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Don't Hold Your Breath
"Don't Hold Your Breath" is a song by American singer Nicole Scherzinger, taken from her debut album, ''Killer Love'' (2011). The song began as a demo (music), demo or reference track by American artists Timbaland and Keri Hilson, which Internet leak, leaked online in June 2010. It went through various iterations and versions which leaked ahead of its release in 2011. The final mixed and mastered version of "Don't Hold Your Breath" was released on March 10, 2011, through Interscope Records, preceding its parent album by one week. "Don't Hold Your Breath" was written by a trio of American songwriters: Josh Alexander (songwriter), Josh Alexander, Toby Gad, and Billy Steinberg. It is an empowering independence anthem with lyrics that speak of rebuking the advances of an ex-lover, that features a pop music, pop and synth-pop production, with electro-pop beats and Eurodance stylings. Production was courtesy of Carl Falk, Rami Yacoub, Rami and Steve Angello, Steve Josefsson. Many mus ...
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Nicole Scherzinger
Nicole Scherzinger (; born Nicole Prascovia Elikolani Valiente, June 29, 1978) is an American singer, songwriter, dancer, actress, and television personality. She is best known as the lead singer of the Pussycat Dolls, one of the best-selling girl groups of all time. Born in Honolulu, Hawaii, and raised in Louisville, Kentucky, Scherzinger began acting at the age of 14 and studied musical theatre at Wright State University. Aspiring to pursue a career in music, Scherzinger dropped out of college and toured with the American rock band Days of the New before finding modest success with Eden's Crush, a girl group created through The WB's '' Popstars''. After taking on some minor acting roles, Scherzinger became the lead singer of the Pussycat Dolls. The prominence of her role in the group was a point of contention within it, and eventually contributed to its dissolution in 2009. Scherzinger has carved out a successful career outside the group. She shelved her first attempt with ...
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Keri Hilson
Keri Lynn Hilson (born December 5, 1982) is an American R&B singer, songwriter and actress. She was born and raised in Decatur, Georgia and spent most of her youth working with producer Anthony Dent as a songwriter and background vocalist for several R&B and hip hop artists. By the age of 14, Hilson had secured a record deal with the girl group D'Signe, which later disbanded. She attended Oxford College of Emory University in Georgia while she continued writing songs for artists including Britney Spears, The Pussycat Dolls, and Mary J. Blige, with the production and songwriting team The Clutch. In 2006, Hilson signed with American producer and rapper Timbaland's record label Mosley Music. Her breakthrough came in 2007 after appearing on Timbaland's single " The Way I Are", which topped charts around the world. Hilson's music style is R&B, hip hop, and pop; womanhood, sexual intimacy, and love are the typical themes. Her musical influences come from her father's side of the ...
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Stickwitu
"Stickwitu" is a song recorded by American girl group the Pussycat Dolls for their debut studio album '' PCD'' (2005). It was written by Franne Golde, Kasia Livingston and Robert Palmer and produced by Ron Fair. A pop ballad with soul influences, the song finds the group celebrating monogamous relationships, with music critics drawing comparisons to fellow girl groups, Cover Girls, Sweet Sensation, and the Spice Girls. It was released as the album's second single on September 26, 2005, by A&M Records and Interscope Records. Upon its release, "Stickwitu" received mixed reviews from critics, with some complimenting the production and vocal performances, while others criticized its placement on the album. Commercially, "Stickwitu" was a chart success, peaking at number five on the US ''Billboard'' Hot 100, as well as becoming the Pussycat Dolls' second consecutive number-one in New Zealand and the United Kingdom, and peaking atop the US Mainstream Top 40, making the Pussycat Dol ...
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Don't Cha
"Don't Cha" is a song written by Busta Rhymes and CeeLo Green, and produced by the latter. The chorus is an interpolation of the song "Swass", which was written and performed by Sir Mix-a-Lot. The song was originally recorded and published by Tori Alamaze, former backing vocalist for the hip hop duo OutKast, and was released as her debut single. After minor success and dissatisfaction with Universal Records, Alamaze gave up her rights to the song. Universal offered the song to the American burlesque dance troupe the Pussycat Dolls, who were about to reinvent as a pop music girl group. The group re-recorded "Don't Cha" with Busta Rhymes and released it as the lead single from their debut studio album '' PCD'' (2005). The Pussycat Dolls' version received positive reviews from music critics, many of whom highlighted it as a standout track from ''PCD''; however, some of them criticized Busta Rhymes' appearance. The song was a commercial success, peaking at number two on the US ' ...
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Someone Like You (Adele Song)
"Someone like You" is a song recorded by English singer-songwriter Adele. It was written and produced by Adele and Dan Wilson (musician), Dan Wilson for her second studio album, ''21 (Adele album), 21'' (2011). It is the second single and final track on the album. The song was inspired by a broken relationship with one's life partner, and lyrically speaks of Adele's coming to terms with it. XL Recordings released the song as the second single from the album on 24 January 2011 (the same day the album was released) in the United Kingdom and on 9 August 2011 in the United States. Accompanied only by a piano in the song (played by co-writer Wilson), Adele sings about the end of the relationship with her ex-partner. "Someone like You" received universal critical acclaim, with reviewers choosing it as a highlight of ''21'' and praised the lyrics, its simple sound and Adele's vocal performance. It became a global success, topping the charts in nineteen countries and reaching the top 1 ...
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Euro Digital Songs
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in ''Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow th ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-o ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Scottish Singles And Albums Chart
The Scottish Albums Chart is a chart compiled by the Official Charts Company (OCC) which is based on how physical and digital sales towards the UK Albums Chart fare in Scotland. The official singles chart for Scotland, the Scottish Singles Chart, which was based on how physical and digital sales towards the UK Singles Chart were faring in Scotland, has not been published since 20 November 2020. Since 20 November 2020, only the Scottish Albums Chart has been published by the OCC, and it has been based on physical sales only, with the OCC only publishing the albums chart on their website since 11 December 2020. History In the late 1970s and early 1980s, ''Radio & Record News'' and ''Record Business'' magazines compiled Scottish charts which were broadcast on Independent Local Radio stations such as Radio Clyde and Radio Forth; these showed particular favour for hard rock, punk and new wave while soul and other "black" styles would fare less well; for example, on 23 June 1978, ' ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Dance ...
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Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has b ...
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Eurodance
Euro-Dance (sometimes referred to as Euro-NRG, Euro-electronica or Euro) is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of hip hop, techno, Hi-NRG, house music, and Euro-Disco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Euro-Dance music. History Background Euro-Dance music originated in the late 1980s in central Europe, especially in Germany, where rave parties were becoming popular. By 1987, a German party scene was started by Tauseef Alam, based on the well established Chicago house sound and Belgian new beat in Frankfurt. The following year saw acid house making a significant impact on popular consciousness in Germany and central Europe as it had in England. In 1989, German DJs Westbam and Dr. Motte established the Ufo Club, an illega ...
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