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Don't Let Me Be Misunderstood
"Don't Let Me Be Misunderstood" is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for the American singer-songwriter and pianist Nina Simone, who recorded the first version in 1964. "Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by The Animals, which was a blues rock version; and a 1977 by the disco group Santa Esmeralda, which was a four-on-the-floor rearrangement. A 1986 cover by new wave musician Elvis Costello found success in Britain and Ireland. Nina Simone original Composer and arranger Horace Ott came up with the melody and chorus lyrics after a temporary falling out with his girlfriend (and wife-to-be), Gloria Caldwell. Hilton Valentine"Stories" Hiltonvalentine.com, April 28, 2001. Retrieved 6 September 2007. Ott then brought it to writing partners Bennie Benjamin and Sol Marcus to complete. However, when it came time for songwriting credits, rules of the time pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nina Simone
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone (), was an American singer, songwriter, pianist, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. The sixth of eight children born from a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission,Liz Garbus, 2015 documentary film, '' What Happened, Miss Simone?'' which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree. To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to "Nina Simone" to disguise he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four On The Floor (music)
Four-on-the-floor (or four-to-the-floor) is a rhythm pattern used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)."The Dance Music Manual: Tools, Toys and Techniques," Rick Snoman (2004) This was popularized in the disco music of the 1970s and the term ''four-on-the-floor'' was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum. Four on the floor was common in jazz drumming until bebop styles expanded rhythmic roles beyond the basics in the 1940s. Garage rock bands of the 1960s such as the Troggs and the Seeds used four-on-the-floor on some of their hits. Earl Young is seen as the inventor of the disco style of rock drumming (in Harold Melvin & the Blue Notes's " The Love I Lost" from 1973), as he was the first to make extensive and distinctive use of the hi-hat cymbal throughout the playing time of an R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues Rock
Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues songs into the pop charts. In the US, Lonnie Mack, the Paul Butterfield Blues Band, and C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovable (Elvis Costello Song)
Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love for food. Most commonly, love refers to a feeling of a strong attraction and emotional attachment.''Oxford Illustrated American Dictionary'' (1998) Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards other humans, one's self, or animals.Fromm, Erich; ''The Art of Lovi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Green Shirt
"Green Shirt" is a song written by new wave musician Elvis Costello and recorded by Costello with his backing band the Attractions. The song appeared on Costello's 1979 third album, '' Armed Forces''. Lyrically inspired by the influence of the National Front and the Quisling Clinic in Wisconsin, "Green Shirt" features a vocal recorded by Costello after a "night of carousing". "Green Shirt" was not released as a single at the time of its 1979 release, but in 1985 it saw single release to promote '' The Man: The Best of Elvis Costello''. The single reached number 68 in Britain. Since its release, the song has been lauded by critics as one of Costello's best album tracks and has made several appearances in Costello's live setlist. Background "Green Shirt" was described by Elvis Costello as "a paranoid song that I wrote ... about the simplification of seductive signals, the bedroom eyes that lead to tyranny". The song was lyrically inspired by the Quisling Clinic, a building in Mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
T Bone Burnett
Joseph Henry "T Bone" Burnett III (born January 14, 1948) is an American record producer, guitarist and songwriter. He rose to fame as a guitarist in Bob Dylan's band during the 1970s. He has received multiple Grammy awards for his work in film music, including for '' O Brother, Where Art Thou?'' (2000), '' Cold Mountain'' (2004), '' Walk the Line'' (2005) and '' Crazy Heart'' (2010); and won another Grammy for producing the studio album '' Raising Sand'' (2007), in which he united the contemporary bluegrass of Alison Krauss with the blues rock of Robert Plant (ex-Led Zeppelin). Burnett helped start the careers of Counting Crows, Los Lobos, Sam Phillips and Gillian Welch, and he revitalized the careers of Gregg Allman and Roy Orbison. He produced music for the television programs '' Nashville'' and '' True Detective''. He has released several solo studio albums, including '' Tooth of Crime'', which he wrote for a revival of the play by Sam Shepard. Early life The only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Records
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. It was founded on January 15, 1889, evolving from the American Graphophone Company, the successor to the Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie Andrews, Louis Armstrong, Gene Autry, Count Basie, Tony Bennett, Leonard Bernstein, Beyoncé, Blood, Sweat and Tears, Blue Öyster Cult, David ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-Beat Records
F-Beat Records was a record label set up by Jake Riviera in 1979. Its first release, " I Can't Stand Up for Falling Down" by Elvis Costello & the Attractions, reached number 4 in the UK charts, the highest singles chart position the label attained.Freeth, Nick (2002) ''The Guitar & rock equipment'', Salamander, , p. 230 The first album released on the label was Costello's '' Get Happy!!'', which peaked at number 2 on the UK Albums Chart.Buckley, Peter (ed.) (2003) ''The Rough Guide to Rock'', Rough Guides, , p. 231 As well as releases from Costello, whom Riviera managed, he sought acts for the label via an advert in ''NME'', and one of the bands who applied (and were given an audition, ultimately unsuccessfully) were Johnny Marr and Andy Rourke's band White Dice.Rogan, Johnny (1993) ''Morrissey and Marr: The Severed Alliance'', Omnibus Press, , p. 124 The roster was built up to include Nick Lowe, Carlene Carter, the Blasters, Blanket of Secrecy and Clive Langer and the Boxes. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's " Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums '' Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and ''Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Rock
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is particularly associated with the creation of hybrid subgenres from the later 1960s, including blues rock, country rock, Southern rock, and swamp rock which have been seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), p. 1327 Because ''roots music'' ( Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music. After a further decline, the 2000s saw a new interest in "roots" music. One proof of that is the specific Grammy Award given since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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