Dirk Van Delen
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Dirk Van Delen
Dirck van Delen or Dirck Christiaensz van Delen (c. 1605 – 16 May 1671) was a Dutch painter who specialized exclusively in architectural paintings, principally depicting palace perspectives and church interiors. Life Van Delen was born in Heusden. It is not clear with whom he apprenticed. Art historian have proposed both Frans Hals and Hendrick Aerts (who also specialized in architectural paintings) as his presumed masters. More plausible are studies under Pieter van Bronckhorst and/or Bartholomeus van Bassen in Delft. The influence of Hendrick Aerts could have reached van Delen in this manner. An apprenticeship in Delft would also explain why Anthonie Palamedesz. was able to provide the figures in works by van Delen as witnessed by co-signed examples.Dirck van Delen
at the



Dirck Van Delen - Conversation Outside A Castle
Dirck is a given name. Notable people with the name include: *Dirck Barendsz (1534–1592), Dutch Renaissance painter from Amsterdam *Dirck Bleker (1621–1702), Dutch Golden Age painter *Dirck Coornhert (1522–1590), Dutch writer, philosopher, translator, politician and theologian * Dirck Cornelis de Hooch (1613–1651), 17th-century Dutch portrait painter *Dirck de Bray (1635–1694), Dutch Golden Age painter *Dirck Ferreris (1639–1693), Dutch Golden Age painter *Dirck Gerritsz Pomp (1544–1608), Dutch sailor, the first known Dutchman to visit Japan *Dirck Hals (1591–1656), Dutch painter of festivals and ballroom scenes *Dirck Halstead, (born 1936), photojournalist, and editor and publisher of ''The Digital Journalist'' *Dirck Helmbreker (1633–1696), Dutch Golden Age painter of Italianate landscapes *Dirck Jacobsz. (1496–1567), Dutch Renaissance painter *Dirck Pesser (1585–1651), Dutch brewer from Rotterdam *Dirck Rembrantsz van Nierop (1610–1682), Dutch cartographe ...
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Olyftack
De Olijftak (The Olive Branch), or in full (Confraternity of the Holy Spirit called the Olive Branch) was a chamber of rhetoric that dates back to the early 16th century in Antwerp, when it was a social drama society drawing its membership primarily from merchants and tradesmen.A. A. Keersmaekers, ''Geschiedenis van de Antwerpse Rederijkerskamers in de jaren 1585–1635'' (Aalst, 1952) In 1660 it merged with its former rival the Violieren (which was more closely associated with artists and intellectuals), and in 1762 the society was dissolved altogether. History The chamber took part in the ''landjuweel'' (a rhetoric competition for the whole Duchy of Brabant) at Mechelen in 1515, at Diest in 1521, at Brussels in 1532, at Mechelen in 1535, at Diest in 1541, and the final such competition, at Antwerp in 1561. The chamber also provided public entertainment at such events as the triumphal entry into Antwerp of Alexander Farnese, Duke of Parma. During the 1590s there were no regular p ...
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Jan Van Londerseel
Jan van Londerseel (Antwerp, between 1570 and 1575 - Rotterdam, 1624–25) was a Flemish draughtsman, engraver, etcher and print maker. After training and working in Antwerp he was active in the Dutch Republic during the latter part of his career.Jan van Londerseel
at The Netherlands Institute for Art History


Life

Jan van Londerseel was probably a pupil of Abraham de Bruyn in Antwerp. Van Londerseel married a niece of his master Abraham de Bruyn. His wife's brother Nicolaes de Bruyn was another Flemish engraver who made a name in the Dutch Republic. Around 1600 Jan followed his brother Assuerus van Londerseel, also an engraver, to Rotterdam. He lived in 1614 in Delft.
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National Gallery Of Ireland
The National Gallery of Ireland ( ga, Gailearaí Náisiúnta na hÉireann) houses the national collection of Irish and European art. It is located in the centre of Dublin with one entrance on Merrion Square, beside Leinster House, and another on Clare Street. It was founded in 1854 and opened its doors ten years later. The gallery has an extensive, representative collection of Irish paintings and is also notable for its Italian Baroque and Dutch masters painting. The current director is Caroline Campbell. History In 1853 an exhibition, the Great Industrial Exhibition, was held on the lawns of Leinster House in Dublin. Among the most popular exhibits was a substantial display of works of art organised and underwritten by the railway magnate William Dargan. The enthusiasm of the visiting crowds demonstrated a public for art, and it was decided to establish a permanent public art collection as a lasting monument of gratitude to Dargan. The moving spirit behind the proposal was th ...
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