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Discography Of Mosaic Records
This is the discography of Mosaic Records the American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. Over three decades the jazz press and general publications have recognized Mosaic, with ''The New York Times'' naming it "the most distinctive reissue label in jazz", All About Jazz calling the company "arguably the premiere reissue label in jazz", and Esquire suggesting it is "America's most obsessive jazz label". This discography includes Limited Edition Box Sets (of various numbers of LPs or CDs), Vinyl Set Series (of various numbers of LPs), Selects (3 CDs) and Singles (one CD). The majority of the company's music leases over its 30+ years of operating are now expired, with the releases becoming sought after, expensive collectors' items. Box Sets #101-150 / 1983-1994 The complete collections below are listed in detail under the name of the musician or the label (will be updated continuously): * #101-1983: ''Thelonious Monk – The Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic Records
Mosaic Records is an American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. It produces limited-edition box sets. The sets recordings are leased from the major record companies, usually for a three- or five-year period, with the edition limited to a specific number of copies typically 5,000. Sometimes the complete catalog of a label would appear: the complete masters of Milt Gabler's Commodore Records were contained in three sets consisting of some 66 LPs. In 2003, the company initiated the Select series of smaller sets, not necessarily "complete" in the usual sense. In 2006, the company began a third line, Mosaic Singles, a series dedicated to reissuing individual albums on CD that have not previously been available in US editions, or at all. In 2009, Mosaic returned to the vinyl format with the HQ Vinyl Series and began issuing three and four LP sets of 2,500-5,000 copies. Mosaic's sets are primarily sold and distributed directly to cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hardee
John Hardee (December 20, 1918 – May 18, 1984) was an American jazz tenor saxophonist. Hardee toured with Don Albert in 1937–38 while he was in college; he graduated in 1941. He directed a Texas school band and served in the Army during World War II. In 1946 he played with Tiny Grimes and then recorded as a bandleader for Blue Note Records between 1946 and 1948, issuing eight releases. In the 1940s and early 1950s he played with Clyde Bernhardt, Cousin Joe, Russell Procope, Earl Bostic, Billy Kyle, Helen Humes, Billy Taylor, and Lucky Millinder. In the 1950s he retired from music and became a schoolteacher. In 1959, he played saxophone on Dallas R&B group The Nightcaps (Texas band) LP ''Wine, Wine, Wine''. He was credited as "Jon Hardtimes" and, although he performed with them occasionally, was not an official member of the group. Discography Leader * John Hardee Swingtet & Sextet: ''Various Artists – The Blue Note Swingtets'' (Blue Note, 1946) with Tiny Grimes, Gene Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note
In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical context. Origins and meaning The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. The lowered fifth is also known as the raised fourth.Ferguson, Jim (1999). ''All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses'', p. 20. . Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of tonalities". A similar conflict occurs between the notes of the minor scale and the minor blues scale, as heard in songs such as "Why Don't You Do Right?", " Happy" and " Sweet About Me". In the case of the lowered third over the root (or the lowered seventh over the dominant), the resul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Benskin
Samuel Benskin (September 27, 1922 – August 26, 1992) was an American pianist and bandleader. He was born in The Bronx, New York City, United States, and made his professional debut around 1940 as piano accompanist to singer and guitarist Bardu Ali. He worked throughout the 1940s with jazz musicians including Stuff Smith, Benny Morton and Don Redman. By the early 1950s he had begun leading his own piano trio, as well as appearing as a soloist and as accompanist to singers including Roy Hamilton and Al Hibbler. In 1954 he also joined a group, The Three Flames, which also featured Tiger Haynes. Later in the 1950s he worked as accompanist to Dinah Washington. In 1959, with a band credited as The Spacemen, he recorded an instrumental, "The Clouds", written and produced by Julius Dixson and issued on Dixson's Alton record label. Other session musicians playing on the record were Panama Francis, Haywood Henry, and Babe Clark. The song originally had vocals, which Dixson remove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Hamilton
Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra. Biography Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilson sextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter. In 1943, he replaced Barney Bigard in the Duke Ellington orchestra and stayed with Ellington until 1968. His style was different on his two instruments: on tenor saxophone he had an R&B sound, while on clarinet he was much more precise and technical. He wrote some of his own material in his time with Ellington. Aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Morton
Benny Morton (January 31, 1907 – December 28, 1985) was an American jazz trombonist, most associated with the swing genre. Career He was born in New York, United States. One of his first jobs was working with Clarence Holiday, and he appeared with Clarence's daughter Billie Holiday towards the end of her life on The Sound of Jazz. Morton was a member of pianist Teddy Wilson's Sextet throughout the early 1940s. In the 1960s he was part of the Jazz Giants band: "Wild" Bill Davison (cornet), Herb Hall (clarinet and alto), Claude Hopkins (piano), Arvell Shaw (bass) and Buzzy Drootin (drums). They toured the U.S. and frequently in Canada where they did some recording for Sackville Records. Towards the end of the 1960s, he played with an offshoot of the Jazz Giants under the leadership of Buzzy Drootin, called Buzzy's Jazz Family, including Herb Hall, with Herman Autrey replacing Davison, Buzzy's nephew Sonny Drootin replacing Hopkins, and Eddie Gibbs replacing Shaw. He is proba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Hodes
Arthur W. Hodes (November 14, 1904 – March 4, 1993), was a Russian Empire-born American jazz and blues pianist. He is regarded by many critics as the greatest white blues pianist. Biography Hodes was born in Mykolaiv, in present-day Ukraine. His family settled in Chicago, Illinois, when he was a few months old. His career began in Chicago clubs, but he did not gain wider attention until moving to New York City in 1938. In New York, he played with Sidney Bechet, Joe Marsala, and Mezz Mezzrow. Later, Hodes founded his own band in the 1940s and it would be associated with his hometown of Chicago. He and his band played mostly in that area for the next forty years. In the late 1960s, Hodes starred in a series of TV shows on Chicago style jazz called ''Jazz Alley'', where he appeared with musicians such as Pee Wee Russell and Jimmy McPartland. Episodes of the show have been released on DVD. Hodes was editor of the magazine, ''The Jazz Record'', for five years in the 1940s. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vogue Records
Vogue Records was a short-lived United States-based record label of the 1940s, noted for the artwork embedded in the records themselves. Founded in 1946 as part of Sav-Way Industries of Detroit, Michigan, the discs were initially a hit, because of the novelty of the colorful artwork, and the improved sound compared to the shellac records dominant at the time. The discs were manufactured by first sandwiching printed illustrations around a core of aluminum, then coating both sides with clear vinyl upon which the grooves were stamped. The company went out of business the following year, having released between 67 and 74 double-sided 78 rpm gramophone records. Some of the Vogue issues were re-releases of recordings originally issued by other companies. The colorful artwork on the records have made Vogue Records a collector's item. Two releases on the Vogue label have been the source of much collector debate over the years: the 1946 releases by the country swing group the Down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candid Records
Candid Records was a jazz record label first established in New York City. Early Candid Records The CANDID jazz label was founded in New York City in 1960 as a subsidiary of Cadence Records, owned by Archie Bleyer. The jazz writer and civil rights activist Nat Hentoff was the label's (A&R) director and, consequently, he attempted to create a catalog that represented the prevalent jazz music of the day. Hentoff also worked with the graphic designer and photographer Frank Gauna to create Candid's distinctive album covers. Candid's catalog included Don Ellis, Abbey Lincoln, Booker Little, Charles Mingus, and Cecil Taylor. Later, the label was acquired by pop singer Andy Williams, who either reissued the catalog on his own Barnaby label or licensed them to foreign record companies into the 1970s and late 1980s. The Cadence-era Discography The 34 Cadence-era LPs In 1964, due to its financial difficulties, Archie Bleyer opted to shut down Cadence Records, parent company of Can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vic Dickenson
Victor Dickenson (August 6, 1906 – November 16, 1984) was an American jazz trombonist. His career began in the 1920s and continued through musical partnerships with Count Basie (1940–41), Sidney Bechet (1941), and Earl Hines. Life and career Born in Xenia, Ohio, in 1906, Dickenson wanted to be a plasterer like his father, but he abandoned the idea after injuring himself by falling off a ladder.John S. Wilson"Vic Dickenson, a trombonist with Basie band in 40's, dies" ''The New York Times'', November 18, 1984. He studied organ from 1922, then changed to performing trombone with local bands. He made his recording debut in December 1930 as a vocalist with Luis Russell's band. He joined Blanche Calloway's orchestra in the early 1930s. He led his own groups both on the east and west coast between 1947 and the mid-1950s. From then he was a session man. He appeared on the television program ''The Sound of Jazz'' in 1957 with Count Basie, Coleman Hawkins, Roy Eldridge, Gerry Mullig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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