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Diruta
Girolamo Diruta (c. 1546 – 1624 or 1625) was an Italian organist, music theorist, and composer. He was famous as a teacher, for his treatise ''Il Transilvano'' (Venice, 1st part 1593; 2nd part 1609-10) on counterpoint, and for his part in the development of keyboard technique, particularly on the organ. He was born in Deruta, near Perugia. Biography Diruta was born in Deruta in 1546 c. He became a friar minor conventual in the convent Perugia in 1566; later, from 1569 to 1574, he was in the convent of Correggio. Around 1578 he moved to Venice, where he met Claudio Merulo, Gioseffo Zarlino and Costanzo Porta (who was also a friar minor conventual), and he probably studied with each of them. Merulo mentioned Diruta in a prefatory letter to the ''Transilvano'' (1593), as one of his finest students. From 1580 until 1585 he was organist at the Gubbio cathedral. He returned in Venice at the Frari convent, where he was organist from 1586 until 1589. By 1593 he was organist a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Merulo
Claudio Merulo (; 8 April 1533 – 4 May 1604) was an Italian composer, publisher and organist of the late Renaissance period, most famous for his innovative keyboard music and his ensemble music composed in the Venetian polychoral style. He was born in Correggio and died in Parma. Born Claudio Merlotti, he Latinised his surname (meaning little blackbird) when he became famous in Venetian cultural clubs. Life Little is known about his early life except that he studied in Correggio with Tuttovale Menon, a famous madrigalist who also worked in the Ferrara court; he also studied with Girolamo Diruta, an organist. It is likely that he studied with Zarlino at St. Mark's in Venice. While in Venice he became close friends with Costanzo Porta, a friendship which was to endure for his entire life. On 21 October 1556, he was appointed organist at Old Cathedral of Brescia ( Duomo Vecchio), and his skill as an organist must have been impressive, because he became organist at St. Mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deruta
Deruta is a hill town and ''comune'' in the Province of Perugia in the Umbria region of central Italy. Long known as a center of refined maiolica manufacture, Deruta remains known for its ceramics, which are exported worldwide. History Probably built upon Roman foundations, Deruta's name in its early variants (Ruto, Ruta, Rupta, Direpta and Diruta) all signify the “ruin” of this strategic site caused by the 6th-century Gothic War and the Lombard invasion. The Medieval commune that rose from these ruins had its own charter in the 13th century and was governed from its own Palazzo of the Consuls, but in fact Deruta has been under the dominion of neighboring Perugia since the 11th century, and has largely participated in Perugia's vicissitudes. The town's fortifications date from the 12th century, when it was an outpost in Perugia's marches, facing the rival town of Todi. In 1465, under a new agreement with Perugia, the magistrate sent from Perugia would govern with the cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joseph Fux
Johann Joseph Fux (; – 13 February 1741) was an Austrian composer, music theory, music theorist and pedagogy, pedagogue of the late Baroque music, Baroque era. His most enduring work is not a musical composition but his treatise on counterpoint, ''Gradus ad Parnassum#Music and art, Gradus ad Parnassum'', which has become the single most influential book on the Giovanni Pierluigi da Palestrina, Palestrinian style of Renaissance music, Renaissance polyphony. Life Fux's exact date of birth is unknown. He was born to a peasant family in Langegg bei Graz, Hirtenfeld, Styria, Austria. Relatively little is known about his early life, but likely he went to nearby Graz for music lessons. In 1680 he was accepted at the Jesuit Ferdinandeum University there, where his musical talent became apparent. From 1685 until 1688 he served as organist at St. Moritz in Ingolstadt. Sometime during this period he must have made a trip to Italy, as evidenced by the strong influence of Arcangelo Corelli, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioseffo Guami
Gioseffo Guami (27 January 1542 – 1611) (Gioseffo Giuseppe Guami or Gioseffo da Lucca) was an Italian composer, organist, violinist and singer of the late Renaissance Venetian School. He was a prolific composer of madrigals and instrumental music, and was renowned as one of the finest organists in Italy in the late 16th century; he was also the principal teacher of Adriano Banchieri. Life He was born in Lucca, and was the brother of Francesco Guami (born 1543). Little is known about his early life, but he must have received some early training for he came to St. Mark's in Venice, one of the most prestigious musical institutions in Italy, in 1561; there he studied with Adrian Willaert and Annibale Padovano, and served as a singer. In 1568 he left Venice and went to Bavaria, serving as first organist at the court of Albrecht of Bavaria, the location of the famous Franco-Flemish composer Orlande de Lassus. In the early 1570s he returned to Italy, at least temporarily, and acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Gloriosa Dei Frari
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. The largest church in the city, it has the status of a minor basilica. The church is dedicated to the Assumption of Mary. The imposing edifice is built of brick, and is one of the city's three notable churches still mostly retaining their Venetian Gothic appearance. In common with many Franciscan churches, the exterior is rather plain, even on the front facade. The exterior also features a bell tower that was fixed in the early 2000s after going through structural problems. The interior is notable for many very grand wall monuments to distinguished Venetians buried in the church, including a number of Doges and the painter Titian. Many of these are important works in the history of Venetian sculpture, and the many paintings include two large and important altarpieces by Titian, the '' Assumption of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of Friars Minor Conventual
The Order of Friars Minor Conventual (OFM Conv) is a male religious fraternity in the Roman Catholic Church that is a branch of the Franciscans. The friars in OFM CONV are also known as Conventual Franciscans, or Minorites. Dating back to the 13th century, OFM Conv. has provinces worldwide. Dressed in serge habits with white cords, the friars teach in schools, serve as chaplains, run hospitals and provide aid to the poor. Background The OFM Conv. is a mendicant Catholic religious order. It is one of three separate fraternities that make up the First Order of St. Francis, for friars only. The Second Order is the Poor Clares, for nuns only. The Third Order can be for men or women, secular or religious. Source of the name There are several theories as to the source of the name "conventual": * In the Bull ''Cum tamquam veri'' of 5 April 1250, Pope Innocent IV decreed that Franciscan churches where convents existed might be called "Conventual churches". * A second theory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioseffo Zarlino
Gioseffo Zarlino (31 January or 22 March 1517 – 4 February 1590) was an Italian music theorist and composer of the Renaissance. He made a large contribution to the theory of counterpoint as well as to musical tuning. Life and career Zarlino was born in Chioggia, near Venice. His early education was with the Franciscans, and he later joined the order himself. In 1536 he was a singer at Chioggia Cathedral, and by 1539 he not only became a deacon, but also principal organist. In 1540 he was ordained, and in 1541 went to Venice to study with the famous contrapuntist and ''maestro di cappella'' of Saint Mark's, Adrian Willaert. In 1565, on the resignation of Cipriano de Rore, Zarlino took over the post of ''maestro di cappella'' of St. Mark's, one of the most prestigious musical positions in Italy, and held it until his death. While ''maestro di cappella'' he taught some of the principal figures of the Venetian school of composers, including Claudio Merulo, Girolamo Diruta, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suspension (music)
A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework. In contrast, a chord tone is a note that is a part of the functional chord (see: factor (chord)). Non-chord tones are most often discussed in the context of the common practice period of classical music, but they can be used in the analysis of other types of tonal music as well, such as Western popular music. Nonchord tones are often categorized as ''accented non-chord tones'' and ''unaccented non-chord tones'' depending on whether the dissonance occurs on an accented or unaccented beat (or part of a beat). Over time, some musical styles assimilated chord types outside of the common-practice style. In these chords, tones that might normally be considered nonchord tones are viewed as chord tones, such as the seventh of a minor seventh chord. For example, in 1940s-era bebop jazz, an F played with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli, Adriano Banchieri, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzona (music)
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni. The use of canzone as the plural is sometimes found in Italian, but is not common. English (and often German) uses the form canzona, with canzonas as the plural. Background The canzona is an instrumental musical form that differs from the similar forms of ricercare and fantasia in its livelier, markedly rhythmic material and separation into distinct sections. At first based on the Franco-Flemish polyphonic songs (chansons) that gave it its name, the instrumental canzona was soon independently composed, not least by Gabrieli in his brass canzonas and by Girolamo Frescobaldi in his keyboard canzonas. As a form, the canzona would influence the fugue, and the ensemble canzonas were the direct ancestors of the 17th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luzzasco Luzzaschi
Luzzasco Luzzaschi (c. 1545 – 10 September 1607) was an Italian composer, organist, and teacher of the late Renaissance. He was born and died in Ferrara, and despite evidence of travels to Rome it is assumed that Luzzaschi spent the majority of his life in his native city. He was a skilled representative of the late Italian madrigal style, along with Palestrina, Wert, Monte, Lassus, Marenzio, Gesualdo and others. Biography As a pupil of Cipriano de Rore, Luzzaschi developed his craft and eventually came to be an influential pedagogue himself. Anthony Newcomb writes: In 1564, Luzzaschi was appointed as principal organist to the d'Este court. His facility as a keyboard player must have been paramount, for his competence on Nicola Vicentino's microtonal archicembalo was actively documented throughout his career. Luzzaschi is widely remembered due to his association with the famous ''Concerto delle donne'', a private female vocal ensemble founded by Alfonso II, Duke of Fer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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