Donnerstag Aus Licht
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Donnerstag Aus Licht
275px, Karlheinz Stockhausens grave with the score to LICHT . (''Thursday from Light'') is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the first of seven to be composed for the opera cycle '' Licht: die sieben Tage der Woche'' (Light: The Seven Days of the Week). It was written between 1977 and 1980, with a libretto by the composer. Its second act, ''Michaels Reise um die Erde'' (''Michael's Journey Around the Earth''), has been performed and recorded individually. History was given its staged premiere on 15 March 1981 by the La Scala Opera in the Teatro alla Scala in Milan, but without the third act, which had to be omitted due to a strike by the opera chorus of La Scala. They had demanded soloists' bonuses because of one brief passage in act 3, and had been turned down by the management. Further performances without the third act followed on 18, 21, 24, and 27 March. An agreement was finally reached and the complete opera was finally p ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ...
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Lydia Steier
Lydia Steier (born 1978) is an American opera director who has made an international career based in Germany. She directed the Swiss premiere of Stockhausen's ''Donnerstag aus Licht'', chosen by critics as "Best Production of the Year" in 2016. In 2018, she became the first woman to stage Mozart's ''Die Zauberflöte'' at the Salzburg Festival, for the opening performance in 2018. Career Steier was born in Hartford, Connecticut. Her grandparents had left Vienna for the United States when the Nazis entered Vienna. She studied stage directing and voice at the Oberlin Conservatory of Music in Ohio. In 2002, she moved to Germany as a Fulbright student, and worked as an assistant at the Komische Oper Berlin. Steier staged a double bill of Leoncavallo's '' Pagliaccio'' and Busoni's ''Turandot'' at the Deutsches Nationaltheater Weimar, which was awarded the prize "Neuentdeckung des Jahres 2009" (discovery of the year) by Deutschlandradio Kultur. Her stagings of Handel's ''Saul'' at th ...
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Basset Horn
The basset horn (sometimes hyphenated as basset-horn) is a member of the clarinet family of musical instruments. Construction and tone Like the clarinet, the instrument is a wind instrument with a single reed and a cylindrical bore. However, the basset horn is larger and has a bend or a kink between the mouthpiece and the upper joint (older instruments are typically curved or bent in the middle), and while the clarinet is typically a transposing instrument in B or A (meaning a written C sounds as a B or A), the basset horn is typically in F (less often in G). Finally, the basset horn has additional keys for an extended range down to written C, which sounds F at the bottom of the bass staff. In comparison, the alto clarinet typically extends down to written E♭, which sounds G♭, one semitone higher than the basset horn. The timbre of the basset horn is similar to the alto clarinet's, but darker. Basset horns in A, G, E, E, and D were also made; the first of these is clos ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Adam And Eve
Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. They also provide the basis for the doctrines of the fall of man and original sin that are important beliefs in Christianity, although not held in Judaism or Islam. In the Book of Genesis of the Hebrew Bible, chapters one through five, there are two creation narratives with two distinct perspectives. In the first, Adam and Eve are not named. Instead, God created humankind in God's image and instructed them to multiply and to be stewards over everything else that God had made. In the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can eat freely of all the trees in the garden, except for a tree of the knowledge of good and evil. Subsequently, Eve is created from one of Adam's ri ...
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Markus Stockhausen
Markus Stockhausen (born May 2, 1957) is a German trumpeter and composer. His recordings and performances have typically alternated between jazz and chamber or opera music, the latter often in collaboration with his father, composer Karlheinz Stockhausen. Biography Born in Cologne, West Germany, he is the son of composer Karlheinz Stockhausen. At age four he appeared as "child at play" in his father's theatre piece '' Originale''. He received his first piano lessons at age six, and at age twelve he began to play the trumpet. He attended the music secondary school in Cologne. Concerts and festival appearances, also for the Goethe Institute, have taken him around the world. In November 2008 he gave the first performance of ''Freedom Variations'', a composition for trumpet and chamber ensemble written by Italian composer Lorenzo Ferrero. The Markus Stockhausen Group (with Jeroen van Vliet p, Christian Thomé dr, Jörg Brinkmann cello) released on 27 August 2021 the album ''Tales'' ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Robert Gambill
Robert Gambill (born March 31, 1955 in Indianapolis) is an opera singer (Heldentenor). Biography Gambill studied mathematics at Purdue University (1973-1976) before becoming an exchange student at Hamburg University in Germany, where he added German studies to his curriculum. He enrolled at the Hochschule für Musik und Theater in Hamburg where he studied voice with Prof. Hans Kagel. At 25 he made his La Scala debut in the leading role of Michael in the world premiere of Karlheinz Stockhausen's '' Donnerstag aus Licht'', directed by Luca Ronconi. He remained in Europe, and in 1984 joined the ensemble of the Zurich Opera in Switzerland. For three years he sang the leading lyric and belcanto tenor roles in operas such as ''Don Giovanni'', ''The Magic Flute'', ''The Barber of Seville'' and ''Die Lustigen Weiber von Windsor''. His international career kicked off after he sang the role of Lindoro in Rossini's ''The Italian Girl in Algiers'' in 1987, directed by Michael Hampe. ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Exoteric
Exoteric refers to knowledge that is outside and independent from a person's experience and can be ascertained by anyone (related to common sense). The word is derived from the comparative form of Greek ἔξω ''eksô'', "from, out of, outside". It signifies anything which is public, without limits, or universal. It is distinguished from internal esoteric knowledge. "Exoteric" relates to external reality as opposed to a person's thoughts or feelings. It is knowledge that is public as opposed to secret or cabalistic. It is not required that exoteric knowledge come easily or automatically, but it should be referenceable or reproducible. Philosophical context Most philosophical and religious belief systems presume that reality must be independent of what an individual makes of it. However, even before the days of Plato, a prominent alternate theory of knowledge insisted that the perceived outside reality is merely an internal fabrication of the observer and that it has no existen ...
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Michael (archangel)
Michael (; he, מִיכָאֵל, lit=Who is like El od, translit=Mīḵāʾēl; el, Μιχαήλ, translit=Mikhaḗl; la, Michahel; ar, ميخائيل ، مِيكَالَ ، ميكائيل, translit=Mīkāʾīl, Mīkāl, Mīkhāʾīl), also called Saint Michael the Archangel, Saint Michael the Taxiarch in Orthodoxy and Archangel Michael is an archangel in Judaism, Christianity, Islam and the Baha'i faith. The earliest surviving mentions of his name are in 3rd- and 2nd-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels and responsible for the care of Israel. Christianity adopted nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the author denounces heretics by contrasting them with Michael. Second Temple Jewish writings The earliest surviving mention of Michael is in a 3rd century BC Jewish ...
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Le Balcon
Le Balcon is a chamber orchestra dedicated to the interpretation of music through the amplification of acoustic instruments. The ensemble has numerous aims: to stimulate writing for amplified acoustic instruments and to rethink the aesthetic of the concert, seeking new methods of production, interpretation, and configuration. Effective amplification gives the ensemble the ability to perform a concert in all of its guises and in every setting : concert halls, public spaces, open arenas and even passage ways... This setup allows the ensemble to go beyond the natural acoustics of the performance space and the chance to reach out to a larger audience with a repertoire that has habitually been reserved for affiliates of the contemporary scene. The ensemble offers new possibilities for musical interpretation with particular regard to the instrumental performance: the correlation between visual gestures and the actual sound which is heard can be completely transformed. Moreover, in the c ...
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