Docudrama
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Docudrama
Docudrama (or documentary drama) is a genre of television and film, which features dramatized re-enactments of actual events. It is described as a hybrid of documentary and drama and "a fact-based representation of real event". Docudramas typically strive to adhere to known historical facts, while allowing some degree of dramatic license in peripheral details, such as when there are gaps in the historical record. Dialogue may, or may not, include the actual words of real-life people, as recorded in historical documents. Docudrama producers sometimes choose to film their reconstructed events in the actual locations in which the historical events occurred. A docudrama, in which historical fidelity is the keynote, is generally distinguished from a film merely " based on true events", a term which implies a greater degree of dramatic license; and from the concept of "historical drama", a broader category which may also encompass entirely fictionalized action taking place in histor ...
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Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism docuf ...
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Drama (film And Television)
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, dra ...
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Culloden (film)
''Culloden'' (known as ''The Battle of Culloden'' in the U.S.) is a 1964 docudrama written and directed by Peter Watkins for BBC TV. It portrays the 1746 Battle of Culloden, which resulted in the British Army's destruction of the Scottish Jacobite rising of 1745 and, in the words of the narrator, "tore apart forever the clan system of the Scottish Highlands." Described in its opening credits as "an account of one of the most mishandled and brutal battles ever fought in Britain," ''Culloden'' was hailed as a breakthrough for its presentation of a historical event in the style of modern TV war reporting, as well as its use of non-professional actors. The film was based on John Prebble's study of the battle. Production ''Culloden'' was Watkins's first full-length film. It was also his first use of his docudrama style in which actors portray historical characters being interviewed by filmmakers on the scene as though it were happening in front of news cameras. The film was produce ...
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Oppenheimer (TV Series)
''Oppenheimer'' is a biographical miniseries in seven parts about J. Robert Oppenheimer, produced by the BBC. It was broadcast in the United Kingdom between 29 October and 10 December 1980, and in the United States from 11 May 1982 as a component of PBS' Masterpiece Theatre. The series stars Sam Waterston as Oppenheimer. Plot synopsis The series depicts Oppenheimer's wartime role as head of the weapons laboratory of the Manhattan Project, during which he was under constant surveillance by the federal government because of his association with Communists. It culminates in a U.S. Atomic Energy Commission hearing in 1954, in which Oppenheimer is stripped of his security clearance. Cast * Sam Waterston as J. Robert Oppenheimer * John Carson as Narrator * Christopher Muncke as Colonel Kenneth Nichols * Jana Shelden as Kitty Oppenheimer * Kate Harper as Jean Tatlock * Edward Hardwicke as Enrico Fermi * David Suchet as Edward Teller * Manning Redwood as Lieutenant General Leslie Grov ...
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Boomerang (1947 Film)
''Boomerang!'' is a 1947 American crime semidocumentary film based on the true story of a vagrant accused of murder who is found not guilty through the efforts of the prosecutor. It stars Dana Andrews, Lee J. Cobb, Karl Malden, Arthur Kennedy and Jane Wyatt, with voiceovers by Reed Hadley. The film was directed by Elia Kazan and adapted from a 1945 ''Reader's Digest'' story written by Fulton Oursler (credited as Anthony Abbot) based on an actual 1924 crime. The film was shot mostly in Stamford, Connecticut, after Kazan was denied permission to film in Bridgeport, Connecticut, where the crime and trial occurred."'Boomerang!,' shot in Stamford, to be screened in Bridgeport", ''The Advocate'' of Stamford, Connecticut, October 13, 2009 The film was entered into the 1947 Cannes Film Festival. Plot Episcopal priest Father Lambert is shot dead on a Bridgeport, Connecticut street at night. The police, led by Chief Robinson, fail to immediately find the murderer. The case soon becom ...
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The House On 92nd Street
''The House on 92nd Street'' is a 1945 black-and-white American spy film directed by Henry Hathaway. The movie, shot mostly in New York City, was released shortly after the end of World War II. ''The House on 92nd Street'' was made with the full cooperation of the Federal Bureau of Investigation (FBI), whose director, J. Edgar Hoover, appears during the introductory montage. The FBI agents shown in Washington, D.C. were played by actual agents. The film's semidocumentary style inspired other films, including ''The Naked City'' and ''Boomerang''. Plot In 1939, American standout university student, Bill Dietrich, is approached by Nazi recruiters because of his German heritage. He feigns interest, then notifies the FBI. Agent George Briggs encourages Dietrich to play along. Thus, Dietrich travels to Hamburg, Germany, where he undergoes six months of intensive training in espionage. The Germans then send him back to the United States to set up a radio station on Long Island to relay se ...
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Historical Drama
A historical drama (also period drama, costume drama, and period piece) is a work set in a past time period, usually used in the context of film and television. Historical drama includes historical fiction and romance film, romances, adventure films, and swashbucklers. A period piece may be set in a vague or general era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past. Scholarship Films set in historical times have always been some of the most popular works. D. W. Griffith's ''The Birth of a Nation'' and Buster Keaton's ''The General (1926 film), The General'' are examples of popular early American works set during the U.S. Civil War. In different eras different subgenres have risen to popularity, such as the westerns and sword and sandal films that dominated North American cinema in the 1950s. The ''costume drama'' is often separated as a genre of historical dramas. Early critics defined them as films focusing on romance and relation ...
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Leslie Woodhead
James Leslie John Woodhead, OBE (born 1937) is a British documentary filmmaker. For his National Service commencing in 1956, he served in Fife at the Joint Services School for Linguists where he was taught Russian. He was posted to West Berlin to monitor the communications of Soviet pilots flying in and out of East Germany. "The experience I've come to realise since that it shaped my continuing obsession with what was going on in eastern Europe and particularly the Iron Curtain at that time." As a young filmmaker, he was assigned to film a new rock 'n' roll band called The Beatles, playing at the Cavern Club in Liverpool. Woodhead first made his name as a reporter for Granada Television's flagship current affairs series ''World in Action''. He remained with Granada for 28 years. Woodhead was among the first exponents of docudrama, a format which allowed him to explore daily life of those " behind the wall" during the Cold War, when journalists had little direct access. Among t ...
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The Naked City
''The Naked City'' (aka ''Naked City'') is a 1948 American film noir directed by Jules Dassin, starring Barry Fitzgerald, Howard Duff, Dorothy Hart and Don Taylor. The film, shot almost entirely on location in New York City, depicts the police investigation that follows the murder of a young model. ''Naked City'' received two Academy Awards, one for cinematography for William H. Daniels and another for film editing to Paul Weatherwax. In 2007, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Plot In the late hours of a hot New York summer night, a pair of men subdue and kill Jean Dexter, an ex-model, by knocking her out with chloroform and drowning her in her bathtub. When one of the murderers gets conscience-stricken while drunk, the other kills him and throws his body into the East River. Homicide Detective Lt. Dan Muldoon and his young associate ...
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13 Rue Madeleine
''13 Rue Madeleine'' is a 1947 American World War II spy film directed by Henry Hathaway and starring James Cagney, Annabella, Richard Conte and Frank Latimore. Allied volunteers are trained as spies in the leadup to the invasion of Europe, but one of them is a German double agent. Plot Bob Sharkey is put in charge of the 77th group of American espionage candidates. However, he is informed by his boss Charles Gibson that one of his students is a German Abwehr agent. He accepts the challenge of identifying him. He correctly chooses "Bill O'Connell". Gibson reveals that O'Connell is actually Wilhelm Kuncel, one of Germany's top spies. He tells Sharkey to pass him through the course, as they know his mission is to determine the date and location of Operation Overlord (the Allied invasion of Europe). They assign him a job in London that gives him full access to false information about "Plan B", the invasion of Germany through the Lowlands, hoping he will pass it along to his superior ...
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Semidocumentary
A semidocumentary is a form of book, film, or television program presenting a fictional story that incorporates many factual details or actual events, or which is presented in a manner similar to a documentary. Characteristics Stylistically, it has certain similarities to Italian Neorealism, such as the use of location shooting and employing non-actors in secondary roles. However, the viewer is not intended to mistake a semidocumentary for a real documentary; the fictional elements are too prominent. Background One of the first films of this kind was Henry Hathaway's ''The House on 92nd Street'' (1945). In the late 1940s, semidocumentary films were often associated with film noir thrillers, sharing a commitment to on-location shooting, gritty realism, and understated performances. Decline In the 1960s and 1970s, the semidocumentary style declined in feature films. The standard documentary had blurred the difference between itself and fiction so much that there was viewer confu ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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