Dorothy Warenskjold
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Dorothy Warenskjold
Dorothy Warenskjold (May 11, 1921 in Piedmont, California – December 27, 2010 in Lenexa, Kansas) was an American lyric soprano who had an active career in operas and concerts from the mid-1940s through the early 1960s. She made several recordings for Capitol Records. Early years Born in Piedmont, California, Warenskjold was the daughter Mr. and Mrs. William Earl Warenskjold. Her mother was a professional musician. Planning to be an attorney, she pursued pre-legal training at Mills College in Oakland, California, until her junior year, when Mabel Riegelman began giving her vocal lessons. Career As an opera singer, she worked mainly with the San Francisco Opera (SFO) where she made her debut in October 1948 as Nannetta in Giuseppe Verdi's ''Falstaff''. She performed with the SFO for the next eight consecutive seasons, performing such roles as Antonia in ''The Tales of Hoffmann'', Cherubino in ''The Marriage of Figaro'', Lauretta in ''Gianni Schicchi'', Liù in ''Turandot'' ...
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Dorothy Warenskjold
Dorothy Warenskjold (May 11, 1921 in Piedmont, California – December 27, 2010 in Lenexa, Kansas) was an American lyric soprano who had an active career in operas and concerts from the mid-1940s through the early 1960s. She made several recordings for Capitol Records. Early years Born in Piedmont, California, Warenskjold was the daughter Mr. and Mrs. William Earl Warenskjold. Her mother was a professional musician. Planning to be an attorney, she pursued pre-legal training at Mills College in Oakland, California, until her junior year, when Mabel Riegelman began giving her vocal lessons. Career As an opera singer, she worked mainly with the San Francisco Opera (SFO) where she made her debut in October 1948 as Nannetta in Giuseppe Verdi's ''Falstaff''. She performed with the SFO for the next eight consecutive seasons, performing such roles as Antonia in ''The Tales of Hoffmann'', Cherubino in ''The Marriage of Figaro'', Lauretta in ''Gianni Schicchi'', Liù in ''Turandot'' ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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UCLA School Of The Arts And Architecture
The UCLA School of the Arts and Architecture (UCLA Arts) is a professional school at the University of California, Los Angeles. Through its four degree-granting departments, it provides a range of course offerings and programs. Additionally, there are eight centers located within the school. History In 1919, UCLA's leadership demonstrated an early commitment to offer students opportunities to explore the arts by the establishment of an art gallery and a music department. But in 1939 the College of Applied Arts was founded with the addition of a Department of Art, followed by the College of Fine Arts in 1960, with degrees available in art, dance, music, and theater arts. Following academic restructuring in the late 1980s, the UC Regents formally approved the establishment of two schools: the School of the Arts and the School of Theater, Film and Television. In 1994 architecture and urban design joined the School of the Arts, which became the School of the Arts and Architectur ...
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NBC Opera Theatre
The NBC Opera Theatre (sometimes mistakenly spelled NBC Opera Theater and sometimes referred to as the NBC Opera Company) was an American opera company operated by the National Broadcasting Company from 1949 to 1964. The company was established specifically for the purpose of televising both established and new operas for television in English. Additionally, the company also gave live theatrical presentations of operas, sponsoring several touring productions in the United States and mounting works on Broadway."Less Tuneful Season in the Offing for TV" by Larry Wolters, ''The Chicago Tribune'', October 18, 1964 Conductor Peter Herman Adler served as the NBCOT's music and artistic director, and Samuel Chotzinoff as the company's producer. Conductor Herbert Grossman was an associate conductor with the company when it was founded, but was later promoted to conductor in 1956. From that point on Adler and Grossman shared the conducting load while Adler remained Music Director. NBC disban ...
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The Railroad Hour
''The Railroad Hour'' was a radio series of musical dramas and comedies broadcast from the late 1940s to the mid-1950s. Sponsored by the Association of American Railroads, the series condensed musicals and operettas to shorter lengths, concentrating on those written before 1943. Singer-actor Gordon MacRae starred in scripts by Jean Holloway, Jerome Lawrence and Robert Edwin Lee. Marvin Miller was the announcer. Warren Barker, at the age of 24, was appointed chief arranger for ''The Railroad Hour'', a position he held for six years. The show's musical director was Carmen Dragon. With its theme song, " I've Been Working on the Railroad", the series began on ABC October 4, 1948 as a 45-minute program, advertised as "World's Greatest Musical Comedies." It was reduced to 30 minutes on April 25, 1949, continuing until September 26, 1949. It then moved to NBC for a run from October 3, 1949, until June 21, 1954. On both networks it aired Monday evenings at 8pm (Eastern). Shows and pe ...
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The Voice Of Firestone
''The Voice of Firestone'' was a radio and television program of classical music. The show featured leading singers in selections from opera and operetta. Originally titled ''The Firestone Hour'', it was first broadcast on the NBC Radio network on December 3, 1928 and was later also shown on television starting in 1949. The program was last broadcast in 1963. Radio The program was sponsored by the Firestone Tire and Rubber Company and aired on the " Blue Network" of NBC Radio on Monday nights at 8:30 p.m. Eastern Standard Time from its 1928 inception. In 1948, ''The Voice of Firestone'' was the first commercial radio program to be carried simultaneously on both AM and FM radio stations. Firestone's 25th anniversary program was broadcast November 30, 1953, and it continued to be heard on radio until 1957.John Dunning's reference book, ''On the Air: The Encyclopedia of Old-Time Radio'', gives the date of the final radio broadcast as June 10, 1957. Regular performers on the ...
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Harvest Of Stars
''Harvest of Stars'' is a concert music series, produced and directed by Glen Heisch and starring James Melton. Sponsored by International Harvester, the program was broadcast on NBC and CBS from 1945 to 1950. Raymond Massey was the host when the show began October 7, 1945, on Sunday afternoons from 2:30pm to 3:00pm, offering opera selections along with standards and show tunes under the direction of Howard Barlow. Frank Black was the musical director in the 1947 series. On April 7, 1948, the show moved to Wednesday evenings at 9:30pm. Victor Young took over as musical director on January 5, 1949. Although usually emanating from New York, ''Harvest of Stars'' also toured for sell-out shows in major cities from San Francisco to Memphis. Guests included Bob Burns (doing a bazooka solo), Alfred Drake. Burl Ives. Dorothy Kirsten, Lauritz Melchior. Robert Merrill. Jan Peerce, Jane Powell, the Revelers (their first reunion since 1938), Lanny Ross, Rise Stevens and Alec Templet ...
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Frances Bible
Frances Lillian Bible (January 26, 1919 – January 29, 2001) was an American operatic mezzo-soprano who had a thirty-year career at the New York City Opera between 1948 and 1978. She also made a number of opera appearances with other companies throughout the United States, but only made a limited number of appearances abroad. Martin Bernheimer wrote in ''Opera News'' that, "Frances Bible was cheated by destiny. She never quite achieved the international recognition she deserved. Bible had it all—a mellow, wide-ranging mezzo-soprano, an attractive stage presence, genuine theatrical flair, a probing mind and a technique that allowed her to sing bel canto, bel-canto coloratura, filigree one night, Verdian drama the next. She was one of the rare American singers who savor the English language. She understood the value of economy, never stooping to easy effects. Perhaps she was too versatile, too tasteful and — dare one say it? — too intelligent for her own good." Biography Bibl ...
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Elisabeth Schwarzkopf
Dame Olga Maria Elisabeth Friederike Schwarzkopf, (9 December 19153 August 2006) was a German-born Austro-British soprano. She was among the foremost singers of lieder, and is renowned for her performances of Viennese operetta, as well as the operas of Mozart, Wagner and Richard Strauss. After retiring from the stage, she was a voice teacher internationally. She is considered one of the greatest sopranos of the 20th century. Early life Schwarzkopf was born on 9 December 1915 in Jarocin, Jarotschin in the Province of Posen in Prussia, German Empire, Germany (now Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (). Schwarzkopf performed in her first opera in 1928, as Eurydice in a school production of Christoph Willibald Gluck, Gluck's ''Orfeo ed Euridice'' in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin University of the Arts, Berlin Hochschule für Musik, where her singing tutor, Lula Mysz-Gmeiner, attempted to train her to be a mezzo-s ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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