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Disciplin A Kitschme
Disciplin A Kitschme, originally known as Disciplina Kičme ( sr-Cyrl, Дисциплина Кичме, transl. ''Backbone Discipline''), was a Serbian and Yugoslav and, for a period of time, British rock band, formed in Belgrade in 1981. The band was noted for their unique and energetic sound, with bass guitar as the primary instrument and drawing inspiration from punk rock, funk, blues, jazz fusion, Motown, rap, the works of Jimi Hendrix, Yugoslav 1970s progressive and hard rock bands, and in the later phases of their career from jungle and drum and bass. Disciplina Kičme was formed by bass guitarist and vocalist Dušan Kojić "Koja" as one of the two spin-offs of the seminal Yugoslav new wave band Šarlo Akrobata, the other being Ekatarina Velika. Initially, the band featured Kojić on bass and vocals, Srđan Marković "Đile" on bass and Nenad Krasavac on drums. Marković soon left the band, Disciplina Kičme continuing as a duo. Krasavac was later replaced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dušan Kojić
Dušan "Koja" Kojić ( sr-Cyrl, Душан Којић Која; born 14 June 1961) is a Serbian rock bassist, singer, and songwriter. He is the frontman of the Serbian Alternative rock band Disciplin A Kitschme (formerly known as Disciplina Kičme). Discography With Šarlo Akrobata Singles * ''"Mali čovek" / "Ona se budi"'' (1981) Studio albums *'' Bistriji ili tuplji čovek biva kad...'' (1981) Compilation albums *''Paket aranžman'' (1980) - with Električni orgazam and Idoli Other appearances *'' Svi marš na ples!'' (1981) With Disciplina Kičme Solo works * ''Prijateljstvo zanat najstariji'' (1991) - EP * '' Kako je propao rokenrol'' (1989) - with Vlada Divljan Vladimir "Vlada" Divljan ( sr-Cyrl, Владимир "Влада" Дивљан; 10 May 1958 – 4 March 2015), was a Serbian singer and songwriter. He was known as the frontman of the Serbian and Yugoslav rock band Idoli, one of the bands which ... and Srđan Gojković * ''Beogradska prevara! ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Rock
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.V. Bogdanov, C. Woodstra and S. T. Èrlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), pp. 1316-7. Initial attempts to emulate American rock and roll took place in Britain in the mid-1950s, but the terms "rock music" and "rock" usually refer to the music derived from the blues rock and other genres that emerged during the 1960s. The term is often used in combination with other terms to describe a variety of hybrids or subgenres, and is often contrasted with pop music, with which it shares many structures and instrumentation. Rock music has tended to be more orientated toward the albums market, putting an emphasis on inn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svi Za Mnom!
''Svi za mnom!'' (''Everybody, follow me!'') is the second album by the Serbian alternative rock band Disciplina Kičme, released by the Slovenian record label Helidon in 1986, and reissued on CD by the record label in 1997. A remastered version of the album was rereleased on CD on the compilation album '' Ove ruke nisu male... 2'' in 2005. Track listing All music and lyrics by Zeleni Zub, except track 1, written by YU grupa. Personnel The band * Koja (Dušan Kojić) — bass, vocals * Žika (Srđan Todorović) — drums * Kele (Nenad Krasavac) — drums * Dedža — trumpet, vocals * Zerkman (Zoran Erkman) — trumpet, vocals Additional personnel * Duca — photography * S. Milojković — photography * Zeleni Zub (Dušan Kojić) — producer, written by * Vlada Negovanović — recorded by * Darko M. (Darko Milojković) — vocals on track 1 * Banana (Branislav Petrović) — vocals on track 1 * Boye — vocals on track 8 Legacy In 2015, the ''Svi za mnom!'' album cove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cult Following
A cult following refers to a group of fans who are highly dedicated to some person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The lattermost is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a small but very passionate fanbase. A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric or anti-establishment to be appreciated by the general public or to be widely commercially successful. Many cult fans express their devotion with a level of irony when describing entertainment that falls under this realm, in that something ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sviđa Mi Se Da Ti Ne Bude Prijatno
''Sviđa mi se da ti ne bude prijatno'' (''I like when you feel uncomfortable'') is the debut album by the Serbian alternative rock band Disciplina Kičme, released by the Slovenian record label Helidon in 1983. A remastered version of the album was rereleased on CD on the compilation album '' Ove ruke nisu male... 1'' in 2000. Track listing Personnel The band * Koja (Dušan Kojić) — artwork by over bass, vocals, lyrics by * Žika (Srđan Todorović Srđan "Žika" Todorović ( sr-cyr, Срђан "Жика" Тодоровић, ; born 28 March 1965) is a Serbian actor and musician. He has played in numerous bands, including Ekatarina Velika, Disciplina Kičme, Radnička Kontrola and Bezobraz ...) — drums Additional personnel * Dragan Topolac — handclaps * Ljubomir Đukić — handclaps * G. Matić — photography * Goran B. — photography * Igor Petrović — photography * S. Jakšić — photography * Riki Rif (Nebojša Antonijević "Anton") — producer, hand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekatarina Velika
Ekatarina Velika ( sr-Cyrl, Екатарина Велика, en, Catherine the Great), sometimes referred to as EKV for short, was a Yugoslav rock band from Belgrade, being one of the most successful and influential Yugoslav music acts. Initially called Katarina II ( sr-Cyrl, Катарина II, en, Catherine II), the band had built up a devoted following that greatly intensified and expanded after the death of its frontman Milan Mladenović in 1994, which caused the band to dissolve. The group's core consisted of singer and guitarist Milan Mladenović, keyboardist Margita Stefanović and bassist Bojan Pečar, with other members mostly remaining for comparatively shorter periods. History Post-punk years (1982–1986) Katarina II In February 1982, following the disbandment of Šarlo Akrobata, 24-year-old guitarist and vocalist Milan Mladenović decided to form a new band with an old friend — 22-year-old guitarist Gagi Mihajlović. Playing music together again after bei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music In Yugoslavia
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; hr, Novi val; sl, Novi val; mk, Нов бран) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 Tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The Non-Aligned socialist Yugoslavia was never part of the Eastern Bloc and it was open to western influences (the West to some extent even supported Yugoslavia as a " buffer zone" to the Warsaw Pact). The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oldschool Jungle
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimi Hendrix
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American guitarist, singer and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music." Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville then Nashville, Tennessee, and began playing gigs on the chitlin' circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after bassis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown (music Style)
Motown, or the Motown sound, is a style of rhythm and blues musicHughes, Zondra "Are Whites Stealing Rhythm & Blues?" ''Ebony Magazine'', Vol. 55, Johnson Publishing Company, p. 72, ISSN 0012-9011. named after the record company Motown in Detroit, where teams of songwriters and musicians produced material for girl groups, boy bands, and solo singers during the 1960s and early 1970s. The music of Motown helped a small record company become the largest black American-owned enterprise in the country and a national music industry competitor in the United States. Overview The sound, a sophisticated strain of R&B and pop, is known for its polished songwriting with "candid" vocal delivery. Musicians involved in the production of a Motown track constituted a mix of eclectic musical backgrounds, such as jazzPosner, Gerald (2002). ''Motown: Music, Money, Sex, and Power'', Random House, p. 37, . and rhythm and blues.Bjorn L, Gallert J (2001). ''Before Motown: A History of Jazz in Detroit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
