Die Drei Pintos
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Die Drei Pintos
' ( Anh 5, ''The Three Pintos'') is a comic opera of which Carl Maria von Weber began composing the music, working on a libretto by Theodor Hell. The work was completed about 65 years after Weber's death by Gustav Mahler. It premiered on 20 January 1888 at the in Leipzig. Composition history In 1821, Theodor Hell developed a drama called ''The Battle for the Bride'', with a story taken from the novel ''Der Brautkampf'' (1819) by . Hell gave his friend Weber the text, but Weber disliked the title and changed it to ''Die drei Pintos'' ("The Three Pintos"). The title comes from the protagonist, Don Pinto, who is impersonated by two other characters in the course of the opera. Weber began composing the score and worked at it off and on from then until 1824, but other work including '' Euryanthe'' intervened and it remained incomplete at his death in 1826. All that existed, so far, were a number of coded fragments of music: 7 sketches for 17 numbers, and an unknown total of bars scor ...
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List Of Operas By Carl Maria Von Weber
The German composer Carl Maria von Weber (1786–1826) is best known for his operas, of which he wrote 10 between 1798 and 1826. His first four exist in various states: ''Die Macht der Liebe und des Weins'' ( 1798) is completely lost; two fragments survive for ''Das Waldmädchen'' (1800); the libretto to '' Peter Schmoll und seine Nachbarn'' (1803) is lost; and only three numbers from ''Rübezahl'' ( 1804–05) survive. Weber's mature operas—'' Silvana'' (1810), ''Abu Hassan'' (1811), ''Der Freischütz'' (1821), ''Die drei Pintos'' ( 1820–21), ''Euryanthe'' (1823), ''Oberon'' (1826)—all survive intact; they were all performed within his lifetime, except ''Die drei Pintos'' which was posthumously completed by Gustav Mahler. His contributions to the genre were crucial in the development of German ''Romantische Oper'' (German Romantic Opera) and its national identity, exhibiting much influence on Richard Wagner. ''Der Freischütz'', his most famous and significant work, remain ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Opera South (UK)
''Opera South'' is the name of a semi-professional British opera company based on the borders of Surrey, Hampshire, and West Sussex. Specializing in staging lesser-known operas, the company was founded in 1984 as ''Opera Omnibus'' at Haslemere and was soon incorporated as a registered charity (1985) and limited company (1986). The company rebranded itself as ''Opera South'' in the first years of the 21st century. In 2005 the Guildford Philharmonic Orchestra Guildford () is a town in west Surrey, around southwest of central London. As of the 2011 census, the town has a population of about 77,000 and is the seat of the wider Borough of Guildford, which had around inhabitants in . The name "Guildfo ... joined the company and plays at the fully staged productions. The company is currently presided over by Ann Murray. External linksOpera South official site British opera companies Opera in the United Kingdom Musical groups established in 1984 {{Opera-company-stu ...
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Bielefeld Opera
The Bielefeld Opera is the venue of Städtische Bühnen Bielefeld (Municipal stages Bielefeld) in Bielefeld, Germany. It is a ''Dreisparten Haus'' (three-department house), offering plays, music (opera, musical theatre), and ballet. The main performance venue is the ''Stadttheater am Niederwall'' (Municipal Theatre at the Lower Wall), built in 1904 and extensively renovated from 2004 to 2006. It is the largest theater in East Westphalia, offering 500 performances annually. It is under the direction of Michael Heicks; its resident orchestra is the 72-member Bielefeld Philharmonic Orchestra that also performs symphonic concerts at the Rudolf-Oetker-Halle. History Plans to build an opera house in Bielefeld were laid in 1885 by a foundation set up the widow of the founder of the Crüwell Tobacco Company. Bernhard Sehring was chosen as architect and construction was started in 1901 on the Niederwall. The Art Nouveau building was inaugurated with a performance of Carl Maria von Webe ...
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Geoffrey Moull
Geoffrey Moull is a Canadian professional conductor. He was principal conductor of the Bielefeld Philharmonic Orchestra and music director of the Thunder Bay Symphony Orchestra. Education Geoffrey Moull was born in London, Ontario, Canada and studied conducting with Kirill Kondrashin, Sergiu Celibidache and Martin Stephani. He holds a Bachelor of Music degree in performance from McGill University and post-graduate degrees in conducting and piano from the Hochschule für Musik Detmold in Germany. Career Moull was Principal Conductor and coach of the Trier Opera and Symphony Orchestra in Germany from 1986 to 1989, conducting both opera and concert performances, and was additionally responsible for the development of music education programs and school concerts. He was Associate Conductor of the Münster Symphony Orchestra and Opera from 1989 to 1992. The opera magazine Opernwelt presented Moull with their 'Production of the Year' award in 1992 for Francesco Cavalli's ''"La Cal ...
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Vienna Festival
__NOTOC__ The Wiener Festwochen (Vienna Festival) is a cultural festival in Vienna that takes place every year for five or six weeks in May and June. The Wiener Festwochen was established in 1951, when Vienna was still occupied by the four Allies. The opening of the Wiener Festwochen is an open-air event with free admission held in the square in front of Vienna’s City Hall. Each year the festival attracts about 180,000 visitors. Directors of the festival include: *1951-1958: Adolph Ario *1959: Rudolf Gamsjäger *1960-1964: Egon Hilbert *1964-1977: Ulrich Baumgartner *1978-1979: Gerhard Freund *1980-1984: Helmut Zilk *1984-1991: Ursula Pasterk *1991-1996: Klaus Bachler *1997-2001: Luc Bondy / Klaus-Peter Kehr / Hortensia Völckers *2002–2013: Luc Bondy *2014–2016: Markus Hinterhäuser *2017–2021: Tomas Zierhofer-Kin *2019-present: Christophe Slagmuylder, whose term ends in 2024 See also *List of opera festivals This is an inclusive list of opera festiva ...
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Opera Theatre Of Saint Louis
Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri. Typically four operas, all sung in English, are presented each season, which runs from late May to late June. Performances are accompanied by the St. Louis Symphony Orchestra, which is divided into two ensembles, each covering two of the operas, for the season. The company's performances are presented in the Loretto-Hilton Center for the Performing Arts on the campus of Webster University. First seasons and achievements In 1976, Leigh Gerdine, Laurance L. Browning, Jr. and James Van Sant co-founded OTSL. They hired Richard Gaddes, who at the time was working at The Santa Fe Opera, as the company's first Artistic Director. They signed him as full-time General Director in 1978 at the suggestion of Ed Korn, who was brought in as a consultant from the Metropolitan Opera. Gaddes acknowledged that the model for OTSL was The Santa Fe Opera: : That was not a coincidence. I always sa ...
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Edinburgh International Festival
The Edinburgh International Festival is an annual arts festival in Edinburgh, Scotland, spread over the final three weeks in August. Notable figures from the international world of music (especially classical music) and the performing arts are invited to join the festival. Visual art exhibitions, talks and workshops are also hosted. The first 'International Festival of Music and Drama' took place between 22 August and 11 September 1947. Under the first festival director, the distinguished Austrian-born impresario Rudolf Bing, it had a broadly-based programme, covering orchestral, choral and chamber music, Lieder and song, opera, ballet, drama, film, and Scottish 'piping and dancing' on the Esplanade of Edinburgh Castle, a structure that was followed in subsequent years. The Festival has taken place every year since 1947, except for 2020 when it was cancelled due to the COVID-19 Pandemic. A scaled-back version of the festival was held in 2021. Festival directors *1947–1949: ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Eduard Hanslick
Eduard Hanslick (11 September 18256 August 1904) was an Austrian music critic, aesthetician and historian. Among the leading critics of his time, he was the chief music critic of the ''Neue Freie Presse'' from 1864 until the end of his life. He was a conservative critic and championed absolute music over programmatic music for much of his career. As such, he sided with and promoted the faction of Robert Schumann and Johannes Brahms in the so-called "War of the Romantics", often deriding the works of composers such as Franz Liszt and Richard Wagner. His best known work, the 1854 treatise ''Vom Musikalisch-Schönen'' (''On the Musically Beautiful''), was a landmark in the aesthetics of music and outlines much of his artistic and philosophical beliefs on music. Biography Hanslick was born in Prague (then in the Austrian Empire), the son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of Hanslik's piano pupils, the daughter of a J ...
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Hans Von Bülow
Freiherr Hans Guido von Bülow (8 January 1830 – 12 February 1894) was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, virtuoso pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States. Life and career Bülow was born in Dresden into an old and prominent House of Bülow. He was the son of novelist Karl Eduard von Bülow ( ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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