Dolly Varden (costume)
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Dolly Varden (costume)
A Dolly Varden, in this sense, is a woman's outfit fashionable from about 1869 to 1875 in Britain and the United States. It is named after a character in Charles Dickens, and the items of clothing referred to are usually a hat or dress. Name Dolly Varden is a character from Charles Dickens's 1841 historical novel ''Barnaby Rudge'' set in 1780. The ''Dolly Varden'' costume was an 1870s version of fashions of the 1770s and 1780s. Fashion The term "Dolly Varden" in dress is generally understood to mean a brightly patterned, usually flowered, dress with a polonaise overskirt gathered up and draped over a separate underskirt. The overdress is typically made from printed cotton or chintz, although it can be made from other materials such as lightweight wool, silk and muslin. An 1869 fashion doll in the collection of the V&A Museum of Childhood is dressed in the Dolly Varden mode; unusually the outfit is in dark colours. The Gallery of Costume in Manchester holds a more typical D ...
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Dolly Varden Quadrille Music Sheet Cover
Dolly may refer to: Tools *Dolly (tool), a portable anvil * A posser, also known as a dolly, used for laundering * A variety of wheeled tools, including: **Dolly (trailer), for towing behind a vehicle **Boat dolly or launching dolly, a device for launching small boats into the water **Camera dolly, platform that enables a movie or video camera to move during shots **Hand truck, sometimes called a dolly **Flatbed trolley, sometimes called a dolly People * Dolly (name), a list of people with the given name or nickname * Dolly Buster, stage name of Czech-German former porn actress, filmmaker and author Nora Baumberger (born 1969) * Dolly Dawn, American singer Theresa Maria Stabile (1916–2002) In arts and entertainment Fictional characters * One of List of Toy Story characters#Bonnie's toys, Bonnie's toys in the film ''Toy Story 3'' * Dolly Gopher, in the television film ''Re-Animated'' * Dolly Gallagher Levi, in the movie ''Hello, Dolly! (film), Hello Dolly'' * Dolly for Sue, ...
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Pamela Hat
The ''Chapeau à la Paméla'', Pamela hat or Pamela bonnet described a type of straw hat or bonnet popular during the 1790s and into the first three quarters of the 19th century. It was named after the heroine of Samuel Richardson's 1741 novel ''Pamela; or, Virtue Rewarded''. While Pamela hats and bonnets underwent a variety of changes in shape and form, they were always made from straw. The mid-19th-century version of the Pamela hat was a smaller version of an early 19th-century wide-brimmed style called the gipsy hat. 18th-century origins In 1793, the French actress Mademoiselle Lange, appeared in a stage adaptation of ''Pamela; or, Virtue Rewarded'', written by François de Neufchâteau. For the role Lange wore a straw hat which became known as a ''chapeau à-la-Pamela'', and she is credited with popularising the style. Straw hats ''à-la-Pamela'' were popular for informal wear and widely worn well into the 1810s. In August 1815, ''La Belle Assemblée'' reported on the continue ...
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The Country Wife
''The Country Wife'' is a Restoration comedy written by William Wycherley and first performed in 1675. A product of the tolerant early Restoration period, the play reflects an aristocratic and anti-Puritan ideology, and was controversial for its sexual explicitness even in its own time. The title contains a lewd pun with regard to the first syllable of "country". It is based on several plays by Molière, with added features that 1670s London audiences demanded: colloquial prose dialogue in place of Molière's verse, a complicated, fast-paced plot tangle, and many sex jokes. It turns on two indelicate plot devices: a rake's trick of pretending impotence to safely have clandestine affairs with married women, and the arrival in London of an inexperienced young "country wife", with her discovery of the joys of town life, especially the fascinating London men. The implied condition the Rake, Horner, claimed to suffer from was, he said, contracted in France whilst "dealing with co ...
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Lulu Glaser
Lulu Glaser (June 2, 1874 - September 5, 1958) was an American actress and vocalist. She appeared on Broadway and later Vaudeville. Glaser's first appearance on the stage was at the Broadway Theatre in New York on December 30, 1891 in the play ''The Lion Tamer''. She appeared in two more plays and on October 3, 1893 appeared as Javotte in a revival of ''Erminie'' starring Francis Wilson. Glaser appeared in two motion pictures, both silent films. ''Love's Pilgrimage to America'' (1916) and ''How Molly Made Good'' (1915). The latter still survives and is available on DVD. Glaser appears as herself, in a cameo along with other celebrities of the time. She was married twice. Both marriages ended in divorce. She married actor Ralph C. Herz in 1907, but they divorced in 1912. Herz died in 1921. Her later marriage to Thomas D. Richards also ended in divorce. Lulu Glaser is often erroneously said to have been one of the many wives of DeWolf Hopper William DeWolf Hopper (March 30, ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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Binbashi
A ''binbashi'', alternatively ''bimbashi'', (from tr, Binbaşı, "chief of a thousand", "chiliarch") is a major in the Turkish army, of which term originated in the Ottoman army. The title was also used for a major in the Khedivial Egyptian army as ''Bimbashi'' (1805–1953). It was also used by the Serbian revolutionaries as ''Bimbaša'' ( sr-cyr, Бимбаша) in 1804–1817. Since the restructuring of the modern Turkish Army in 1934, ''Binbaşı'' means major; but in the Ottoman Army (and in the pre-1934 Turkish Army, during the early years of the Turkish Republic) the more correct equivalent of the Western rank "major" was '' Kolağası'' (senior captain), which ranked above ''Yüzbaşı'' (captain) and below ''Binbaşı''. When the rank '' Kolağası'' was removed from the Turkish Army in 1934, the rank ''Binbaşı'' was relegated to major (before 1934, the rank ''Binbaşı'' was also considered an equivalent of lieutenant colonel.) Until 1934, it was the duty of a Bin ...
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Lawrence Durrell
Lawrence George Durrell (; 27 February 1912 – 7 November 1990) was an expatriate British novelist, poet, dramatist, and travel writer. He was the eldest brother of naturalist and writer Gerald Durrell. Born in India to British colonial parents, he was sent to England at the age of eleven for his education. He did not like formal education, but started writing poetry at age 15. His first book was published in 1935, when he was 23. In March 1935 he and his mother and younger siblings moved to the island of Corfu. Durrell spent many years thereafter living around the world. His most famous work is ''The Alexandria Quartet,'' published between 1957 and 1960. The best-known novel in the series is the first, '' Justine''. Beginning in 1974, Durrell published ''The Avignon Quintet,'' using many of the same techniques. The first of these novels, '' Monsieur, or the Prince of Darkness,'' won the James Tait Black Memorial Prize in 1974. The middle novel, '' Constance, or Solitary Prac ...
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Alexandria Quartet
''The Alexandria Quartet'' is a tetralogy of novels by British writer Lawrence Durrell, published between 1957 and 1960. A critical and commercial success, the first three books present three perspectives on a single set of events and characters in Alexandria, Egypt, before and during the Second World War. The fourth book is set six years later. As Durrell explains in his preface to ''Balthazar'', the four novels are an exploration of relativity and the notions of continuum and subject–object relation, with modern love as the theme. The ''Quartet''s first three books offer the same sequence of events through several points of view, allowing individual perspectives of a single set of events. The fourth book shows change over time. The four novels are: :* '' Justine'' (1957) :* '' Balthazar'' (1958) :* ''Mountolive'' (1958) :* ''Clea'' (1960). In a 1959 ''Paris Review'' interview, pp. 26–27. Durrell described the ideas behind the ''Quartet'' in terms of a convergence of Easte ...
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