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Don't Let Me Die
"Don't Let Me Die" is a song by American rapper Jay-Z and American singer R. Kelly. It is the second single from their collaboration album '' Unfinished Business'' (2004). The song was produced by Tone of the Trackmasters and Kelly, with co-production from Alexander "Spanador" Mosley. Critical reception Tom Breihan of ''Pitchfork'' wrote that the song's gospel choir, which he described as "bazonkers", was one of the better aspects of the Trackmasters' "clean" sound throughout ''Unfinished Business''. Nathan Rabin of ''The A.V. Club'' wrote the song "amplifies the disc's abundant cheese to operatic levels, complete with a choir and an unhinged Kelly vocal". In popular culture In the 2013 film '' G.I. Joe: Retaliation'', Roadblock A roadblock is a temporary installation set up to control or block traffic along a road. The reasons for one could be: *Roadworks *Temporary road closure during special events * Police chase *Robbery *Sobriety checkpoint In peaceful circumstances ... in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay-Z
Shawn Corey Carter (born December 4, 1969), known professionally as Jay-Z, is an American rapper, record producer, entrepreneur, and founder of Manhattan-based conglomerate talent and entertainment agency Roc Nation. He is regarded as one of the most influential hip-hop artists. He was the CEO of Def Jam Recordings and he has been central to the creative and commercial success of artists including Kanye West, Rihanna, and J. Cole. Born and raised in New York City, Jay-Z first began his musical career in the late 1980s; he co-founded the record label Roc-A-Fella Records in 1995 and released his debut studio album ''Reasonable Doubt (album), Reasonable Doubt'' in 1996. The album was released to widespread critical success, and solidified his standing in the music industry. He went on to release twelve additional albums, including the acclaimed albums ''The Blueprint'' (2001), ''The Black Album (Jay-Z album), The Black Album'' (2003), American Gangster (album), ''American Gangs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roadblock (G
A roadblock is a temporary installation set up to control or block traffic along a road. The reasons for one could be: *Roadworks *Temporary road closure during special events * Police chase *Robbery *Sobriety checkpoint In peaceful circumstances, they are usually installed by the police or road transport authorities; they are also commonly employed during wars and are usually staffed by heavily armed soldiers in that case. During protests and riots, both police and demonstrators sometimes use roadblocks. 1 Global Bus. L. Rev. 229 (2010-201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay-Z Songs
The following is a list of songs by Jay-Z organized by alphabetical order. The songs on the list are all included in official label-released, albums, soundtracks and singles, but not white label or other non-label releases. Next to the song titles is the album, soundtrack or single on which it appears. Remixes and live versions of songs are listed as bullet points below the original song, but clean, explicit, a cappella and instrumental variations are not included. 0 – 9 # "'03 Bonnie & Clyde" Featuring Beyoncé ('' The Blueprint 2: The Gift & The Curse'', 2002) # "1-900-Hustler" Featuring Beanie Sigel, Memphis Bleek & Freeway ('' The Dynasty: Roc La Familia'', 2000) # "100$ Bill" ('' The Great Gatsby: Music from Baz Luhrmann's Film'', 2013) # "2 Many Hoes" ('' The Blueprint 2: The Gift & The Curse'', 2002) # "8 Miles And Runnin" Featuring Freeway (''8 Mile Soundtrack'', 2002) # "20 Bag Shorty" Featuring Gotti, Fordy and Niela (''The Projects Presents: Balhers Forever'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2004 Songs
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other han ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2004 Singles
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other hand, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Island Def Jam Music Group
The Island Def Jam Music Group (IDJMG) was an American recording music unit, formed on New Year's Eve 1998 by the Universal Music Group. It consists of labels devised and consisted under the basic operations of Island Records and Def Jam Recordings. On April Fools Day 2014, Universal Music publicly announced the disbandment of the Island Def Jam Music Group, leaving Island, Def Jam and its affiliated subsidiaries as separate sister labels. History 1999: Seagram buyout of PolyGram and unit formation On December 10, 1998, Seagram, The Seagram Company completed its seven-month $10.6 billion dollar plan to acquire PolyGram, merging its music label unit with the MCA Inc., MCA Music unit of labels, consolidating both into what is known today as the Universal Music Group. Following the formation of the Universal Music Group, and right on time for New Year's Day 1999, came the creation of the Island Def Jam Music Group, a new music label unit founded through the combination of fourtee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jive Records
Jive Records was an American independent record label founded by Clive Calder in 1981 as a subsidiary to the Zomba Group. In the US, the label had offices in New York City and Chicago. Jive was best known for its successes with hip hop, R&B, and dance acts in the 1980s and 1990s, along with teen pop and boy bands during the late 1990s and early 2000s. Jive was acquired by Bertelsmann Music Group in 2002. In 2008, BMG itself was bought out by Sony Music Entertainment. Jive Records thereupon remained a unit wholly owned by Sony up until the label’s dissolution in 2011, when Jive was absorbed into RCA Records. History 1970s: Beginnings In 1971, South African businessmen Clive Calder and Ralph Simon began a publishing and management company. It was named Zomba Records and relocated to London, England, four years later; their first client was a young Robert "Mutt" Lange. Zomba originally wanted to avoid record labels to instead focus on their songwriters and producers while allow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Contemporary Music
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Top 40
The Rhythmic chart (also called Rhythmic Airplay, and previously named Rhythmic Songs, Rhythmic Top 40 and CHR/Rhythmic) is an airplay chart published weekly by ''Billboard'' magazine. The chart tracks and measures the airplay of songs played on rhythmic radio stations, whose playlist includes mostly hit-driven R&B/hip-hop, rhythmic pop, and some dance tracks. Nielsen Audio sometimes refers to the format as rhythmic contemporary hit radio. History ''Billboard'' magazine first took notice of the newly emerged genre on February 27, 1987, when it launched the first crossover chart, Hot Crossover 30. It originally consisted of thirty titles and was based on reporting by eighteen stations, five of which were considered as ''pure'' rhythmic. The chart featured a mix of urban contemporary, top 40 and dance hits. In September 1989, ''Billboard'' split the Hot Crossover 30 chart in two: Top 40/Dance and Top 40/Rock, the latter of which focused on rock titles which crossed over. By Dece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
