Dionysus Sardanapalus
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Dionysus Sardanapalus
The Dionysus Sardanapalus is an uncommon Hellenistic-Roman Neo Attic sculpture-type of the god Dionysus, misnamed after the king Sardanapalus. Unlike most contemporary figurations of Dionysus as a lithe youth, the self-consciously archaising god is heavily draped, with an ivy wreath and a long archaic-style beard; probably he bore a thyrsos in a raised right hand, now missing. The misidentification with Sardanapalus was erroneously confirmed in the example in the Vatican Museums, which was provided in antiquity with an inscription that reads ϹΑΡΔΑΝΑΠΑΛΛΟϹ (Sardanapalus), giving the type its erroneous name (it has no true association with this legendary king). It was also restored with a modern thyrsus in wood and iron. In the early 19th century, Ennio Quirino Visconti cogently argued, against Johann Joachim Winckelmann and other earlier antiquarians, that the "Sardanapalus" of the Museo Pio-Clementino was in fact a Dionysus. All the surviving Hellenistic-Roman var ...
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Pentelic Marble
Mount Pentelicus or Pentelikon (, or ) is a mountain in Attica, Greece, situated northeast of Athens and southwest of Marathon. Its highest point is the peak ''Pyrgari'', with an elevation of 1,109 m. The mountain is covered in large part with forest (about 60 or 70%), and can be seen from southern Athens (Attica), the Pedia plain, Parnitha, and the southern part of the northern suburbs of Athens. Houses surround the mountain, especially in Vrilissia, Penteli, Ekali, Dionysos and north of Gerakas. Marble from Mount Pentelicus is of exceptionally high quality and was used to construct much of the Athenian Acropolis. Later, Pentelic marble was exported to Rome, where it was used in construction and in sculptures. In ancient times it was also called Brilissos or Brilittos (, ) which is the origin of the name of the nearby suburb of Vrilissia. Mountain Mount Pentelicus has been famous for its marble since antiquity. Pentelic marble was used for the construction of buildings in ...
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Neo-Attic Sculptures
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation,Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A N ...
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Ancient Greek And Roman Sculptures In The British Museum
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood ...
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Sculptures Of The Vatican Museums
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Collections Of The National Roman Museum
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Sculptures Of Dionysus
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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320s BC Establishments
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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Alexander (2004 Film)
''Alexander'' is a 2004 historical drama epic film based on the life of the ancient Macedonian general and king Alexander the Great. It was directed by Oliver Stone and starred Colin Farrell. The film's original screenplay derived in part from the book ''Alexander the Great'', published in 1973 by the University of Oxford historian Robin Lane Fox. After release, while it performed well in Europe, the American critical reaction was negative. It grossed $167 million worldwide against a $155 million budget, thus making it a commercial failure. Four versions of the film exist, the initial theatrical cut and three home video director's cuts: the "Director's Cut" in 2005, the "Final Cut" in 2007, and the "Ultimate Cut" in 2014. The two earlier DVD versions of ''Alexander'' ("director's cut" version and the theatrical version) sold over 3.5 million copies in the United States. Oliver Stone's third version, ''Alexander Revisited: The Final Cut'' (2007), sold nearly a million copies an ...
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Oliver Stone
William Oliver Stone (born September 15, 1946) is an American film director, producer, and screenwriter. Stone won an Academy Award for Best Adapted Screenplay as writer of '' Midnight Express'' (1978), and wrote the gangster film remake '' Scarface'' (1983). Stone achieved prominence as writer and director of the war drama ''Platoon'' (1986), which won Academy Awards for Best Director and Best Picture. ''Platoon'' was the first in a trilogy of films based on the Vietnam War, in which Stone served as an infantry soldier. He continued the series with ''Born on the Fourth of July'' (1989)—for which Stone won his second Best Director Oscar—and '' Heaven & Earth'' (1993). Stone's other works include the Salvadoran Civil War-based drama '' Salvador'' (1986); the financial drama ''Wall Street'' (1987) and its sequel '' Wall Street: Money Never Sleeps'' (2010); the Jim Morrison biographical film ''The Doors'' (1991); the satirical black comedy crime film ''Natural Born Killers'' (1 ...
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National Museum Of Rome
The National Roman Museum (Italian: ''Museo Nazionale Romano'') is a museum, with several branches in separate buildings throughout the city of Rome, Italy. It shows exhibits from the pre- and early history of Rome, with a focus on archaeological findings from the period of Ancient Rome. History Founded in 1889 and inaugurated in 1890, the museum's first aim was to collect and exhibit archaeologic materials unearthed during the excavations after the union of Rome with the Kingdom of Italy. The initial core of its collection originated from the Kircherian Museum, archaeologic works assembled by the antiquarian and Jesuit priest, Athanasius Kircher, which previously had been housed within the Jesuit complex of Sant'Ignazio. The collection was appropriated by the state in 1874, after the suppression of the Society of Jesus. Renamed initially as the Royal Museum, the collection was intended to be moved to a ''Museo Tiberino'' (Tiberine Museum), which was never completed. In 1901 the ...
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Fortunato Pio Castellani
Fortunato Pio Castellani (6 May 1794 – 1 January 1865) was a 19th-century Italians, Italian jeweller and founder of Castellani, an Italian jewellery company. Castellani opened his first shop in Rome in 1814. Geoffrey Munn He specialised in recreating the jewellery of ancient craftsmen, particularly the Etruscans. Castellani based many of his designs directly on archaeological evidence and often incorporated Intaglio (jewellery), intaglios, cameo (carving), cameos and micromosaics into his jewellery. His work became very fashionable throughout 19th century Europe and his shop was frequented by grand tourists and aristocracy. The Castellani dynasty spanned three generations, and, were also noted antiquarians. Life Castellani opened his first workshop in Rome in 1815. Initially, his designs reflected the fashions of the day and were generally based on France, French and England, English jewellery of the period. However, in the 1820s, Castellani began to develop the style f ...
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