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Dir, Herr, Dir Will Ich Mich Ergeben
' (To Thee, Lord, to Thee will I surrender myself), WAB 12, is a sacred motet composed by Anton Bruckner in . History Bruckner composed the motet in either during his stay in Kronstorf or at the beginning of his stay in St. Florian Abbey. The original manuscript, on which the Tantum ergo, WAB 43 is also found, is in the archive of the St. Florian Abbey.C. van Zwol, pp. 701 The motet was first published in volume II/3, pp. 114–115 of the Göllerich/Auer biography. It is put in volume XXI/9 of the '. Text : This text, which was also used by Felix Mendelssohn in his oratorio ''Paulus'', is based on the ninth verse of the hymn ''Herr Gott, du kennest meine Tage'' by Ludwig Rudolph von Senftt zu Pilsach over the Stoning of Stephen. Music The 32-bar work in A major is a chorale for mixed choir '' a cappella''. As Crawford Howie writes, "both ''In jener letzten der Nächte'' WAB 17 () and ''Dir, Herr, dir will ich mich ergeben'' WAB 12 () for a cappella mixed-vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Stephen
Stephen ( grc-gre, Στέφανος ''Stéphanos'', meaning "wreath, crown" and by extension "reward, honor, renown, fame", often given as a title rather than as a name; c. 5 – c. 34 AD) is traditionally venerated as the protomartyr or first martyr of Christianity."St. Stephen the Deacon" , St. Stephen Diaconal Community Association, Roman Catholic Diocese of Rochester. According to the Acts of the Apostles, he was a in the early Church at who angered members of various [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets By Anton Bruckner
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Göllerich
August Göllerich (2 July 185916 March 1923) was an Austrian pianist, conductor, music educator and music writer. He studied the piano with Franz Liszt, who made him also his secretary and companion on concert tours. Göllerich is known for studying the life and work of Anton Bruckner whose secretary and friend he was. He initiated and conducted concerts of Bruckner's music in Linz, and wrote an influential biography. Life Born in Linz, the son of the Wels town secretary and later member of the Reich Council and State Parliament and his wife Maria, née Nowotny, Göllerich grew up in middle-class circumstances. His father was a member of a liberal writers and literary association in Wels. Göllerich attended the Linz Realschule, which he completed with the Matura. He studied mathematics at the University of Vienna, as his father wished. In 1882, he attended the Bayreuth Festival. After his father's death in 1883, he devoted himself entirely to music, studying in Vienna the pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balduin Sulzer
Balduin Sulzer (Cistercians) (as ''Josef Sulzer'' (15 March 1932 – 10 April 2019) was an Austrian Roman Catholic priest. He became known as a music educator and composer. Life Sulzer was born in Großraming. At the age of ten Sulzer came to Linz, where he attended grammar school. He sang as an altar boy in the New Cathedral, Linz in the "Domschola" under the direction of Josef Kronsteiner. After the Matura, he joined the religious order of the Cistercians in Wilhering Abbey in 1949 and received the religious name "Balduin". He began his philosophical-theological studies in Linz and Rome, as well as studying history at the University of Vienna. He completed his musical education at the Bruckner Conservatory in Linz, at the Pontifical Institute of Sacred Music in Rome and at the University of Music and Performing Arts Vienna, among others with Hans Gillesberger. In 1955, Balduin Sulzer received the priesthood ordination. From 1959 to 1977, he was a music teacher at the Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Von Zenetti
Joseph Leopold von Zenetti (15 November 1805 – 12 October 1892) was an Austrian composer. He was the organist and choirmaster of the parish church in Enns in Upper Austria for 63 years. Life Biographers of Anton Bruckner recently revived interest in one of his masters, the long-forgotten Leopold von Zenetti. Zenetti was born in the sexton’s house in Enns. His youth was marked by the French occupation and by the turbulent events in Upper Austria at the time. Zenetti had early access to music through his father who served as a bassist, the local organist and the ''Thurnermeistern'' whose instrumental skills were appreciated in the church and for musical representations. During his studies in Linz, he played in the orchestra of the ''Gesellschaft der Musikfreunde in Linz''. He later became the organist and sacristan in Enns, where he lived at Kirchenplatz Nr. 5. Zenetti was actively involved in the liturgical and musical life of his home town.Wolfgang Fürlinger, préface ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Jener Letzten Der Nächte
' (In this last of nights), WAB 17, is a motet composed by Anton Bruckner. History Bruckner composed the motet in at St. Florian Monastery for the celebration of Maundy Thursday. However, it is not known whether it was performed at that time.C. van Zwol, p. 703 It was edited first by Anton Böhm & Sohn, Augsburg & Vienna, 1931. There are two settings: one for soloist and organ, and another for mixed choir ''a cappella''. The manuscript of the setting for soloist and organ is stored in the archive of the city museum of Wels. A transcription of the other setting is found in the ''Österreichische Nationalbibliothek''. The two settings of the motet are put in Band XXI/15 of the '. Text The text is the first strophe of a 13-strophe text coming from the devoutness book ''Die heilige Passion, gefeiert in Liedern, Betrachtungen und Gebeten''. : In addition, a transcription using the Latin text ''In monte oliveti'' has been published by Theodor Bernhard Rehmann, Edition Pet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Motet
The chorale motet was a type of musical composition in mostly Protestant parts of Europe, principally Germany, and mainly during the 16th century. It involved setting a chorale melody and text as a motet. Stylistically chorale motets were similar at first to motets composed in Catholic countries, and made use of the full range of techniques of Franco-Flemish polyphony. In the earlier period, the chorale was typically used as a cantus firmus, fairly easy to hear, with other lines either weaving in and out contrapuntally around it, or following along in the same rhythm in an entirely homophonic style. Later in the century, especially around 1600, the successive verses of the chorale were used to begin imitative sections in a fugal style. Shortly after 1600 the form began to disappear, overtaken by newer forms based on Italian (especially Venetian) models: the chorale concerto, and later the chorale cantata. The chorale cantata was to become the most substantial of the descen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
