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Door God
Menshen or door gods are divine guardians of doors and gates in Chinese folk religions, used to protect against evil influences or to encourage the entrance of positive ones. They began as the divine pair Shenshu ( ) and Yulü () under the Han, but the deified generals Qin Shubao () and Yuchi Gong () have been more popular since the Tang. In cases where a door god is affixed to a single door, Wei Zheng or Zhong Kui is commonly used. History The gates and doors of Chinese houses have long received special ritual attention. Sacrifices to a door spirit are recorded as early as the ''Book of Rites''.. By the Han, this spirit had become the two gods Shenshu and Yulü, whose names or images were painted into peachwood and attached to doors. When the Great Ancestor of the Tang ("Emperor Taizong") being plagued by nightmares, he ordered portraits of his generals Qin Shubao and Yuchi Gong to be affixed to gates. They eventually came to be considered divine protectors, replac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Folk Religion
Chinese folk religion, also known as Chinese popular religion comprehends a range of traditional religious practices of Han Chinese, including the Chinese diaspora. Vivienne Wee described it as "an empty bowl, which can variously be filled with the contents of institutionalised religions such as Buddhism, Taoism, Confucianism, the Chinese syncretic religions". This includes the veneration of ''shen'' (spirits) and ancestors, exorcism of demonic forces, and a belief in the rational order of nature, balance in the universe and reality that can be influenced by human beings and their rulers, as well as spirits and gods. Worship is devoted to gods and immortals, who can be deities of places or natural phenomena, of human behaviour, or founders of family lineages. Stories of these gods are collected into the body of Chinese mythology. By the Song dynasty (960-1279), these practices had been blended with Buddhist doctrines and Taoist teachings to form the popular religious s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Classic Novels
Classic Chinese Novels () are the best-known novels of pre-modern Chinese literature. These are among the world's longest and oldest novels. They represented a new complexity in structure and sophistication in language that helped to establish the novel as a respected form among later popular audiences and sophisticated critics. They include the ''Romance of the Three Kingdoms'', ''Water Margin'', ''Journey to the West'', and '' The Plum in the Golden Vase'' of the Ming dynasty and '' Dream of the Red Chamber (Story of the Stone)'' and '' The Scholars'' of the Qing dynasty. The scholar C. T. Hsia wrote that these six "remain the most beloved novels among the Chinese." Nomenclature and subgroupings The scholar Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's ''The Classic Chinese Novel''. He adds that he is not s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Characters
Traditional Chinese characters are one type of standard Chinese character sets of the contemporary written Chinese. The traditional characters had taken shapes since the clerical change and mostly remained in the same structure they took at the introduction of the regular script in the 2nd century. Over the following centuries, traditional characters were regarded as the standard form of printed Chinese characters or literary Chinese throughout the Sinosphere until the middle of the 20th century, before different script reforms initiated by countries using Chinese characters as a writing system. Traditional Chinese characters remain in common use in Taiwan, Hong Kong and Macau, as well as in most overseas Chinese communities outside Southeast Asia; in addition, Hanja in Korean language remains virtually identical to traditional characters, which is still used to a certain extent in South Korea, despite differing standards used among these countries over some variant Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Tiger (China)
The White Tiger ( Chinese: 白虎, Pinyin: ''Báihǔ''), known in Chinese as Baihu, is one of the Four Symbols of the Chinese constellations. It is sometimes called the White Tiger of the West (). It represents the west in terms of direction and the autumn season. It is known as Byakko in Japanese, Baekho in Korean, and Bạch Hổ in Vietnamese. Seven Mansions As with the other three Symbols, there are seven astrological "Mansions" (positions of the Moon) within the White Tiger. The names and determinative stars are: Origin In Chinese culture, the tiger is the king of the beasts and has been presented with a () on his forehead for centuries. According to legend, the tiger's tail would turn white when it reached the age of 500 years. In this way, the white tiger became a kind of mythological creature. It was said that the white tiger would only appear when the emperor ruled with absolute virtue or if there was peace throughout the world. Because the color white of the Wu X ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taoism In China
The People's Republic of China is officially an atheist state, but the government formally recognizes five religions: Buddhism, Taoism, Christianity (Catholicism and Protestantism are recognised separately), and Islam. In the early 21st century, there has been increasing official recognition of Confucianism and Chinese folk religion as part of China's cultural inheritance. Chinese civilization has historically long been a cradle and host to a variety of the most enduring religio-philosophical traditions of the world. Confucianism and Taoism (Daoism), later joined by Buddhism, constitute the "three teachings" that have shaped Chinese culture. There are no clear boundaries between these intertwined religious systems, which do not claim to be exclusive, and elements of each enrich popular or folk religion. The emperors of China claimed the Mandate of Heaven and participated in Chinese religious practices. In the early 20th century, reform-minded officials and intellectuals at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese New Year
Chinese New Year is the festival that celebrates the beginning of a new year on the traditional lunisolar and solar Chinese calendar. In Chinese and other East Asian cultures, the festival is commonly referred to as the Spring Festival () as the spring season in the lunisolar calendar traditionally starts with lichun, the first of the twenty-four solar terms which the festival celebrates around the time of the Chinese New Year. Marking the end of winter and the beginning of the spring season, observances traditionally take place from New Year’s Eve, the evening preceding the first day of the year to the Lantern Festival, held on the 15th day of the year. The first day of Chinese New Year begins on the new moon that appears between 21 January and 20 February. Chinese New Year is one of the most important holidays in Chinese culture, and has strongly influenced Lunar New Year celebrations of its 56 ethnic groups, such as the Losar of Tibet (), and of China's neighbours, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wu Cheng'en
Wu Cheng'en (, c. 1500–1582Shi Changyu (1999). "Introduction." in trans. W.J.F. Jenner, ''Journey to the West'', volume 1. Seventh Edition. Beijing: Foreign Languages Press. pp. 1–22. or 1505–1580), courtesy name Ruzhong (), was a Chinese novelist, poet, and politician during the Ming Dynasty. He is considered by many to be the author of ''Journey to the West'', one of the Classic Chinese Novels. Biography Wu was born in Lianshui, Jiangsu province, and later moved to Huai'an. Wu's father, Wu Rui, had had a good primary education and "shown an aptitude for study", but ultimately spent his life as an artisan because of his family's financial difficulties. Nevertheless, Wu Rui continued to "devote himself to literary pursuits", and as a child, Wu acquired the same enthusiasm for literature—including classical literature, popular stories, and anecdotes. He took the imperial examinations several times in attempt to become a mandarin, or imperial official, but never pas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tian
''Tiān'' () is one of the oldest Chinese terms for heaven and a key concept in Chinese mythology, philosophy, and religion. During the Shang dynasty (17th―11th century BCE), the Chinese referred to their supreme god as '' Shàngdì'' (, "Lord on High") or ''Dì'' (,"Lord"). During the following Zhou dynasty, ''Tiān'' became synonymous with this figure. Before the 20th century Heaven worship was an orthodox state religion of China. In Taoism and Confucianism, ''Tiān'' (the celestial aspect of the cosmos, often translated as "Heaven") is mentioned in relationship to its complementary aspect of '' Dì'' (, often translated as "Earth"). They are thought to maintain the two poles of the Three Realms () of reality, with the middle realm occupied by Humanity (, ''Rén''), and the lower world occupied by demons (specifically sorcery); (, ''Guǐ'') and "ghosts," the damned, specifically (, ''Mó''). Characters The modern Chinese character and early seal script both combine ''dà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go (game)
Go is an abstract strategy board game for two players in which the aim is to surround more territory than the opponent. The game was invented in China more than 2,500 years ago and is believed to be the oldest board game continuously played to the present day. A 2016 survey by the International Go Federation's 75 member nations found that there are over 46 million people worldwide who know how to play Go and over 20 million current players, the majority of whom live in East Asia. The playing pieces are called stones. One player uses the white stones and the other, black. The players take turns placing the stones on the vacant intersections (''points'') of a board. Once placed on the board, stones may not be moved, but stones are removed from the board if the stone (or group of stones) is surrounded by opposing stones on all orthogonally adjacent points, in which case the stone or group is ''captured''. The game proceeds until neither player wishes to make another move. Wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jade Emperor
The Jade Emperor or Yudi ( or , ') in Chinese culture, traditional religions and myth is one of the representations of the first god ( '). In Daoist theology he is the assistant of Yuanshi Tianzun, who is one of the Three Pure Ones, the three primordial emanations of the Tao. He is often identified with Śakra in Chinese Buddhist cosmology. The Jade Emperor is known by many names, including Heavenly Grandfather (, '), which originally meant "Heavenly Duke", which is used by commoners; the Jade Lord; the Highest Emperor; Great Emperor of Jade (, ' or , '). Chinese mythology There are many stories in Chinese mythology involving the Jade Emperor. He can also be regarded as a traditional figure among the White Lotus secret society. Origin It was said that Jade Emperor was originally the crown prince of the kingdom of Pure Felicity and Majestic Heavenly Lights and Ornaments. At birth, he emitted a wondrous light that filled the entire kingdom. When he was young, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chang'an
Chang'an (; ) is the traditional name of Xi'an. The site had been settled since Neolithic times, during which the Yangshao culture was established in Banpo, in the city's suburbs. Furthermore, in the northern vicinity of modern Xi'an, Qin Shi Huang of the Qin dynasty, China's first emperor, held his imperial court, and constructed his massive mausoleum guarded by the Terracotta Army. From its capital at Xianyang, the Qin dynasty ruled a larger area than either of the preceding dynasties. The imperial city of Chang'an during the Han dynasty was located northwest of today's Xi'an. During the Tang dynasty, the area that came to be known as Chang'an included the area inside the Ming Xi'an fortification, plus some small areas to its east and west, and a substantial part of its southern suburbs. Thus, Tang Chang'an was eight times the size of the Ming Xi'an, which was reconstructed upon the site of the former imperial quarters of the Sui and Tang city. During its heyday, Chang' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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