Don't Think I'm Not
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Don't Think I'm Not
"Don't Think I'm Not" is the debut solo single of American R&B singer Kandi from her debut album, '' Hey Kandi...'' (2000). Kandi co-wrote the song with Kevin "She'kspere" Briggs, Katrina Willis, and Bernard Edwards, Jr. and produced it alongside Briggs. Released on July 11, 2000, "Don't Think I'm Not" reached number 24 on the US ''Billboard'' Hot 100 and number 32 on the ''Billboard'' Hot R&B/Hip-Hop Singles & Tracks chart. Outside the US, the song reached the top 20 in Australia, the Netherlands, New Zealand, and the United Kingdom. Chart performance "Don't Think I'm Not" debuted at number 66 on the Hot 100 the week ending August 5, 2000. The single then peaked at number 24, the week ending October 7, 2000. The single soon dropped off the chart the week ending January 20, 2001. Music video Kandi released a video for "Don't Think I'm Not" in 2000, directed by Bille Woodruff. Kandi filmed the video with a broken right leg after it was crushed between two cars shortly before ...
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Kandi Burruss
Kandi Lenice Burruss Tucker (born May 17, 1976), known professionally by her mononym Kandi, is an American producer, television personality, singer, songwriter and actress. She first gained notice in 1992 as a member of the female vocal group Xscape. In 2000, she won a Grammy Award for Best R&B Song for her writing contributions on the TLC hit song " No Scrubs". Burruss has starred in the Bravo reality television series ''The Real Housewives of Atlanta'' since its second-season premiere on July 30, 2009. Burruss has appeared in six ''Real Housewives'' spinoff and companion series as of 2022, beginning with 2012's ''The Kandi Factory'', and continuing on with ''Kandi's Wedding'' (2014), ''Kandi's Ski Trip'' (2015), and '' Xscape: Still Kickin' It'' (2017), all of which were aired by Bravo. Burruss also appeared as a guest in Kim Zolciak-Biermann's wedding special ''Don't Be Tardy for the Wedding'' in 2012. Burruss's sixth Bravo companion series appearance, and fifth series overall ...
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MIDI Keyboard
A MIDI keyboard or controller keyboard is typically a piano-style electronic musical keyboard, often with other buttons, wheels and sliders, used for sending MIDI signals or commands over a USB or MIDI 5-pin cable to other musical devices or computers. MIDI keyboards lacking an onboard sound module cannot produce sounds themselves, however some models of MIDI keyboards contain both a MIDI controller and sound module, allowing them to operate independently. When used as a MIDI controller, MIDI information on keys or buttons the performer has pressed is sent to a receiving device capable of creating sound through modeling synthesis, sample playback, or an analog hardware instrument. The receiving device could be: *a computer running a digital audio workstation (DAW) or a standalone VST/AU instrument (alternatively, the computer could be used to re-route the MIDI signal to other devices) *a sound module *a digital (digital piano/stage piano) or analogue (synthesizer) hardw ...
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Kandi Burruss Songs
Kandi may refer to: Geography * Kandi, Benin, a town, ''arrondissement'', and commune in Benin * Kandi I, Kandi II, and Kandi III, ''arrondissements'' (administrative divisions) in Benin * Kandi, Iran, in Fars Province, Iran *Kandi, Balochistan, a town in Balochistan, Pakistan *Kandi, Murshidabad, a town in West Bengal, India *Kandi subdivision, a subdivision of Murshidabad district *Kandi (community development block), in Murshidabad district * Kandi (Vidhan Sabha constituency), in Murshidabad district * Kandi, Ardabil, a village in Iran People *Kandi Burruss (born 1976), a rhythm and blues singer/songwriter *Daniel Kandi (born 1983), a Danish trance producer and disc jockey *Kandi, fictional ex-girlfriend of Alan Harper (''Two and a Half Men'') * Ibrahim Wisan (born 1977), a Maldivian cinematographer, actor and director nicknamed Kandi Other uses *Kandi Technologies, Chinese manufacturer of electric cars *Kandi, the name of the tree ''Prosopis cineraria ''Prosopis ciner ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Gavin Report
The ''Gavin Report'' was a San Francisco-based radio industry trade publication. The publication was founded by radio performer Bill Gavin in 1958. Its Top 40 listings were used for many years by programmers to decide content of programs. The publication was also responsible for running the Gavin Seminar, a convention for radio industry members. In February 2002, United Business Media, who had owned the Gavin Report since 1992, decided to close the publication. Gavin executives cited a lack of cooperation on the part of media conglomerates (specifically naming Clear Channel Communications and Infinity Broadcasting Infinity Broadcasting Corporation was a radio company that existed from 1972 until 2005. It was founded by Michael A. Wiener and Gerald Carrus. It became associated with popular radio personalities like Howard Stern, Opie and Anthony, Don Imus ...), as well as poor convention attendance as reasons for the closure. References Professional and trade magazines ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ...
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Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ...
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Urban Radio
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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