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Digital At Montreux, 1980
''Digital at Montreux, 1980'' is a live album by trumpeter Dizzy Gillespie with Toots Thielemans and Bernard Purdie recorded at the Montreux Jazz Festival in 1980 and released on the Pablo label.Dizzy Gillespie discography
accessed April 18, 2012


Reception

The review stated "Purdie, a consummate funk and R&B percussionist, makes the switch to mainstream material adequately, while Gillespie and Thielemans establish a quick, consistent rapport".Yanow, S
Allmusic Review
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Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrot ...
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Andy Razaf
Andy Razaf (born Andriamanantena Paul Razafinkarefo; December 16, 1895 – February 3, 1973) was an American poet, composer and lyricist of such well-known songs as " Ain't Misbehavin'" and " Honeysuckle Rose". Biography Razaf was born in Washington, D.C., United States. His birth name was Andriamanantena Paul Razafinkarefo. He was the son of Henri Razafinkarefo, nephew of Queen Ranavalona III of the Imerina kingdom in Madagascar, and Jennie Razafinkarefo (née Waller), the daughter of John L. Waller, the first African American consul to Imerina. The French invasion of Madagascar (1894-95) left his father dead, and forced his pregnant 15-year-old mother to escape to the United States, where he was born in 1895. He was raised in Harlem, Manhattan, and at the age of 16 he quit school and took a job as an elevator operator at a Tin Pan Alley office building. A year later he penned his first song text, embarking on his career as a lyricist. During this time he would spend man ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the f ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education ...
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Cowbell (instrument)
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the En ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many disti ...
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Chano Pozo
Luciano Pozo González (January 7, 1915 – December 3, 1948), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as " Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. Early life Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban '' soneros''. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix's mother. Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming ...
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Gil Fuller
Walter Gilbert "Gil" Fuller (April 14, 1920, Los Angeles, California – May 26, 1994, San Diego, California) was an American jazz arranger. He is no relation to the jazz trumpeter and vocalist Walter "Rosetta" Fuller. In the 1930s and 1940s, Fuller did extensive work writing and arranging for bandleaders such as Les Hite, Jimmie Lunceford, Billy Eckstine, and Tiny Bradshaw; he also worked with Benny Carter, Benny Goodman, Woody Herman, Count Basie, Machito, and Tito Puente. After World War II, he found himself increasingly in demand as a bebop arranger, along with fellow modern arrangers Tadd Dameron, Gil Evans, and George Russell. Fuller's work with Dizzy Gillespie was of particular note, yielding the tunes "Manteca", "Swedish Suite", "Tin Tin Deo", and "One Bass Hit". He is the composer of the jazz standard ballad "I Waited For You", co-credited with Dizzy Gillespie. Fuller started his own publishing company in 1957, and while he continued to work with some jazz musicians ( ...
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Manteca (song)
"Manteca" is one of the earliest foundational tunes of Afro-Cuban jazz. Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier "A Night in Tunisia") and is "one of the most important records ever made in the United States", according to Gary Giddins of ''The Village Voice''. "Manteca" is the first tune rhythmically based on the clave to become a jazz standard. History In 1947, Gillespie asked Mario Bauzá to recommend a Cuban percussionist for his big band. Bauzá suggested Pozo, a rough-living percussionist already famous in Cuba, and Gillespie hired him. They began to work Pozo's Cuban-style percussion into the band's arrangements. The band was touring in California when Pozo presented Gillespie with the idea for the tune. It featured a bridge of two eight-bar trumpet statements by Gillespie, percussion patterns played by Pozo, and horn lines from Gillespie's big band arranger Walter "Gil" ...
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Joe Young (lyricist)
Joe Young (July 4, 1889 – April 21, 1939) was an American lyricist. He was born in New York. Young was most active from 1911 through the late-1930s, beginning his career working as a singer and song-plugger for various music publishers. During World War I, he entertained the U.S. troops, touring Europe as a singer. Works An early work is the song "Way Down East" (©1910) words by Cecil Mack, music by Joe Young and Harold Norman, published by Gotham-Attucks Music Publishing Company. ''The Laugh Parade'' For the 1931 Broadway show ''The Laugh Parade'', Young collaborated with co-lyricist Mort Dixon and composer Harry Warren on " You're My Everything". The show also included: * "Ooh! That Kiss" * "Love Me Forever" * "That Torch Song" Later efforts * " In a Shanty in Old Shanty Town" * "Lullaby of the Leaves" * "Snuggled On Your Shoulder, Cuddled In Your Arms" * "Was That the Human Thing To Do?" * "Something in the Night" * "Annie Doesn't Live Here Anymore" * "I'm Growing Fonde ...
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