Digital Population
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Digital Population
Digital Population is an EP released by The Most Serene Republic on Arts & Crafts. It contains 5 tracks from Population Population typically refers to the number of people in a single area, whether it be a city or town, region, country, continent, or the world. Governments typically quantify the size of the resident population within their jurisdiction using a ... that were remixed as 16 Bit versions. It was released as a digital download only on April 28, 2009. Track list #"Humble Peasants" (16-bit version) #"Compliance" (16-bit version) #"The Men Who Live Upstairs" (16-bit version) #"Present of Future End" (16-bit version) #"Sherry and Her Butterfly Net" (16-bit version) References {{DEFAULTSORT:Digital Population (Ep) 2009 EPs The Most Serene Republic albums Arts & Crafts Productions EPs 2009 remix albums Remix EPs ...
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The Most Serene Republic
The Most Serene Republic is a Canadian indie rock music group formed in 2003 in Milton, Ontario. The band takes its name from the sobriquet of Venice under the Doges, which was regarded as " The Most Serene Republic of Venice". Members Current *Adrian Jewett – vocals, trombone (2003–present) *Ryan Lenssen – piano, backup vocals (2003–present) *Nick Greaves – guitar, EBow, banjo (2003–present) *Sean Woolven – guitar, backup vocals, (drums '04) (2004, 2006–present) *Simon Lukasewich – bass, violin (2006–present) Past *Peter Van Helvoort – guitar (2004) *Andrew McArthur – bass (2004–2006) *Tony Nesbitt-Larking – drums (2006–2008) *Adam Nimmo – drums (2004–2006), (2008) *Emma Ditchburn – guitar, vocals (2004–2009) *Adam Balsam – drums (2009–2021; died 2021) History The roots of the band were planted in 2003 when Ryan Lenssen and Adrian Jewett formed Thee Oneironauts (O-nye-rawn-nauts). The pair recorded ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Arts & Crafts (record Label)
Arts & Crafts Productions is a music-focused media and artist services company that offers information as an independent record label, management firm, merchandiser, and publisher worldwide. It has earned 21 Juno Awards. Arts & Crafts has been called one of Canada's most important record labels. History Founding Arts & Crafts (also referred to as "A&C") was launched as a music company in 2003 by friends Jeffrey Remedios & Daniel Cutler both former Virgin Records executives as well as Kevin Drew, who co-founded flagship group Broken Social Scene (BSS) with Brendan Canning. The partnership was originally intended as a vehicle for self-release and artist management of Broken Social Scene's breakthrough album '' You Forgot It in People'', and the structure quickly formed as a platform to release albums and manage the careers of artists directly affiliated with members of Broken Social Scene. In addition to BSS albums the labels first releases were by Stars, Jason Collett, Feist ...
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Population (album)
''Population'' is the second studio album by Canadian indie rock band The Most Serene Republic. It was recorded and mixed by Ryan Mills, Mike Kuehn and Ryan Lenssen at Sleepytown Sound in Toronto. The album was released on October 2, 2007, through Arts & Crafts. This is the first album to feature the band's new rhythm section of Tony Nesbitt-Larking and Simon Lukasewich. The album artwork features the Muji (), or is a Japanese retail company which sells a wide variety of household and consumer goods. Muji's design philosophy is minimalist, and it places an emphasis on recycling, reducing production and packaging waste, and a no-logo or "no-bran ... toy "suburbia in a bag". Track listing # "Humble Peasants" # "Compliance" # "The Men Who Live Upstairs" # "Present of Future End" # "A Mix of Sun and Cloud" # "Battle Hymn of the Republic" # "Why So Looking Back" # "Sherry and Her Butterfly Net" # "Agenbite of Inwit" # "Career in Shaping Clay" # "Solipsism Millionaires" # "Multip ...
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2009 EPs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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The Most Serene Republic Albums
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Arts & Crafts Productions EPs
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includin ...
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2009 Remix Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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