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Dinorah
''Dinorah'', originally ''Le pardon de Ploërmel'' (''The Pardon of Ploërmel''), is an 1859 French opéra comique in three acts with music by Giacomo Meyerbeer and a libretto by Jules Barbier and Michel Carré. The story takes place near the rural town of Ploërmel and is based on two Breton tales by Émile Souvestre, "La Chasse aux trésors" and "Le Kacouss de l'Armor", both published separately in 1850 in the ''Revue des deux mondes''. Roles Synopsis :Time: Nineteenth century :Place: Brittany Act 1 ''In the Breton village of Ploërmel, a rugged and wild site illuminated by the last rays of the setting sun with, in the foreground, Corentin's cottage'' During the annual pilgrimage to the chapel of the Virgin, Dinorah has gone mad because her bridegroom Hoël disappeared following a storm that interrupted their wedding on the same day the previous year. Dinorah has lost her pet goat Bellah but, believing she has found it, she sings a lullaby to the goat and then walks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Cabel
Marie Cabel (31 January 1827 – 23 May 1885) was a Belgian coloratura soprano. She is probably best remembered for having created the role of Philine in Ambroise Thomas's opera ''Mignon''. Biography Early life and career Born Marie-Josèphe Dreulette in Liège, she was the daughter of a former cavalry officer in Napoleon's army, who after his discharge had become an accountant for various theatres in Belgium. Pauline Viardot, who at that time lived in a chateau near Brussels, happened to hear Cabel sing as a child and predicted a great future for her.Fétis 1878, p. 137. Cabel first studied voice in Liège with Bouillon,Chitty and Rosenthal 1992. and, her father having died, gave music lessons to help support her mother. Cabel's younger brother Edmond Cabel, Edmond also became a singer and in 1863 created the role of Hylas in Hector Berlioz's ''Les Troyens''. Cabel later studied voice in Brussels with Ferdinand Cabel and Louis-Joseph Cabel. In 1847 she married Georges Cabel, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyerbeer Dinorah Act2 Scene1
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera '' Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Faure
Jean-Baptiste Faure () (15 January 1830 – 9 November 1914) was a French operatic baritone and art collector who also composed several classical songs. Singing career Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's ''Galathée''. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's '' Le chalet'' and Michel in Thomas's ''Le caïd''. During this time he also created the Marquis d'Erigny in Auber's ''Manon Lescaut'' (1856) and Hoël in Meyerbeer's '' Le pardon de Ploërmel'' (1859; later known as ''Dinorah''), among seven premieres at that house.Soubies, A. & Malherbe, C. ''Histoire de l'Opéra comique; La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893. He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Carré
Michel Carré (20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's '' Mireille'' (1864) on his own, and collaborated with Eugène Cormon on Bizet's ''Les pêcheurs de perles''. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's '' Le timbre d'argent'' (libretto written in 1864, first performed in 1877), Gounod's '' Faust'' (1859), '' Roméo et Juliette'' (1867), and Offenbach's '' Les contes d'Hoffmann'' (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks. His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Barbier
Paul Jules Barbier (8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré. He was a noted Parisian bon vivant and man of letters. Works His libretti for extant operas (those co-written with Carré are shown with an asterisk) include: * Charles Gounod: **''La Colombe'', '' Faust'' (*), '' Le médecin malgré lui'' (*), ''Philémon et Baucis'', ''< ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Warot
Victor Alexandre Joseph Warot (18 September 1834, Verviers – 29 March 1906, Bois-Colombes) was a Belgian opera singer. He began his career as a lyric tenor but later grew into a fine dramatic singer. He was particularly known for his portrayal of Wagner and Meyerbeer heroes. Early life Warot was born in Verviers into a musical and theatrical family. His father was the tenor Victor Alexandre Charles Warot (1808-1877) and his mother the actress Cécile ''née'' Desthieux. His uncle, (Constant Noel) Adolphe Warot (1812-1875) was a well-known cellist while a second uncle, (Victor Alexandre) Charles Warot (1804-1836) was a composer and conductor. Warot's grandfather Charles (François) Warot had been prompter at the Antwerp Theatre.Kurt GänzlVictor Warot: a tenor not to be forgotten- Musical research blog of Kurt Gänzl 9 October 2019 Victor Warot ''fils'' studied initially with his father and then in Paris with Giulio Alary. Musical career He made his professional opera début at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coloratura Soprano
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color").''Oxford American Dictionaries''. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Favart
The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens. Background The Salle Favart is the third theatre with this name on this site. The first Salle Favart, built to the designs of Jean-François Heurtier, opened on 28 April 1783. Charles Simon Favart was the company's director at the time. It was destroyed by fire on the night of 14 or 15 January 1838. The second Salle Favart, built to the designs of , opened on 16 May 1840. It was destroyed by fire on 25 May 1887.Wild 1989, pp. 135–138. Competition After long deliberation following the second fire, a decision was finally reached to rebuild on the same constricted site. A competition was held, judged by five winners of the Grand Prix de Rome (including Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Sito Agreste, Bozzetto Di Carlo Ferrario Per Dinorah (1870) - Archivio Storico Ricordi ICON012102
The United Nations (UN) is an intergovernmental organization whose stated purposes are to maintain international peace and security, develop friendly relations among nations, achieve international cooperation, and be a centre for harmonizing the actions of nations. It is the world's largest and most familiar international organization. The UN is headquartered on international territory in New York City, and has other main offices in Geneva, Nairobi, Vienna, and The Hague (home to the International Court of Justice). The UN was established after World War II with the aim of preventing future world wars, succeeding the League of Nations, which was characterized as ineffective. On 25 April 1945, 50 governments met in San Francisco for a conference and started drafting the UN Charter, which was adopted on 25 June 1945 and took effect on 24 October 1945, when the UN began operations. Pursuant to the Charter, the organization's objectives include maintaining international peace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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