about his marriage to Sarah (née Siegrist). Cannon "was inspired to rattle off a ditty about Ba ...
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Abe Lyman
Abe Lyman (August 4, 1897 – October 23, 1957) was a popular bandleader from the 1920s to the 1940s. He made recordings, appeared in films and provided the music for numerous radio shows, including ''Your Hit Parade''. His name at birth was Abraham Simon. He and his brother, Mike, changed their last name to Lyman because they both thought it sounded better. Abe learned to play the drums when he was young, and at the age of 14 he had a job as a drummer in a Chicago café. Around 1919, he was regularly playing music with two other notable future big band leaders, Henry Halstead and Gus Arnheim, in California. In Los Angeles Mike Lyman opened the Sunset, a night club popular with such film stars as Mary Pickford, Norma Talmadge, Charlie Chaplin, Buster Keaton, and Harold Lloyd. When Abe's nine-piece band first played at the Sunset, it was a success, but the club closed after celebrities signed contracts stating they were not to be seen at clubs. For an engagement at the Cocoanut G ...
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Arthur Freed
Arthur Freed (September 9, 1894 – April 12, 1973) was an American lyricist and Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for ''An American in Paris'' and in 1958 for '' Gigi''. Both films were musicals. In addition, he produced and was also a co-lyricist for the now-iconic film '' Singin' in the Rain''. Early life Freed was born to a Jewish family in Charleston, South Carolina, and wrote poetry while a high schooler at Phillips Exeter Academy. After graduating in 1914, he began his career as a song-plugger and pianist in Chicago. After meeting Minnie Marx, he sang as part of the act of her sons, the Marx Brothers, on the vaudeville circuit, and also wrote material for the brothers. He soon began to write songs, and was eventually hired by Metro-Goldwyn-Mayer. For years, he wrote lyrics for numerous films, many set to music by Nacio Herb Brown. Career In 1939, after working (uncredited) in the role of associate producer on '' The Wiza ...
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Gus Arnheim
Gus Arnheim (September 4, 1897 – January 19, 1955) was an American pianist and an early popular band leader. He is noted for writing several songs with his first hit being "I Cried for You" from 1923. He was most popular in the 1920s and 1930s. He also had a few small acting roles. Career Arnheim was born in Philadelphia, Pennsylvania, United States. In 1919, three men who all would become famous band leaders played together at the Sunset Inn in Santa Monica, California. Arnheim played piano, Abe Lyman played the drums, and Henry Halstead played violin. Arnheim grew up in Chicago and at one point was accompanist to vaudevillian Sophie Tucker. When Lyman organized a full dance orchestra, Arnheim came along as pianist, leaving to start his own group in 1927. Arnheim's orchestra made at least three film short subjects for Warner Brothers' Vitaphone Corporation in 1928–29. Arnheim first recorded for OKeh in 1928–1929, when he signed with Victor in 1929 and stayed through 1933 ...
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