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Don't Go To Strangers
''Don't Go to Strangers'' is an album recorded in 1960 by jazz vocalist Etta Jones. It was inducted in the List of Grammy Hall of Fame Award recipients A-D, Grammy Hall of Fame in 2008. Overview This was Etta Jones' first album for the independent jazz label Prestige Records, Prestige when it was released in 1960 (having been recorded in a single session on June 21 of that year), and although Jones had been releasing records since 1944, including a dozen sides for RCA in 1946 and an album for King Records (United States), King Records in 1957, she was treated as an overnight sensation when the title tune from the album went gold, hitting the Top 40 on the pop charts and reaching number five on the R&B charts. Reception A reviewer of Dusty Groove stated: "Could anyone ever utter a sexier line than "'Don't go to strangers, come to me?' We think not, and it's material like that that makes the album a real killer from Etta Jones – one of her best from the 60s, cut when she was rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etta Jones
Etta Jones (November 25, 1928 – October 16, 2001) was an American jazz singer. Her best-known recordings are "Don't Go to Strangers" and "Save Your Love for Me". She worked with Buddy Johnson, Oliver Nelson, Earl Hines, Barney Bigard, Gene Ammons, Kenny Burrell, Milt Jackson, Cedar Walton, and Houston Person.Thedeadrockstarsclub.com - accessed September 2011 Biography 
Jones was born in , and raised in
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Arthur Kent (composer)
Arthur Kent (July 2, 1920, New York City – January 26, 2009, Florence, South Carolina) was an American composer of popular songs, many of which he wrote in collaboration with lyricist Sylvia Dee. Selected songs *" So They Tell Me" with lyricists Harold Mott and Jack Gale, sung by Frank Sinatra 1946 *"You Never Miss the Water (Till the Well Runs Dry)," lyricist Paul Secon for the Mills Brothers *"Don't Go to Strangers", with Redd Evans and David Mann recorded in 1960 by Etta Jones *"Take Good Care of Her", with lyricist Ed Warren, a Top Ten hit for Adam Wade *" I'm Coming Back to You", with Warren, sung by Julie London 1963 *" The End of the World", with lyricist Sylvia Dee, sung by Skeeter Davis 1963 *"Bring Me Sunshine", with Dee for Willie Nelson, and in the UK the theme tune for comedians Morecambe and WiseSounds of the Metropolis: The 19th Century Popular Music Revolution 0195309464 Derek B. Scott - 2008 - Consider, for example, how the legacy of the Viennese pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On The Street Where You Live
"On the Street Where You Live" is a song with music by Frederick Loewe and lyrics by Alan Jay Lerner from the 1956 Broadway musical ''My Fair Lady''. It is sung in the musical by the character Freddy Eynsford-Hill, who was portrayed by John Michael King in the original production. In the 1964 film version, it was sung by Bill Shirley, dubbing for actor Jeremy Brett. Recorded versions The most popular single of the song was recorded by Vic Damone in 1956 for Columbia Records. It reached No. 4 on the ''Billboard'' chart and No. 6 on '' Cashbox'' magazine's chart. It was a No. 1 hit in the UK Singles Chart in 1958. Eddie Fisher also had a top 20 ''Billboard'' hit with the song in 1956, reaching No. 18.Joel Whitburn, ''Top Pop Singles'' Lawrence Welk and His Orchestra released a version that went to No. 96 in 1956. Andy Williams' recording appeared in the ''Billboard'' top 40 in 1964, reaching No. 3 on the adult contemporary chart and No. 28 on the ''Billboard'' Hot 100. The song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Campbell And Reg Connelly
Jimmy Campbell (born James Alexander Campbell-Tyrie; 5 April 1903–19 August 1967) and Reg Connelly (born Reginald John Connelly; 22 October 1895–23 September 1963) were English songwriters and Music publisher (popular music), music publishers. Writing together in the 1920s and 1930s, they sometimes used the pseudonym Irving King for their song compositions, and often worked as lyricists in collaboration with other composers. Together, they established the successful music publishing firm Campbell Connelly. Early life and songwriting partnership Connelly was born in Buckhurst Hill, Essex, in 1895, and Campbell in Gosforth, Northumberland, in 1903. They had contrasting personalities: Campbell was extravagant and dismissive of financial security, while Connelly was reserved, and an astute businessman.Richard Anthony Baker, ''Old Time Variety: an illustrated history'', Pen & Sword, 2011, , pp.86-87 By 1925 they had started working together as songwriters, and wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Shapiro
Ted Shapiro (October 31, 1899 – May 26, 1980) was a United States popular music composer, pianist, and sheet music publisher. Early life Shapiro was born on October 31, 1899 in New York City. He became a Tin Pan Alley songwriter and accompanied notable star vaudeville singers of the day, including Nora Bayes and Eva Tanguay. Shapiro was hired as accompanist and music director for Sophie Tucker; replacing the "Five Kings of Syncopation" on her 1922 tour to London. Shapiro worked with Tucker until her death in 1966, appearing at the piano on stage with her, exchanging banter and wisecracks between songs. Shapiro also wrote a number of songs for Tucker. Popular compositions Ted Shapiro became a member of ASCAP in 1924. His biggest hits were the holiday standard "Winter Weather" from 1941, and " If I Had You", first published in 1928, which continues to be covered by new recording artists and used in movie soundtracks into the 21st century. His other successful tunes and songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Had You (1928 Song)
"If I Had You" is a 1928 song by "Irving King" (Jimmy Campbell and Reg Connelly) with Ted Shapiro. Early hit versions in 1929 were by Rudy Vallée and Al Bowlly. Many other artists have recorded the song over the years. References See also *List of 1920s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one m ... 1920s jazz standards 1928 songs Songs written by Jimmy Campbell and Reg Connelly Songs written by Ted Shapiro Jazz compositions in B-flat major Al Bowlly songs {{1920s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Or When
"Where or When" is a show tune from the 1937 Rodgers and Hart musical ''Babes in Arms''. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of ''Babes in Arms'' two years later. Babes in Arms "Where or When" is the first number to appear in the original Broadway production of ''Babes in Arms''. The musical opens in Seaport, Long Island on a hectic morning that finds most of the adult population embarking on a five-month vaudeville tour. Soon after his parents' departure, 20-year-old Valentine LaMar (played by Ray Heatherton) discovers at his doorstep a young hitchhiker named Billie Smith (played by Mitzi Green). Instantly smitten, he engages her in a discussion of movie stars, self-defense maneuvers, and Nietzsche's theory of individualism, at which point Val impulsively steals a kiss. Both admit to a powerful sense of déjà vu and sing "Where or When" as a duet. MGM bought t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine And Mellow (song)
"Fine and Mellow" is a jazz standard written by Billie Holiday, who first recorded it on April 20, 1939 on the Commodore label. It is a blues lamenting the bad treatment of a woman at the hands of "my man". Notable performances and recordings The song was famously performed by Billie Holiday in 1957 in a television special, ''The Sound of Jazz''. The line-up included several jazz legends (the first six are listed in the order of their solos): * Ben Webster – tenor saxophone * Lester Young – tenor saxophone * Vic Dickenson – trombone * Gerry Mulligan – baritone saxophone * Coleman Hawkins – tenor saxophone * Roy Eldridge – trumpet * Doc Cheatham – trumpet * Danny Barker – guitar * Milt Hinton – double bass * Mal Waldron – piano * Osie Johnson – drums It has been covered several times, sometimes with a change in lyrics or emphasis. For example, Lou Rawls switched the gender to a girlfriend and Eva Cassidy sang it in a defiant tone. Notable cover versions were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
