Discography Of Sibelius Symphony Cycles
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Discography Of Sibelius Symphony Cycles
The Finnish composer Jean Sibelius (1865–1957) was one of the most important List of symphony composers, symphonists of the early twentieth century: his seven symphony, symphonies, written between 1899 and 1924, are the core of List of compositions by Jean Sibelius, his and stalwarts of the Western canon, standard concert repertoire. Many of classical music's conductor–orchestra partnerships have sound recording and reproduction, recorded the complete set, colloquially known as the "Sibelius Symphonic cycle#Symphonic cycle as a set of works, cycle". Specifically, the standard cycle includes: * Symphony No. 1 (Sibelius), Symphony No. 1 in E minor, Op. 39 (1899; minor revisions 1900) * Symphony No. 2 (Sibelius), Symphony No. 2 in D major, Op. 43 (1902) * Symphony No. 3 (Sibelius), Symphony No. 3 in C major, Op. 52 (1907) * Symphony No. 4 (Sibelius), Symphony No. 4 in A minor, Op. 63 (1911) * Symphony No. 5 (Sibelius), ...
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Jean Sibelius
Jean Sibelius ( ; ; born Johan Julius Christian Sibelius; 8 December 186520 September 1957) was a Finnish composer of the late Romantic and 20th-century classical music, early-modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a national identity during its Independence of Finland, struggle for independence from Russia. The core of his oeuvre is his Discography of Sibelius symphony cycles, set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and countries around the world. His other best-known compositions are ''Finlandia'', the ''Karelia Suite'', ''Valse triste (Sibelius), Valse triste'', the Violin Concerto (Sibelius), Violin Concerto, the choral symphony ''Kullervo (Sibelius), Kullervo'', and ''The Swan of Tuonela'' (from the ''Lemminkäinen Suite''). His other works include pieces inspired by nature, Nordic mythology, and the Finni ...
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C major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" and a ...
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D minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. ''The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's ''Chromatic Fantasia and Fugue'' in D minor. Mozart's Requiem is written primarily in D minor, as are the famous Queen of the Night Aria, "Der Höl ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Richard Burgin (violinist)
Richard Burgin (October 11, 1892 – April 29, 1981) was a Polish-American violinist, best known as associate conductor and the concertmaster of the Boston Symphony Orchestra (BSO). Early life Burgin was born in Siedlce, Poland, and first performed in public at age 11, as a soloist with the Warsaw Philharmonic Society. In 1906 he studied with Joseph Joachim in Berlin, and from 1908 to 1912 with Leopold Auer at the St. Petersburg Conservatory.''Baker's Biographical Dictionary of Musicians'', Seventh Edition, Revised by Nicolas Slonimsky. New York: Schirmer Books, 1984, p. 379 Then he worked in Helsinki, Stockholm and Oslo. Concertmaster Burgin was appointed concertmaster of the BSO in 1920 when Pierre Monteux was the principal conductor, and assistant conductor in 1927 early in Serge Koussevitzky's tenure as principal conductor (1924-1949). He conducted the BSO in 308 concerts in the United States, Australia and Japan, and was associate conductor for seven world premieres and ...
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The Oceanides
''The Oceanides'' (in Finnish: '; literal English translation: ''Nymphs of the Waves'' or ''Spirits of the Waves''; original working title: '' ''; in English: ''Rondo of the Waves''), Op. 73, is a single- movement tone poem for orchestra written from 1913 to 1914 by the Finnish composer Jean Sibelius. The piece, which refers to the nymphs in Greek mythology who inhabited the Mediterranean Sea, premiered on 4 June 1914 at the Norfolk Music Festival in Connecticut with Sibelius conducting. Praised upon its premiere as "the finest evocation of the sea ... ever ... produced in music", the tone poem, in D major, consists of two subjects, said to represent the playful activity of the nymphs and the majesty of the ocean, respectively. Sibelius gradually develops this material over three informal stages: first, a placid ocean; second, a gathering storm; and third, a thunderous wave-crash climax. As the tempest subsides, a final chord sounds, symbolizing the mi ...
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Helsinki Philharmonic Orchestra
The Helsinki Philharmonic Orchestra (in Finnish: ; in Swedish: ; literal English translation: Helsinki City Orchestra; commonly abbreviated as HPO) is an orchestra based in Helsinki, Finland. Founded in 1882 by Robert Kajanus, the Philharmonic Orchestra was the first permanent orchestra in the Nordic countries. Today, its primary concert venue is the Helsinki Music Centre; the current chief conductor is Susanna Mälkki, who has held her post since 2016. History Early history In 1882, with the backing of two wealthy businessmen ( Waldemar Klärich and Nikolai Sinebrychoff), the Finnish composer and conductor Robert Kajanus founded the Helsinki Orchestral Association (in Finnish: ; in Swedish: ), the first permanent orchestra in the Nordic countries. Kajanus, who took no salary in the first year, conducted the Orchestral Association in its inaugural concert, on 3 October 1882; the program included, among other pieces, Beethoven's Symphony No. 5 in C minor, Men ...
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E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ...
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In Memoriam (Sibelius)
' (In memory), Op. 59, is a funeral march for orchestra by Jean Sibelius. It was written in memory of Eugen Schauman. Sibelius composed a first version in 1909 and completed a final version in 1910. He conducted the first performance in Oslo on 8 October 1910. The piece was performed at his own funeral. History The work was written to commemorate Eugen Schauman who had in 1904 shot Governor-General Nikolay Bobrikov and then killed himself. Sibelius mentioned on New Year's Day of 1905 "that he intended to write a requiem in memory of Eugen Schauman and that he had already started to work on it. – I just hope it will be worthy of its subject matter! After all, it will be the only monument that we can raise for him!" Only in 1909, after his throat surgery which made him think of death, he returned to the idea. Erik Tawaststjerna assumes that he wrote it also for himself. He composed a first version in 1909, completed on 14 December 1909. His models were the funeral marches of B ...
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The Dryad (Sibelius)
''The Dryad'' ('), Op. 45 No. 1, is a tone poem by Jean Sibelius. He completed it in early 1910 between skiing trips. He conducted the first performance in Kristiania (now Oslo), Norway, on 8 October 1910, together with the premiere of '' In Memoriam''. He arranged it for piano in 1910 ('). The piece has been regarded as one of the composer's "shortest and most original orchestral works", as an "impressionist miniature", proceeding from fragments to a "dance-like theme". Structure The work is scored for piccolo, 2 flutes, 2 oboes, 2 clarinets (in B), bass clarinet (in B), 2 bassoons, 4 horns (in F), 3 trumpets (in B), 3 trombones, tuba, tambourine, castanets, snare drum, bass drum and strings.Score, Sibelius: The Dryad, Breitkopf & Härtel, Leipzig, 1910 \relative c' \new Staff \with Literature *Tomi Mäkelä Tomi Matti Mäkelä (born 4 January 1964 in Lahti) is a Finnish musicologist and pianist, professor at the Martin-Luther-Universität Halle-Wittenberg in Germany. ...
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Nightride And Sunrise
''Nightride and Sunrise'' (in Finnish: ) is a single-movement tone poem for orchestra written in 1908 by the Finnish composer Jean Sibelius. Sibelius gave different accounts of the inspiration for this music. One, told to Karl Ekman, was that it was inspired by his first visit to the Colosseum in Rome, in 1901. Another account, given in his later years to his secretary Santeri Levas, was that the inspiration was a sleigh ride from Helsinki to Kerava "at some time around the turn of the century", during which he saw a striking sunrise. Orchestration Sibelius scored the work for piccolo, 2 flutes, 2 oboes, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns (doubled if possible in the Sunrise), 2 trumpets, 3 trombones, tuba, timpani, bass drum, snare drum, tambourine, triangle and strings. Background Sibelius completed the score by November 1908 and sent the manuscript to Alexander Siloti, who conducted the first performance, in Saint Petersburg, in 1909. The reviews of ...
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Theatre Music
Theatre music refers to a wide range of music composed or adapted for performance in theatres. Genres of theatre music include opera, ballet and several forms of musical theatre, from pantomime to operetta and modern stage musicals and revues. Another form of theatre music is incidental music, which, as in radio, film and television, is used to accompany the action or to separate the scenes of a play. The physical embodiment of the music is called a score, which includes the music and, if there are lyrics, it also shows the lyrics. History Since the earliest days of the theatre, music has played an important part in stage drama. In Greek drama in the fifth century BC, choric odes were written to be chanted and danced between the spoken sections of both tragedies and comedies. Only fragments of the music have survived. Attempts to recreate the form for revivals from the Renaissance to modern times have branched in several directions. Composers from Andrea Gabrieli to Mendelssohn to ...
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