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Don't Bet Money Honey
"Don't Bet Money Honey" is a song written and performed by Linda Scott. It reached #3 on the US adult contemporary chart, #9 on the ''Billboard'' Hot 100, and #50 on the UK Singles Chart in 1961. The song was produced and arranged by Hutch Davie. The single ranked #36 on ''Billboard's'' Year-End Hot 100 singles of 1961. The B-side The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record compan ... to the single, "Starlight, Starbright", reached #44 on the ''Billboard'' chart. Other versions * Ray Ellis and His Orchestra released a version of the song on their 1961 album, ''Ray Ellis Plays the Top 20''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Scott
Linda Scott (born Linda Joy Sampson; June 1, 1945) is an American pop singer and actress who was active from the late 1950s to the early 1970s. Her biggest hit was the 1961 million-selling single, " I've Told Every Little Star". She went on to place twelve songs on the charts over the next four years, the last being "Who’s Been Sleeping In My Bed," inspired by the film and written by Hal David and Burt Bacharach. In 1962, she portrayed a fictionalized version of herself in the musical film ''Don't Knock the Twist''. Biography Born in Queens, New York, Linda Sampson was 11 years old when she moved with her family to Teaneck, New Jersey. According to syndicated columnist Dick Kleiner, when Sampson was 13, she read a local newspaper article about songwriter Jane Douglass White. Sampson wrote White (also a New Jersey resident), the two were introduced, and White helped produce a demonstration cut which helped Sampson get attention, White playing piano on the record. She was still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1961 In Music
This is a list of notable events in music that took place in the year 1961. Specific locations *1961 in British music * 1961 in Norwegian music Specific genres * 1961 in country music * 1961 in jazz Events *January 15 – Motown Records signs The Supremes. *January 20 – Francis Poulenc's ''Gloria'' receives its premiėre in Boston, USA. *February 9 – The Beatles at The Cavern Club: The Beatles, at this juncture John, Paul, George and Pete, perform under this name at The Cavern Club for the first time following their December return to Liverpool from Hamburg. Beginning with this lunchtime session, the group would go on to make almost 300 appearances here in total. *February 12 – The Miracles' "Shop Around" becomes Motown's first million-selling single. *February 13 – Frank Sinatra forms his own record label, Reprise Records, which will later release recordings by The Beach Boys, Ella Fitzgerald, The Kinks and Jimi Hendrix. *February 14 – The Platters file a lawsuit ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian-American Records
Canadian-American Records is a record label founded by Leonard Zimmer and based in New York City and Winnipeg, Manitoba. The most popular artists for the label were the duo of Santo & Johnny and the singer Linda Scott Linda Scott (born Linda Joy Sampson; June 1, 1945) is an American pop singer and actress who was active from the late 1950s to the early 1970s. Her biggest hit was the 1961 million-selling single, " I've Told Every Little Star". She went on to .... The label is based in Lititz, Pennsylvania. References External linksCanadian-American Records story and discography from BSN Pubs American record labels Pop record labels Record labels established in 1957 {{Canada-record-label-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hutch Davie
Robert Bunyan Davie III (August 4, 1930 – April 7, 2020), professionally known as Hutch Davie, or Bob "Hutch" Davie, and sometimes credited as Bun Davie, Budd McCoy, Clint Harmon or Chuck Harmon, was an American orchestra leader, arranger, pianist, and composer of popular music. He composed the song "Green Door", and led the orchestra which backed Jim Lowe on the best-selling version of the song in 1956. Early life and education Davie was born in Birmingham, Alabama, the only child of Bunyan Davie Jr. and Louise McCoy. He was a musical prodigy and taught himself to play the piano by the age of four. He had perfect pitch and expressed his distaste for music that was not in tune while still too young to articulate what was wrong with it. At the age of five he started attending the Birmingham Conservatory of Music. After high school, he attended Louisiana State University but refused to comply with a sports requirement and dropped out after a year. Career He moved to New York C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I've Told Ev'ry Little Star
"I've Told Ev'ry Little Star" is a popular song with music by Jerome Kern and lyrics by Oscar Hammerstein II, published in 1932. The song was introduced in the musical ''Music in the Air.''Leszczak, Bob (2014). Who Did It First?: Great Pop Cover Songs and Their Original Artists', Rowman & Littlefield, pp. 116–117. Retrieved April 16, 2017. The first hit recording of the song was released in 1932 by Jack Denny and His Waldorf-Astoria Orchestra, featuring the vocals of Paul Small. It has since been recorded by many artists. Linda Scott version The best-known recording is the 1961 hit by Linda Scott, titled "I've Told Every Little Star", which reached No. 3 on the United States' ''Billboard'' Hot 100 chart.Linda Scott – Chart History – The Hot 100 ''Billboard.com''. Retrieved April 14, 2017 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Don't Know Why (I Just Do)
"I Don't Know Why (I Just Do)" is a 1931 popular music, popular song. The music was written by Fred E. Ahlert, the lyrics by Roy Turk. The song was published in 1931 in music, 1931. It had three periods of great popularity: in 1931 in music, 1931, right after its publication; in 1946 in music, 1946; and in 1961 in music, 1961 into 1962. In 1931, the biggest-selling version was either by Russ Columbo or by Wayne King; both versions and recordings by Benny Krueger's orchestra (with a vocal by Smith Ballew) and by Kate Smith all had significant popularity. In September 1943, Frank Sinatra sang this song on the radio series A Date with Judy. In 1946, three versions, by Tommy Dorsey's orchestra (with a vocal by Stuart Foster), by Frank Sinatra, and by Skinnay Ennis, all contended for popularity. In 1961, a US hit recording was issued by Linda Scott. It reached a peak position #12 in 8 weeks on the Billboard chart; The song has been recorded by many artists (ranging from country-blues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Year-End Hot 100 Singles Of 1961
This is a list of ''Billboard'' magazine's top Hot 100 songs of 1961. , '''', January 6, 1962. p. 33. Retrieved January 13, 2022. The Top 100, as revealed in the edition of Billboard dated January 6, 1962, is based on Hot 100 charts from the issue dates of January through November 1961. See also * * |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
