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Dizzy Reece
Alphonso Son "Dizzy" Reece (born 5 January 1931) is a Jamaican-born hard bop jazz trumpeter. Reece is among a group of jazz musicians born in Jamaica which includes Bertie King, Joe Harriott, Roland Alphonso, Wilton Gaynair, Sonny Bradshaw, saxophonists Winston Whyte and Tommy McCook, trombonist Don Drummond, pianists Wynton Kelly, Monty Alexander, bassist Coleridge Goode, guitarist Ernest Ranglin and percussionists Count Ossie and Lloyd Knibb. Biography Reece was born on 5 January 1931 in Kingston, Jamaica, the son of a silent film pianist. He attended the Alpha Boys School (known for its musical alumni), switching from baritone saxophone to trumpet when he was 14 years old. A full-time musician from the age of 16, he moved to London in 1948 and spent the 1950s working in Europe, much of that time in Paris. He played with Don Byas, Kenny Clarke, Frank Foster and Thad Jones, among others. Recording with British musicians, he led several sessions in London in 1955–1957. Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingston, Jamaica
Kingston is the capital and largest city of Jamaica, located on the southeastern coast of the island. It faces a natural harbour protected by the Palisadoes, a long sand spit which connects the town of Port Royal and the Norman Manley International Airport to the rest of the island. In the Americas, Kingston is the largest predominantly English-speaking city in the Caribbean. The local government bodies of the parishes of Kingston and Saint Andrew were amalgamated by the Kingston and St. Andrew Corporation Act of 1923, to form the Kingston and St. Andrew Corporation (KSAC). Greater Kingston, or the "Corporate Area" refers to those areas under the KSAC; however, it does not solely refer to Kingston Parish, which only consists of the old downtown and Port Royal. Kingston Parish had a population of 89,057, and St. Andrew Parish had a population of 573,369 in 2011 Kingston is only bordered by Saint Andrew to the east, west and north. The geographical border for the parish of K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleridge Goode
George Coleridge Emerson Goode (29 November 1914 – 2 October 2015) was a British Jamaican-born jazz bassist best known for his long collaboration with alto saxophonist Joe Harriott. Goode was a member of Harriott's innovatory jazz quintet throughout its eight-year existence as a regular unit (1958–65). Goode was also involved with the saxophonist's later pioneering blend of jazz and Indian music in Indo-Jazz Fusions, the group Harriott co-led with composer/violinist John Mayer. Biography Goode was born in Kingston, Jamaica. His father was a choirmaster and organist who promoted classical choral music in Jamaica and his mother sang in the choir. As Goode recalled: "My name comes from my father putting on a performance of Samuel Coleridge Taylor's '' Hiawatha's Wedding Feast'' as a tribute to him.... I was born a year after." [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Taylor
Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer, who "helped define the sound of modern jazz drumming".Watrous, Peter (February 7, 1995)"Art Taylor, 65, Jazz Drummer Who Inspired Young Musicians" ''The New York Times''. Career As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor's Wailers.Feather, Leonard & Gitler, Ira (2007), ''The Biographical Encyclopedia of Jazz'', p. 637. Oxford University Press. Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny Dorham Quartet of 1957 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock. Biography Early life and career Byrd was born in 1932 in Detroit, Michigan. His family came from the African-American middle-class. His father, Elijah Thomas Byrd, was a Methodist minister who greatly valued education and oversaw his son's schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional recording session was in 1949 at Fortune Records in Detroit with the Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues In Trinity
''Blues in Trinity'' is an album by Jamaican-born England-based jazz trumpeter Dizzy Reece, recorded on August 24, 1958 and released on Blue Note the following year—his debut for the label.Blue Note discography accessed September 28, 2010 Background Unusually for Blue Note releases of this time, ''Blues in Trinity'' was recorded in rather than Rudy Van Gelder's Hackensack Studio, at which the label recorded exclusively from 1 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernism, modernist art direction. History Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul music, soul, blues, rhythm and blues and gospel music, gospel), but also recorded essential albums in the avant-garde and Free Jazz, free styles of jazz. Horace Silver, Jimm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thad Jones
Thaddeus Joseph Jones (March 28, 1923 – August 20, 1986) was an American jazz trumpeter, composer, and bandleader who has been called "one of the all-time greatest jazz trumpet soloists". Biography Thad Jones was born in Pontiac, Michigan, United States, to Henry and Olivia Jones, a musical family of 10 (an older brother was pianist Hank Jones and a younger brother was drummer Elvin Jones). A self-taught musician, Thad began performing professionally at the age of 16. He served in U.S. Army bands during World War II (1943–46). After his military service, which included an association with the U.S. Military School of Music and working with area bands in Des Moines and Oklahoma City, Jones became a member of the Count Basie Orchestra in May 1954. He was featured as a soloist on such well-known tunes as " April in Paris", "Shiny Stockings", and "Corner Pocket". However, his main contribution to Basie's organization was nearly two dozen arrangements and compositions, which incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Byas
Carlos Wesley "Don" Byas (October 21, 1912 – August 24, 1972) was an American jazz tenor saxophonist, associated with swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life. Biography Oklahoma and Los Angeles Byas was born in Muskogee, Oklahoma, United States. Both of Byas' parents were musicians. His mother played the piano, and his father, the clarinet. Byas began his musical education in the European classical tradition, learning to play violin, clarinet and alto saxophone, which he played until the end of the 1920s. Benny Carter, who played many instruments, was his idol at this time. Byas started to perform in local orchestras at the age of 17, with Bennie Moten, Terrence Holder and Walter Page. He founded and led his own college band, Don Carlos and His Collegiate Ramblers, during 1931–1932, at Langston College, Oklahoma. Byas swi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alpha Boys School
Alpha Cottage School (often referred to as Alpha Boys School, Convent of Mercy "Alpha" Academy and now called Alpha Institute) was the name of the vocational residential school on South Camp Road in Kingston, Jamaica, still run by Roman Catholic nuns. Established in 1880 as a "school for wayward boys", it became renowned for both the discipline it instilled in its pupils and the outstanding musical tuition they received.Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997, In 2014 Alpha's residence closed and the school continued as Alpha Institute to focus on educational and vocational training for inner city unattached youth. School band The school band was formed in 1892. It was originally a drum and fife corps, and later a brass band, following the gift of brass instruments from the Roman Catholic Bishop of Jamaica. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film Pianist
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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