Direct To Disk Recording
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Direct To Disk Recording
A hard disk recorder (HDR) is a system that uses a high-capacity hard disk to record digital audio or digital video. Hard disk recording systems represent an alternative to reel-to-reel audio tape recording and video tape recorders, and provide non-linear editing capabilities unavailable using tape recorders. Audio HDR systems, which can be standalone or computer-based, are typically combined with provisions for digital mixing and processing of the audio signal to produce a digital audio workstation (DAW). Direct-to-disk recording (DDR) refers to methods which may also use optical disc recording technologies such as DVD, and Compact disc. History Prior to the 1980s, most recording studios used Analog recording, analog multitrack recorders, typically based on Reel-to-reel audio tape recording, reel-to-reel tape. The first commercial hard disk recording system was the Sample-to-Disk 16-bit, 50 kHz digital recording option for the New England Digital Synclavier II in 1982. Ste ...
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Hard Disk
A hard disk drive (HDD), hard disk, hard drive, or fixed disk is an electro-mechanical data storage device that stores and retrieves digital data using magnetic storage with one or more rigid rapidly rotating platters coated with magnetic material. The platters are paired with magnetic heads, usually arranged on a moving actuator arm, which read and write data to the platter surfaces. Data is accessed in a random-access manner, meaning that individual blocks of data can be stored and retrieved in any order. HDDs are a type of non-volatile storage, retaining stored data when powered off. Modern HDDs are typically in the form of a small rectangular box. Introduced by IBM in 1956, HDDs were the dominant secondary storage device for general-purpose computers beginning in the early 1960s. HDDs maintained this position into the modern era of servers and personal computers, though personal computing devices produced in large volume, like cell phones and tablets, rely on ...
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Professional Audio
Professional audio, abbreviated as pro audio, refers to both an activity and a category of high quality, studio-grade audio equipment. Typically it encompasses sound recording, sound reinforcement system setup and audio mixing, and studio music production by trained sound engineers, audio engineers, record producers, and audio technicians who work in live event support and recording using mixing consoles, recording equipment and sound reinforcement systems. Professional audio is differentiated from consumer- or home-oriented audio, which are typically geared toward listening in a non-commercial environment. Professional audio can include, but is not limited to broadcast radio, audio mastering in a recording studio, television studio, and sound reinforcement such as a live concert, DJ performances, audio sampling, public address system set up, sound reinforcement in movie theatres, and design and setup of piped music in hotels and restaurants. Professional audio equipment ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Mixing Console
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's tiny stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist. A nigh ...
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Non-destructive Editing
Non-linear editing is a form of offline editing for audio, video, and image editing. In offline editing, the original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or a directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited. A non-linear editing system (NLE) is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform non-dest ...
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Random Access
Random access (more precisely and more generally called direct access) is the ability to access an arbitrary element of a sequence in equal time or any datum from a population of addressable elements roughly as easily and efficiently as any other, no matter how many elements may be in the set. In computer science it is typically contrasted to sequential access which requires data to be retrieved in the order it was stored. For example, data might be stored notionally in a single sequence like a row, in two dimensions like rows and columns on a surface, or in multiple dimensions. However, given all the coordinates, a program can access each record about as quickly and easily as any other. In this sense, the choice of datum is arbitrary in the sense that no matter which item is sought, all that is needed to find it is its address, i.e. the coordinates at which it is located, such as its row and column (or its track and record number on a magnetic drum). At first, the term "random a ...
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Academy Scientific And Technical Award
The Scientific and Technical Awards are three different Honorary Awards that are given by the Academy of Motion Picture Arts and Sciences (AMPAS) during the annual Academy Awards season. The Awards have been presented since the 4th Academy Awards in November 1931, to recognize original developments resulting in significant improvements in motion picture production and exhibition. The Awards are presented at a formal dinner ceremony a couple weeks before the principal Academy Awards ceremony. These awards recognize significant milestones in the development of technology for motion pictures and are conferred by vote of the Academy Board of Governors. Potential nominations for awards are investigated by a special committee within the Academy, "The Scientific and Technical Awards Committee", which presents a written report and recommendation to the Board of Governors. Additionally, the John A. Bonner Medal of Commendation, given for "outstanding service and dedication in up ...
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AMS (Advanced Music Systems)
AMS (Advanced Music Systems) were a manufacturer of professional studio equipment.AMS - Neve About Us
Retrieved on March 16, 2009
The company later merged with to form .


Background

AMS was established in 1976 by and Stuart Nevison. They were engineers who moved into the desig ...
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WaveFrame
The Audioframe is a digital audio workstation with sampler, hard disk recorder and digital mixer In professional audio, a digital mixing console (DMC) is a type of mixing console used to combine, route, and change the dynamics, equalization and other properties of multiple audio input signals, using digital signal processing rather than a .... WaveFrame received a Technical Oscar in 2004 for digital audio workstations with editing capabilities applicable to movies. References Samplers (musical instrument) {{Electronic-musical-instrument-stub ...
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Otari Incorporated
Otari may refer to: * Otari, Nagano, Japan * Otari Incorporated, makers of reel-to-reel tape recorders; see ProDigi * Otari School, Wellington, New Zealand * Otari-Wilton's Bush, native botanic garden and forest reserve, Wilton, Wellington, New Zealand * Muhammad Naji al-Otari, Prime Minister of Syria * Otari Arshba, Russian politician * Otari Kvantrishvili, Georgian mafia boss See also * Otar (other) * Otaru is a city and port in Shiribeshi Subprefecture, Hokkaido, Japan, northwest of Sapporo. The city faces Ishikari Bay and the Sea of Japan, and has long served as the main port of the bay. With its many historical buildings, Otaru is a popular to ...
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RADAR (audio Recorder)
RADAR (Random Access Digital Audio Recorder) June 1999 Mix Magazine article on the RADAR II. Retrieved on 2009-05-24.
January 1999 Sound on Sound, Sound On Sound article on the RADAR II. Retrieved on 2009-05-24.
is a of professional digital multitrack recorders capable of recording and playing back twenty-four tracks of audio.


History

The idea for RADAR was born out of Creation Studios, a high end music recording studio, built in North Vancouver by Barry and Jane Anne Henderson. Barry was also Music Products Division Manager at Anatek Microcircuits, a h ...
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Videocassette
Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes have also been used for storing scientific or medical data, such as the data produced by an electrocardiogram. Because video signals have a very high bandwidth, and stationary heads would require extremely high tape speeds, in most cases, a helical-scan video head rotates against the moving tape to record the data in two dimensions. Tape is a linear method of storing information and thus imposes delays to access a portion of the tape that is not already against the heads. The early 2000s saw the introduction and rise to prominence of high-quality random-access video recording media such as hard disks and flash memory. Since then, videotape has been increasingly relegated to archival and simi ...
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