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Don't Stop (Jeffrey Osborne Album)
''Don't Stop'' is the third solo album by Jeffrey Osborne, released on September 21, 1984. Reception The album reached #39 on the Billboard 200 albums chart and #7 on the R&B album chart. The title song as well as the two other singles, "The Borderlines" and "Let Me Know", all reached #6, #7, and #44 on the R&B Singles Chart. Track listing #"Don't Stop" (David Batteau, Danny Sembello) - 4:09 #"Let Me Know" (Geoffrey Brillhart Leib, Jeffrey Osborne) - 5:26 #"The Borderlines" (Raymond Jones) - 5:27 #"The Power" (Don Freeman, Warren Giancaterino, Jeffrey Osborne) - 4:51 #"Is It Right" (Jeffrey Osborne, Hawk Wolinski, David Wolinski) - 4:46 #"You Can't Be Serious" (Don Freeman, Jeffrey Osborne) - 4:37 #"Crazy 'Bout Cha" (Don Freeman, Jeffrey Osborne) - 3:31 #"Hot Coals" (Don Freeman, Jeffrey Osborne) - 3:27 #"Live for Today" (David Batteau, Don Freeman, Jeffrey Osborne) - 4:26 Personnel Performers and Musicians * Jeffrey Osborne – lead vocals, backing vocals (1-7), E-mu Emula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeffrey Osborne
Jeffrey Linton Osborne (born March 9, 1948) is an American singer-songwriter, musician, and lyricist. He is the former drummer and lead singer of the American R&B/soul group L.T.D., with whom he began his musical career in 1970. Biography Early life and family Osborne was born in Providence, Rhode Island. Born the youngest of twelve children which consisted of five brothers and six sisters, Osborne's family was musically inclined. Some of Osborne's siblings went on to have music careers as well; his brother Billy Osborne was his band-mate in L.T.D. Osborne's father, Clarence "Legs" Osborne, was a popular trumpeter who played with Lionel Hampton, Count Basie, and Duke Ellington. Osborne's father died in 1961 when Osborne was thirteen. L.T.D. Osborne began his music career in 1970 becoming a member of the American soul band "Love Men Ltd.", who would later become known as L.T.D. The band recorded hit singles such as " (Every Time I Turn Around) Back in Love Again" (1977), "Concen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequential Circuits Prophet 5
The Prophet-5 is an analog synthesizer manufactured by the American company Sequential. It was designed by Dave Smith and John Bowen in 1977, who used microprocessors, then a new technology, to create the first polyphonic synthesizer with fully programmable memory. This allowed users to store sounds and recall them instantly rather than having to reprogram them manually; whereas synthesizers had once created unpredictable sounds, the Prophet-5 moved synthesizers to producing "a standard package of familiar sounds". Between 1978 and 1984, about 6,000 units were produced across three revisions. In 1981, Sequential released a 10-voice, double-keyboard version, the Prophet-10. Sequential introduced new versions in 2020, and it has been emulated in software synthesizers and hardware. The Prophet-5 has been widely used in popular music and film soundtracks. Development The Prophet-5 was created in 1977 by Dave Smith and John Bowen at Sequential Circuits. At the time, Smith had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Sembello
Michael Andrew Sembello (born April 17, 1954) is an American singer, guitarist, keyboardist, songwriter, composer and producer from Philadelphia, Pennsylvania. Sembello was nominated for an Academy Award and a Golden Globe for his 1983 song "Maniac", which he sang and co-wrote. The song reached number one in the United States and featured in the ''Flashdance'' film soundtrack. He is the brother of the late songwriter and composer Danny Sembello and the late singer songwriter John Sembello of Dino & Sembello fame. Early life Sembello was born and raised in Ardmore, Pennsylvania, a western suburb of Philadelphia. Career Sembello began his career in music as a session musician, working as a guitarist. By age 17, he was working professionally with Stevie Wonder on electric and acoustic guitar as a studio player on Wonder's ''Fulfillingness' First Finale''. He continued the same year, chosen as one of the core artists who worked on ''Songs in the Key of Life'', an ambitious doub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They were a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PPG Wave
The PPG Wave is a series of synthesizers built by the German company Palm Products GmbH from 1981 to 1987. Background Until the early 1980s, the tonal palette of commercial synthesizers was limited to that which could be obtained by combining a few simple waveforms such as sine, sawtooth, pulse. The result was shaped with VCFs and VCAs. Wolfgang Palm transcended this limitation by pioneering the concept of wavetable synthesis, where single cycle waveforms of differing harmonic spectra were stored in adjacent memory slots. Dynamic spectral shifts were achieved by scanning through the waveforms, with interpolation used to avoid noticeable 'jumps' between the adjacent waveforms. Palm's efforts resulted in PPG's first wavetable synthesizer, the Wavecomputer 360 (1978), which provides the user with 30 different wavetables consisting of 64 waves each. While the expansive range of sound is evident, the absence of filters results in the Wavecomputer 360 sounding buzzy and thin, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Juno-60
The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6, an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators, allowing for greatly improved tuning stability over its competitors. The Juno-6 and Juno-60 were introduced as low-cost alternatives to polyphonic synths such as the Sequential Circuits Prophet-5 and Roland's own Jupiter-8. Its built-in chorus effect was designed to make up for the weaker sound of its single oscillator, and it went on to become its signature effect. The Juno-60 had an immediate impact in 1980s pop music, being used on hits such as "Take On Me" by A-ha and " Time After Time" by Cyndi Lauper. The Juno-60 continued to be popular in the 1990s, being used by house and techno artists. It experienced a resurgence in the 2000s and beyond, gaining popularity amongst modern pop, indie and synthwave artists. It has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight (company)
Fairlight is a digital audio company based in Sydney. In 1979 they created the Fairlight CMI, one of the earliest digital audio workstation (DAW) with digital audio sampler, quickly used by artists such as Peter Gabriel, Kate Bush, and Jean Michel Jarre. They have since become a manufacturer of media tools such as digital audio recording and mixing consoles. Fairlight became such a prominent part of 1980s pop music that Phil Collins included the text "there is no Fairlight on this record" in the liner notes of ''No Jacket Required''. History In 1975, Fairlight Instruments Pty Ltd was established by Peter Vogel and Kim Ryrie. They produced microprocessor-based music workstations with samplers, which were revolutionary for their time. New sounds could be created by drawing a 'sound wave' on the screen, which the computer would produce as sound. Theoretically, any sound was possible. Apart from opening up a world of new sounds, the Fairlight gave composers and performers in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Chang
Gary Chang is an American composer of scores for film and television. Working primarily in the action and thriller genres, he has composed the scores to over seventy films, including ''Under Siege, Sniper (1993 film), Sniper'', and ''The Island of Dr. Moreau (1996 film), The Island of Dr. Moreau.'' He is also a long-time collaborator of directors John Frankenheimer and Craig R. Baxley. For his work on ''Under Siege'', he won a BMI Awards, BMI Award. Selected filmography Film * ''The Breakfast Club'' (1985) * Firewalker (film), ''Firewalker'' (1986) * ''52 Pick-Up'' (1986) * ''Sticky Fingers (1988 film), Sticky Fingers'' (1988) * ''Dead Bang'' (1989) * ''A Shock to the System (1990 film), A Shock to the System'' (1990) * ''Miami Blues'' (1990) * Death Warrant (film), ''Death Warrant'' (1990) * ''The Perfect Weapon (1991 film), The Perfect Weapon'' (1991) * ''Under Siege'' (1992) * Sniper (1993 film), ''Sniper'' (1993) * The Island of Dr. Moreau (1996 film), ''The Island of Dr. Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter 8
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981. The Jupiter-8 was Roland's flagship synthesizer for the first half of the 1980s. Approximately 3300 units have been produced. Although it lacked the soon-to-be standard of MIDI control, later production series of the Jupiter-8 did include Roland's proprietary DCB interface. The instrument had many advanced features for its time, including the ability to split the keyboard into two zones, with separate patches active on each zone. Two years after the release of the Jupiter-8, Roland released the more affordable Jupiter-6 synthesizer with built-in MIDI control but an otherwise slightly reduced set of features. In 2011, three decades after the release of the original Jupiter series, Roland released the fully digital Jupiter-80 and Jupiter-50 synthesizers as successors to the 1980s originals. They were in turn succeeded by the Jupiter-X and Jupite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago (band), Chicago, Phil Collin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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