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Domenico Di Zanobi
Domenico di Zanobi, formerly known as the Master of the Johnson Nativity, was an Italian Renaissance painter. His exact dates of birth and death are not known. He is documented as a mature artist from 1467 until 1481. Domenico di Zanobi's paintings were first grouped together in 1966 by the American art historian Everett Fahy, who recognized about two dozen paintings in a similar style. Since none of these paintings are signed, Fahy named their artist the "Master of the Johnson Nativity," after the panel of the ''Nativity'' in the John G. Johnson, Johnson Collection at the Philadelphia Museum of Art. In 1996, the Florentine scholar Annamaria Bernacchioni identified this artist as Domenico di Zanobi, a documented assistant of Filippo Lippi in Florence and Prato, based on her discovery of the carpenter's bill for the ''Coronation of the Virgin'' at the Museo della Misericordia in San Miniato. This painting, attributed by Fahy to the Master of the Johnson Nativity, was reportedly com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Di Zanobi (maestro Della Natività Johnson), Incoronazione Della Vergine, 1480 Ca, 03
Domenico di Zanobi, formerly known as the Master of the Johnson Nativity, was an Italian Renaissance painter. His exact dates of birth and death are not known. He is documented as a mature artist from 1467 until 1481. Domenico di Zanobi's paintings were first grouped together in 1966 by the American art historian Everett Fahy, who recognized about two dozen paintings in a similar style. Since none of these paintings are signed, Fahy named their artist the "Master of the Johnson Nativity," after the panel of the ''Nativity'' in the John G. Johnson, Johnson Collection at the Philadelphia Museum of Art. In 1996, the Florentine scholar Annamaria Bernacchioni identified this artist as Domenico di Zanobi, a documented assistant of Filippo Lippi in Florence and Prato, based on her discovery of the carpenter's bill for the ''Coronation of the Virgin'' at the Museo della Misericordia in San Miniato. This painting, attributed by Fahy to the Master of the Johnson Nativity, was reportedly com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Italian Painters
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the " European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar climate, subpolar regions around the planet, four seasons are generally recognized: spring (season), spring, summer, autumn and winter. In tropics, tropical and subtropics, subtropical regions, several geographical sectors do not present defined seasons; but in the tropics#Seasons and climate, seasonal tropics, the annual wet season, wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alesso Baldovinetti
Alesso or Alessio Baldovinetti (14 October 1427 – 29 August 1499) was an Italian early Renaissance painter and draftsman. Biography Baldovinetti was born in Florence to a rich noble family of merchants. In 1448 he was registered as a member of the Guild of St. Luke: "Alesso di Baldovinetti, dipintore." He was a follower of the group of scientific realists and naturalists in art which included Andrea del Castagno, Paolo Uccello and Domenico Veneziano. Tradition says that he assisted in the decorations of the church of S. Egidio, however no records confirm this. These decoration were carried out during the years 1441–1451 by Domenico Veneziano and in conjunction with Andrea del Castagno. That he was commissioned to complete the series at a later date (1460) is certain. In 1460 Alesso was employed to paint the great fresco of the'' Annunciation'' in the cloister of the Annunziata basilica. The remains as we see them give evidence of the artist's power both of imitating natura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Castagno
Andrea del Castagno () or Andrea di Bartolo di Bargilla (; – 19 August 1457) was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti. Life Early years Frescoes in the San Tarasio Chapel, San Zaccaria. Andrea del Castagno was born at Castagno, a village near Monte Falterona, not far from Florence. During the war between Florence and Milan, he lived in Corella, returning to his home after its end. In 1440 he moved to Florence under the protection of Bernadetto de' Medici. Here he painted the portraits of the citizens hanged after the Battle of Anghiari on the facade of the Palazzo del Podestà, gaining the nickname of ''Andrea degli Impiccati''. Little is known about his formati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Di Michelino
Domenico di Michelino (1417–1491) was an Italian Renaissance painter who was born and died in Florence. His real name was Domenico di Francesco. The patronymic "di Michelino" was adopted in honor of his teacher, the cassone painter Michelino di Benedetto (c. 1378-1499), by whom no works have been identified. Giorgio Vasari reports that Domenico was also a pupil of Fra Angelico, whose influence is reflected in many of Domenico's paintings along with that of Filippo Lippi and Pesellino. Domenico enrolled in the Florentine painters' confraternity, the Compagnia di San Luca, by 1442. Two years later he joined the Arte dei Medici e Speziali, the Florentine painters' guild. He had a workshop in the Via delle Terme, Florence, which he shared with Domenico di Zanobi (formerly known as the Master of the Johnson Nativity). His earliest extant work is a processional banner for the Ospedale degli Innocenti, Florence, in which the Virgin is shown protecting the martyred innocents beneath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word ''renaissance'' (corresponding to ''rinascimento'' in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Renaissance author Giorgio Vasari used the term ''rinascita'' 'rebirth' in his '' Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, but the concept became widespread only in the 19th century, after the work of sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Miniato
San Miniato is a town and ''comune'' in the province of Pisa, in the region of Tuscany, Italy. San Miniato sits at an historically strategic location atop three small hills where it dominates the lower Arno valley, between the valleys of Egola and Elsa rivers. It used to carry the additional sobriquet al Tedesco ("to the German") to distinguish it from the convent of San Miniato al Monte in Florence, which is about to the northeast. History In medieval times, San Miniato was on the via Francigena, which was the main connecting route between northern Europe and Rome. It also sits at the intersection of the Florence-Pisa and the Lucca-Siena roads. Over the centuries San Miniato was therefore exposed to a constant flow of friendly and hostile armies, traders in all manner of goods and services, and other travelers from near and far. Archaeological evidence indicates that the site of the city and surrounding area has been settled since at least the paleolithic era. It would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
