|
Die Publicisten
"Die Publicisten" (The Publicists, Op. 321) is a waltz by Johann Strauss II composed in 1868. It was written for the sixth Concordia Ball held in the Sofienbad-Saal on the 4 February of the same year. The waltz's title was an allusion to Vienna's press, with whom he maintained a fruitful partnership that his family had enjoyed since the days of his father Johann Strauss I. The more or less symbiotic association was needed as the musical business of composers would inevitably flourish under favorable press reviews and the establishment of the Vienna Journalists' and Authors' Association in 1859 would signify an even more closer relationship between both composer and the press. The Concordia Ball named after the Roman God of civic concord had its first ball in 1863. This waltz came at a time when Strauss' creative genius was at its pinnacle, with the famous waltzes Wiener Bonbons Op. 307, The Blue Danube ''An der Schönen Blauen Donau'' Op. 314 and Künstlerleben Op. 316 already ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wein, Weib Und Gesang
''Wein, Weib und Gesang'' (''Wine, Woman, and Song''), Op. 333, is a Viennese waltz by Johann Strauss II. It is a choral waltz in its original form, although it is seldom heard in this version today. It was commissioned for the Vienna Men's Choral Association's so-called Fools' Evening on 2 February 1869 with a dedication to the Association's honorary chorus-master Johann Herbeck. Its fanciful title was drawn from an old adage: "Who loves not wine, women and song remains a fool his whole life long." The waltz's admirers include the famous opera composer Richard Wagner and Strauss' good friend Johannes Brahms. There is an arrangement for piano, harmonium and string quartet by Alban Berg. The waltz's primary home key is in E-flat major, with its introduction interpolating with B-flat major as well as B major B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangle (musical Instrument)
The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. It is thought that if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intrada
A prelude (german: Präludium or '; la, praeludium; french: prélude; it, preludio) is a short piece of music, the form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be notated were organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an extemporary style for the lute and other Renaissance string instruments, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antal Doráti
Antal Doráti (, , ; 9 April 1906 – 13 November 1988) was a Hungarian-born conductor and composer who became a naturalized American citizen in 1943. Biography Antal Doráti was born in Budapest, where his father Alexander Doráti was a violinist with the Budapest Philharmonic Orchestra and his mother Margit Kunwald was a piano teacher. He studied at the Franz Liszt Academy with Zoltán Kodály and Leó Weiner for composition and Béla Bartók for piano. His links with Bartók continued for many years: he conducted the world premiere of Bartók's Viola Concerto, as completed by Tibor Serly, with the Minneapolis Symphony Orchestra in 1949, with William Primrose as the soloist. He made his conducting debut in 1924 with the Budapest Royal Opera. As well as composing original works, he compiled and arranged pieces by Johann Strauss II for the ballet ''Graduation Ball'' (1940), premiered by the Original Ballet Russe in Sydney, Australia, with himself on the conductor's podiu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graduation Ball
''Graduation Ball'' is a ballet in one act choreographed by David Lichine to music composed by Johann Strauss II and arranged by Antal Doráti. With a scenario devised by Lichine and with scenery and costumes designed by Alexandre Benois, it was first presented by the Original Ballet Russe at the Theatre Royal, Sydney, Australia, on 1 March 1940. The ballet is set in a fashionable Viennese finishing school for girls during the 1840s. The headmistress has invited the cadets of the city's military academy to attend a ball celebrating the graduation of the senior class. The senior and junior girls have planned a series of ''divertissements'' as the evening's entertainment and are greatly excited by the event. Flirtations, exuberant dances, and a secret romance ensue. Original cast Besides the principal couple, ''Graduation Ball'' required a large cast of soloists and ''corps de ballet'' dancers. The Headmistress was played, '' en travestie'', by Borislav Runanine, a character da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G'schichten Aus Dem Wienerwald
"Tales from the Vienna Woods" (german: "Geschichten aus dem Wienerwald", links=no, italic=no, occasionally ) is a waltz by Johann Strauss II. Composed in 1868, , Op. 325, was one of six Viennese waltzes by Johann Strauss II which featured a virtuoso part for zither. The title of Strauss' dance recalls the folk music of the inhabitants of the Vienna Woods. Composition notes The waltz's introduction is one of the longest he ever wrote for a waltz, 119 bars in the musical score. It starts in C major, intertwining with F major before gaining ascendancy in volume and mood, finishing with a long pause. The second part is in the key of G major, with a solo violin incorporating material which appears again in successive waltz sections. A short flute cadenza evoking birdsong comes in, and moves on to the zither solo, marked ''moderato''. The zither part involves two sub-sections of its own; the slowish ländler tempo and its more vigorous counterpart, with the direction of '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Künstlerleben
Künstlerleben ("Artist's Life"), Op. 316 is a waltz written by Johann Strauss II in 1867, following closely on the success of the popular " The Blue Danube". Austria was severely shaken the previous year 1866 by the crushing defeat that the Austrian army suffered in the Battle of Königgrätz and many of the year's festivities and balls were cancelled as the prevalent depressing mood affected most of Vienna's populace. Strauss's near impossible task of injecting the same joie de vivre into the Vienna Carnival of 1867 was met with great aplomb by all three Strauss brothers as their works displayed no signs of dying inspiration, and in turn introducing to the Viennese how their creative spirit defied the troubled spirit of the times. Johann Strauss II Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and opere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blue Danube
"The Blue Danube" is the common English title of "An der schönen blauen Donau", Op. 314 (German for "By the Beautiful Blue Danube"), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, "The devil take the waltz, my only regret is for the coda—I wish that had been a success!" After the original music was written, the words were added by the Choral Association's poet, Joseph Weyl. Strauss later added more music, and Weyl needed to change some of the words. Strauss adapted it into a purely orchestral version for the 1867 Paris World's Fair, and it became a great success in this form. The instrumental version is by far the most commonl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Triangle (musical Instrument)")
.jpg "Click for more on -> Antal Doráti")
.jpg "Click for more on -> Johann Strauss II")
