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Dizzy Gillespie And The Double Six Of Paris
''Dizzy Gillespie and the Double Six of Paris'' is a 1963 studio album collaboration between Dizzy Gillespie and Les Double Six, also known as the Double Six of Paris, a French vocal group who sings in vocalese to songs associated with Dizzy Gillespie. Gillespie, pianist Bud Powell, and a rhythm section accompany; two of the songs feature his quintet, with James Moody. It was reissued on CD in 1989. Reception Leonard Feather described the album as "unique and unprecedented" and described the music as "sensational." Commenting on the vocalists, he wrote, "The results impress partly as a technical tour de force, and the Double Six must be respected for its accuracy and peerless intonation, but these values are a means to an artistically complete end." Track listing # "Emanon" (Gillespie, Shaw) 3:44 # "Anthropology" (Gillespie, Parker) 2:45 # "Tin Tin Deo" (Fuller, Pozo) 4:15 # "One Bass Hit" (Brown, Fuller, Gillespie) 3:26 # "Two Bass Hit" (Gillespie, Lewis) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthropology (composition)
"Anthropology" (also known as "Thriving from a Riff" or "Thriving on a Riff") is a bebop-style jazz composition that is credited to Charlie Parker and Dizzy Gillespie. Parker stated in 1949 that Gillespie had played no part in its writing, and that others had added the trumpeter as co-composer. It is a contrafact, being based on the harmony of " I Got Rhythm". The first recording of the composition, then known as "Thriving from a Riff", was made on November 26, 1945, by an ensemble led by Parker. The other musicians were trumpeter Miles Davis, pianist Argonne Thornton, bassist Curley Russell, and drummer Max Roach. See also * List of jazz contrafacts * List of 1940s jazz standards Jazz standards are musical compositions that are widely known, performed, and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in the 1940s that are considered standards by at least one major ... * Charlie Parker's Savoy and Dial Sessions Refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Barron
Kenny Barron (born June 9, 1943) is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era. Biography Born in Philadelphia, Pennsylvania, Kenny Barron is the younger brother of tenor saxophonist Bill Barron (1927–1989). One of his first gigs was as pianist with the Dizzy Gillespie quartet. Barron was briefly a member of the Jazztet around 1962, but did not record with them. He graduated in 1978 with a BA in arts from Empire State College (Metropolitan Center, New York City). He co-led the groups Sphere and the Classical Jazz Quartet. Between 1987 and 1991, Barron recorded several albums with Stan Getz, most notably '' Voyage'', '' Bossas & Ballads – The Lost Sessions'', '' Serenity'', ''Anniversary'' and ''People Time'', a two-CD set. He has been nominated nine times for Grammy Awards and for the American Jazz Hall of Fame. He was elected a Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many disti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ward Swingle
Ward Lamar Swingle (September 21, 1927 – January 19, 2015) was an American vocalist and jazz musician who founded The Swingle Singers in France in 1962. Life and career Born in Mobile, Alabama, Swingle studied music, particularly jazz, from a very young age. He learned clarinet, oboe and the piano as a child. He played in Mobile-area big bands before finishing high school. Swingle continued his music studies at the Cincinnati Conservatory of Music, from which he graduated summa cum laude in 1950. He also met a French-born violin student, Françoise Demorest, and the couple married in 1952. Swingle then moved to France in 1951 on a Fulbright scholarship, where he studied piano with Walter Gieseking and also worked as a rehearsal pianist for ''Les Ballets de Paris''. In 1959, he was a founding member of Les Double Six of Paris, which specialised in scat singing of jazz standards. Swingle subsequently applied the scat singing idea to the works of Johann Sebastian Bach. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimi Perrin
Jeannine "Mimi" Perrin (2 February 1926 – 16 November 2010) was a French jazz pianist and singer, and translator. Perrin received private musical instruction, including piano as a child and pursued English studies at Sorbonne. In 1949, she contracted tuberculosis and was treated at a sanatorium. She recovered and hit the French jazz scene in the cabarets of Saint-Germain-des-Prés, coming to prominence in jazz clubs as a pianist in her own trio. She met her husband, an amateur guitar and bass player. Between 1956 and 1958, she was a member of Blossom Dearie's vocal group Blue Stars of France, but worked mostly in studios as a background singer to yé-yé singers and bands. In 1959, she formed the vocal sextet Les Double Six, which included, among others, Louis and Monique Aldebert, Roger Guérin, Christiane Legrand, Ward Swingle, Eddy Louiss and Bernard Lubat. The band name alluded to the fact that the group used overdubbing in the studio to sing twelve-part songs. The gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddy Louiss
Eddy Louiss (2 May 1941 – 30 June 2015) was a French jazz musician. Eddy started playing in his father Pierre's orchestra in the 1950s. Pierre changed the family name from Louise to Louiss. As a vocalist, he was a member of Les Double Six of Paris from 1961 through 1963. During this time his primary instrument became the Hammond organ. In 1964, he was awarded the Prix Django Reinhardt. For 13 years, between 1964 and 1977, he played with leading French musician Claude Nougaro. After that, he made the decision, one that his son Pierre described as "not that easy", to split from Nougaro to head out on a solo career. He worked with Kenny Clarke, René Thomas, and Jean-Luc Ponty. In 1971 he was a member of the Stan Getz quartet (with René Thomas and Bernard Lubat) that recorded the Getz album ''Dynasty'' (1971). Eddy Louiss had his left leg amputated in the early 1990s after suffering artery problems, following which he made few public appearances. In duet, he recorded wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christiane Legrand
Christiane Legrand (21 August 1930 – 1 November 2011) was a French soprano. Biography Legrand was born in Paris. Her father Raymond Legrand was a conductor and composer renowned for hits such as ''Irma la douce'', and her mother was Marcelle Ter-Mikaëlian (sister of conductor Jacques Hélian), who married Legrand in 1929. Her maternal grandfather was of Armenian descent and considered a member of the bourgeoisie.Biography of Michel Legrand , Radio France Internationale, Retrieved 26 December 2009. Legrand studied piano and classical music from the time she was four. Jazz critic and composer discovered her in 1957, and she became the lead singer in the most notabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue 'n' Boogie
Blue 'n' Boogie is a 1944 jazz standard. It was written by Dizzy Gillespie and Frank Paparelli. It can be found on Gillespie's 1955 compilation album ''Groovin' High'', and was notably performed by trumpeter Miles Davis on ''Miles Davis All-Star Sextet'' (1954; later released as the first side of ''Walkin'''), guitarist Wes Montgomery on ''Full House'' (1962), and Sonny Rollins on '' Now's the Time'' (1964). See also *List of jazz standards A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union ... References 1940s jazz standards 1944 songs Bebop jazz standards Compositions by Dizzy Gillespie {{1940s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Con Alma
"Con Alma" is a jazz standard written by Dizzy Gillespie, appearing on his 1954 album '' Afro''. The tune incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Notable recordings It has been noted that "As good as Dizzy's versions of his own tune are, it's probably not too crazy to say that 'Con Alma' really took off in the hands of other musicians."Ben Gray"Con Alma: A Critical Analysis of Covers" Nextbop.com Among those who have recorded versions are: * Sonny Rollins * Sonny Stitt * Hal McKusick ('' Triple Exposure'', 1957) * Oscar Peterson ('' The Jazz Soul of Oscar Peterson'', 1959; '' Swinging Brass with the Oscar Peterson Trio'', 1959) * Roy Haynes ('' Just Us'', 1960) * The Jazztet (''Big City Sounds'', 1960) * Ray Bryant (''Con Alma'', 1961) * Wes Montgomery ('' Bumpin''', 1965) * Charles McPherson ('' Con Alma!'', 1965) * Ed Bickert * Brian Bennet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included Fats ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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