Donald Rickles (announcer)
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Donald Rickles (announcer)
Donald Newton Rickles (October 7, 1927 – February 19, 1985) was an American radio and television announcer, news anchor, and actor. Early life He was born Donald Newton Rickles in Portland, Oregon on October 7, 1927. Career Rickles began his announcing career at the age of 11 at KBPS (AM) in Portland. Later, he was chief announcer for KUSC-FM in Los Angeles, California. Other stations where he worked early in his career included KGW and KEX in Portland and KVAN in Vancouver, Washington. In 1949, he became an announcer at KIEV in Los Angeles, and a year later, joined the announcing staff of NBC in Hollywood. He was part of a core group of West Coast announcers for the network who, in his early years, included Don Stanley, Arch Presby, Eddy King, and Frank Barton; by the 1970s, the main core announcing lineup had become Rickles, Stanley, Victor Bozeman, and Peggy Taylor. Rickles' radio announcing credits included ''The Whisperer'', ''The Great Gildersleeve'', '' N ...
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Portland, Oregon
Portland (, ) is a port city in the Pacific Northwest and the largest city in the U.S. state of Oregon. Situated at the confluence of the Willamette and Columbia rivers, Portland is the county seat of Multnomah County, the most populous county in Oregon. Portland had a population of 652,503, making it the 26th-most populated city in the United States, the sixth-most populous on the West Coast, and the second-most populous in the Pacific Northwest, after Seattle. Approximately 2.5 million people live in the Portland metropolitan statistical area (MSA), making it the 25th most populous in the United States. About half of Oregon's population resides within the Portland metropolitan area. Named after Portland, Maine, the Oregon settlement began to be populated in the 1840s, near the end of the Oregon Trail. Its water access provided convenient transportation of goods, and the timber industry was a major force in the city's early economy. At the turn of the 20th century, the ...
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The Whisperer
''The Whisperer'' was an American old-time radio program which broadcast 13 episodes on late Sunday afternoons :00 p.m. Easternas a summer replacement from July 8 to September 30, 1951 on NBC. It was based on stories by Dr. Stetson Humphrey (in collaboration with his wife, Irene). The tone of the show was often tongue-in-cheek, and satirized the radio crime dramas of the day. Plot Lawyer Philip Gault (Carleton G. Young), due to a college football injury, lost his voice and can only speak in an eerie whisper. Gault infiltrates "the syndicate" in his native Central City to bring down organized crime from within; to the underworld, he becomes known as the Whisperer. Later, his voice is restored through surgery, but he continues to lead a double life as the Whisperer, relaying instructions by telephone from the syndicate bosses in New York (who don't know he's a mole) to their lackeys in Central City, whom Gault is actually setting up. In the prologue to the final episode fr ...
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Voice-over
Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non-Diegetic#Film sound and music, diegetic)—is used in a radio, television production, filmmaking, theatre, or other presentations. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in Documentary film, documentaries or news reports to explain information. Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It may also be read live for events such as award presentations. Voice-over ...
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Sketch Comedy
Sketch comedy comprises a series of short, amusing scenes or vignettes, called "sketches", commonly between one and ten minutes long, performed by a group of comic actors or comedians. The form developed and became popular in vaudeville, and is used widely in variety shows, comedy talk shows, and some sitcoms and children's television series. The sketches may be improvised live by the performers, developed through improvisation before public performance, or scripted and rehearsed in advance like a play. Sketch comedians routinely differentiate their work from a "skit", maintaining that a skit is a (single) dramatized joke (or "bit") while a sketch is a comedic exploration of a concept, character, or situation.Sketch
definition 3b, Merriam-Webster online. Retrieved 5/4/2019


History

Sketch comedy has its origins in

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Bob Hope
Leslie Townes "Bob" Hope (May 29, 1903 – July 27, 2003) was a British-American comedian, vaudevillian, actor, singer and dancer. With a career that spanned nearly 80 years, Hope appeared in more than 70 short and feature films, with 54 feature films with Hope as star, including a series of seven '' Road to ...'' musical comedy films with Bing Crosby as Hope's top-billed partner. In addition to hosting the Academy Awards show 19 times, more than any other host, Hope appeared in many stage productions and television roles and wrote 14 books. The song "Thanks for the Memory" was his signature tune. Hope was born in the Eltham district of southeast London, he arrived in the United States with his family at the age of four, and grew up near Cleveland, Ohio. After a brief career as a boxer in the late 1910s, Hope began his career in show business in the early 1920s, initially as a comedian and dancer on the vaudeville circuit, before acting on Broadway. Hope began appeari ...
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The NBC Monday Movie
''The NBC Monday Movie'' was a television anthology series of films that debuted on February 4, 1963 (in the middle of the 1962-63 season). It was referred to as ''Monday Night at the Movies'' prior to the mid-1980s. Contrary to popular contemporary belief, the corporate initials, "NBC", were, at first, not part of the official title for the network's anthologies of old movies, and would not be for years to come. Thus, in 1964, when the show was transferred by the network's programming executives to Wednesday nights, it became ''Wednesday Night at the Movies''. And in 1965, when the program moved to Tuesdays, it became ''Tuesday Night at the Movies''. It would remain there until 1969. The name would henceforth change depending on whichever night of the week the program aired. Moreover, by 1968, there was once again a weekly ''Monday Night at the Movies'' on the air. It ran until 1997. In the latter years of ''Monday Night at the Movie's'' run, more and more made-for-TV movies ...
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NBC Saturday Night At The Movies
''NBC Saturday Night at the Movies'' was the first TV show to broadcast in color relatively recent feature films from major studios. The series premiered on September 23, 1961, and ran until October 1978, spawning many imitators. Previously, television stations had been only been able to show older, low-budget, black-and-white films that wouldn't be shown at movie theaters. In the late 1970s, competition from cable television and home video led to a decline in viewership. History Background and early history In the early days of television, major studios were reluctant to release films on TV, and those films that were released were usually low-budget B films or older black-and-white academy ratio films, that had lost much of their value to the theaters, with the notable exceptions of some of Walt Disney's films and '' The Wizard of Oz'' (1939). Those films became standard fare for independent stations and the non-prime time schedules of the network affiliates by the late 1950s ...
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Sanford And Son
''Sanford and Son'' is an American sitcom television series that ran on the NBC television network from January 14, 1972, to March 25, 1977. It was based on the British sitcom ''Steptoe and Son'', which initially aired on BBC One in the United Kingdom from 1962 to 1974. Known for its edgy racial humor, running gags, and catchphrases, the series was adapted by Norman Lear and considered NBC's answer to CBS's ''All in the Family''. ''Sanford and Son'' has been hailed as the precursor to many other African-American sitcoms. It was a rating hit throughout its six-season run, finishing in the Nielsen top ten for five of those seasons. While the role of Fred G. Sanford was known for his bigotry and cantankerousness, the role of Lamont Sanford was that of Fred's long-suffering, conscientious, peacemaker son. At times, both characters involved themselves in schemes, usually as a means of earning cash quickly to pay off their various debts. Other colorful and unconventional chara ...
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The Flip Wilson Show
''The Flip Wilson Show'' is an hour-long variety show that originally aired in the US on NBC from September 17, 1970, to June 27, 1974. The show starred American comedian Flip Wilson; the program was one of the first American television programs starring a black person in the title role to become highly successful with a white audience. Specifically, it was the first successful network variety series starring an African American. During its first two seasons, its Nielsen ratings made it the nation's second most watched show. Overview The show consisted of many skits in a 60-minute variety format. It also broke new ground in American television by using a "theatre-in-the-round" stage format, with the audience seated on all sides of a circular performance area (with some seats located ''behind'' the sketch sets on occasion). Wilson was most famous for creating the role of Geraldine Jones, a sassy, modern woman who had a boyfriend named Killer (who, when not in prison, was at the ...
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The Dean Martin Show
''The Dean Martin Show'', not to be confused with the ''Dean Martin Variety Show'' (1959–1960), is a TV variety-comedy series that ran from 1965 to 1974 for 264 episodes. It was broadcast by NBC and hosted by Dean Martin. The theme song to the series was his 1964 hit "Everybody Loves Somebody." Nielsen ratings * Season 1 (September 16, 1965 – May 5, 1966, 31 episodes): #52 * Season 2 (September 8, 1966 – April 27, 1967, 33 episodes): #14 * Season 3 (September 14, 1967 – April 4, 1968, 30 episodes): #8 * Season 4 (September 19, 1968 – April 24, 1969, 30 episodes): #8 * Season 5 (September 18, 1969 – June 18, 1970, 31 episodes): #14 * Season 6 (September 17, 1970 – April 8, 1971, 28 episodes): #24 * Season 7 (September 16, 1971 – April 13, 1972, 28 episodes): #36 * Season 8 (September 14, 1972 – April 12, 1973, 28 episodes): #49 * Season 9 (September 6, 1973 – April 5, 1974, 25 episodes): #42 The series was a staple for NBC, airing Thursdays at 10:00 p.m. for eig ...
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Tennessee Ernie Ford
Ernest Jennings Ford (February 13, 1919 – October 17, 1991), known professionally as Tennessee Ernie Ford, was an American singer and television host who enjoyed success in the country and western, pop, and gospel musical genres. Noted for his rich bass-baritone voice and down-home humor, he is remembered for his hit recordings of "The Shotgun Boogie" and "Sixteen Tons". Biography Early years Ford was born in Bristol, Tennessee, United States, to Maud (née Long) and Clarence Thomas Ford. He spent a lot of his time in his early years listening to country or western musicians, in person or on the radio. Ford began wandering around Bristol in his high school years, taking an interest in radio and began his radio career as an announcer at WOPI-AM in 1937, being paid 10 dollars a week. In 1938, the young bass-baritone left the station and went to study classical music at the Cincinnati Conservatory of Music in Ohio. He returned for the announcing job in 1939 and did it from 1 ...
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Coke Time With Eddie Fisher
''Coke Time with Eddie Fisher'' is an American musical variety television series starring singer Eddie Fisher which was broadcast by NBC on Wednesday and Friday nights from 7:30 to 7:45 p.m. Eastern Time on Wednesdays and Fridays, from April 29, 1953, to February 22, 1957. It was not seen during the summer months. (A radio edition, recorded from previous TV soundtracks, was also heard on Tuesdays and Thursdays at 7:45 P.M. Eastern Time over the Mutual Broadcasting System from 1953 through 1955). The opening theme was "May I Sing to You". Overview The program was initially hosted by Don Ameche with Freddy Robbins as the announcer, but in late October 1953 Ameche left the program and Robbins became its host. As could have been surmised from the title, the program was sponsored by Coca-Cola. The house band was Axel Stordahl and His Orchestra, and beginning in 1956 the singing group The Echoes appeared as a permanent backup group for Fisher and his frequent guest stars. The p ...
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