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Diminished Tuning
Diminished tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) in which the blow notes repeat a sequence of : C E♭ F♯ A and draw notes follow a repeating sequence of : D F G♯ B (perhaps shifted to begin with E♭ and F, with F♯ and G♯, or with A and B). For example: : See also * Augmented tuning *Country tuning *Harmonic minor tuning *Major seventh tuning *Melody Maker tuning *Natural minor tuning *Paddy Richter tuning *Richter tuning Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century ... * Solo tuning References Musical tuning {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic
Diatonic and chromatic are terms in music theory that are most often used to characterize Scale (music), scales, and are also applied to musical instruments, Interval (music), intervals, Chord (music), chords, Musical note, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the Common practice period, common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B (musical Note)
B, also known as Si, Ti, or, in some European countries, H, is the seventh note and the twelfth semitone of the fixed-Do solfège. Its enharmonic equivalents are C (C-flat) and A (A-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle B (B4) is approximately 493.883 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on B * B major: B C D E F G A B * B natural minor: B C D E F G A B * B Harmonic minor: B C D E F G A B * B Melodic minor ascending: B C D E F G A B * B melodic minor descending: B A G F E D C B Diatonic scales * B Ionian: B C D E F G A B * B Dorian: B C D E F G A B * B Phrygian: B C D E F G A B * B Lydian: B C D E F G A B * B Mixolydian: B C D E F G A B * B Aeolian: B C D E F G A B * B Locrian: B C D E F G A B Jazz melodic minor * B Ascending melodic minor: B C D E F G A B * B Dorian ♭2: B C D E F G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richter Tuning
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown. Richter tuning is designed as a compromise between diatonic melody and harmony. The lower portion of the harmonica is designed to play the tonic and dominant chords on the blow and draw respectively (in the key of C, this would be the C major and G major chords). The remainder of the instrument is tuned to, in this example, blow entirely in the key of C major, with each successive note following the sequence : C E G and the four notes not in the C major chord arranged on the draw in the sequence : D F A B. For example: : The above diagram shows that Richter tuning has some missing note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paddy Richter Tuning
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown. Richter tuning is designed as a compromise between diatonic melody and harmony. The lower portion of the harmonica is designed to play the tonic and dominant chords on the blow and draw respectively (in the key of C, this would be the C major and G major chords). The remainder of the instrument is tuned to, in this example, blow entirely in the key of C major, with each successive note following the sequence : C E G and the four notes not in the C major chord arranged on the draw in the sequence : D F A B. For example: : The above diagram shows that Richter tuning has some missing note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Minor Tuning
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown. Richter tuning is designed as a compromise between diatonic melody and harmony. The lower portion of the harmonica is designed to play the tonic and dominant chords on the blow and draw respectively (in the key of C, this would be the C major and G major chords). The remainder of the instrument is tuned to, in this example, blow entirely in the key of C major, with each successive note following the sequence : C E G and the four notes not in the C major chord arranged on the draw in the sequence : D F A B. For example: : The above diagram shows that Richter tuning has some missing note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker Tuning
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown. Richter tuning is designed as a compromise between diatonic melody and harmony. The lower portion of the harmonica is designed to play the tonic and dominant chords on the blow and draw respectively (in the key of C, this would be the C major and G major chords). The remainder of the instrument is tuned to, in this example, blow entirely in the key of C major, with each successive note following the sequence : C E G and the four notes not in the C major chord arranged on the draw in the sequence : D F A B. For example: : The above diagram shows that Richter tuning has some missing note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Seventh Tuning
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown. Richter tuning is designed as a compromise between diatonic melody and harmony. The lower portion of the harmonica is designed to play the tonic and dominant chords on the blow and draw respectively (in the key of C, this would be the C major and G major chords). The remainder of the instrument is tuned to, in this example, blow entirely in the key of C major, with each successive note following the sequence : C E G and the four notes not in the C major chord arranged on the draw in the sequence : D F A B. For example: : The above diagram shows that Richter tuning has some missing note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Minor Tuning
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown. Richter tuning is designed as a compromise between diatonic melody and harmony. The lower portion of the harmonica is designed to play the tonic and dominant chords on the blow and draw respectively (in the key of C, this would be the C major and G major chords). The remainder of the instrument is tuned to, in this example, blow entirely in the key of C major, with each successive note following the sequence : C E G and the four notes not in the C major chord arranged on the draw in the sequence : D F A B. For example: : The above diagram shows that Richter tuning has some missing note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Tuning
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion). It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown. Richter tuning is designed as a compromise between diatonic melody and harmony. The lower portion of the harmonica is designed to play the tonic and dominant chords on the blow and draw respectively (in the key of C, this would be the C major and G major chords). The remainder of the instrument is tuned to, in this example, blow entirely in the key of C major, with each successive note following the sequence : C E G and the four notes not in the C major chord arranged on the draw in the sequence : D F A B. For example: : The above diagram shows that Richter tuning has some missing note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Tuning
An augmented tuning is a musical tuning system for musical instruments that is associated with augmented triads, that is a root note, a major third, and an augmented fifth. The augmented fifth is constructed by stacking the major third with another major third. Consequently, all of the intervals are major thirds. Augmented tunings are used for stringed instruments, especially guitars, and for wind instruments. For guitars, augmented tunings are called major thirds tunings. Instruments Guitar Major-thirds (M3) tunings are unconventional open tunings, in which the open strings form an augmented triad; in M3 tunings, the ''augmented'' fifth replaces the ''perfect'' fifth of the major triad of conventional open-tunings. Consequently M3 tunings are also called (open) ''augmented-fifth tunings'' (in French "''La guitare #5, majeure quinte augmentée''"). Unfortunately, the open augmented-chord sounds dissonant to audiences who are accustomed to standard tuning. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G♯ (musical Note)
G♯ (G-sharp) or sol dièse is the ninth semitone of the solfège. In the German pitch nomenclature, it is known as ''gis''. It lies a chromatic semitone above G and a diatonic semitone below A, thus being enharmonic to ''la bémol'' or A (A-flat). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the G♯ semitone is approximately 415.305 Hz. See pitch (music) for a discussion of historical variations in frequency. The notes A and G are the only notes to have only one enharmonic, since they cannot be reached in any other way by a single or double sharp or a single or double flat from any of the seven white notes. Designation by octave Scales Common scales beginning on G * G major: G A B C D E F G * G natural minor: G A B C D E F G * G harmonic minor: G A B C D E F G * G melodic minor Ascending: G A B C D E F G * G melodic minor descending: G F E D C B A G Diatonic scales * G Ionian: G A B C D E F G * G Dorian: G A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
