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Dick's Picks Volume 7
Dick's Picks Volume 7 is the seventh live album in the Dick's Picks series of releases by the Grateful Dead. It was recorded on September 9, 10, and 11, 1974 at Alexandra Palace in London, England. It was released in March 1997. Enclosure Included with the release is a single sheet folded in half, yielding a four-page enclosure. The front duplicates the cover of the CD and the back contains a drawing of a dragon eating its tail against a background of clouds that merge with the clouds on the cover. The two pages inside contain a wide black-and-white drawing of the venue by Alfred Meeson. Above this drawing, in the clouds, are lists of the contents of and credits for the release.Enclosure included with Dick's Picks Volume 7, 1997. Track listing Disc one #" Scarlet Begonias" ( Garcia, Hunter) – 9:29 #" Mexicali Blues" ( Barlow, Weir) – 3:36 #"Row Jimmy" (Garcia, Hunter) – 8:21 #"Black-Throated Wind" (Barlow, Weir) – 7:20 #"Mississippi Half-Step Uptown Toodleloo" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexicali Blues (song)
"Mexicali Blues" is a song from Bob Weir's 1972 ''Ace'' solo album that, like the rest of the material on that record, was ''de facto'' by the Grateful Dead. Indeed, it appears on the 1974 '' Skeletons from the Closet: The Best of Grateful Dead'' compilation. "Mexicali Blues" was written by Bob Weir and lyricist John Perry Barlow. This was the first songwriting collaboration for Weir and Barlow. Barlow has noted that Weir had an idea for a " cowboy song" and asked Barlow to write the lyrics after Robert Hunter declined. Weir would soon switch to using Barlow rather than Hunter for the bulk of his songwriting. The song concerns a man who had recently ridden to Mexicali, Mexico from Bakersfield, California. There over a bottle of booze, he thinks back upon his meeting a girl named "Billie Jean" and falling under her spell; she later appeals to the narrator to shoot a stranger when she tells him that unless he uses his gun to prevent it, the stranger will take her away. He do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Holly
Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Not Fade Away (song)
"Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality) and first recorded by Holly and his band, the Crickets. Original song Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded. The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa. Jerry Allison, the drummer for the Crickets, pounded out the beat on a cardboard box. Allison, Holly's best friend, wrote some of the lyrics, though his name never appeared in the songwriting credits. Joe Mauldin played the double bass on this recording. It is likely that the backing vocalists were Holly, Allison, and Niki Sullivan, but this is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Me & My Uncle
"Me and My Uncle", often also written as "Me & My Uncle," is a song composed by John Phillips of The Mamas and the Papas, and popularized in versions by Judy Collins and the Grateful Dead. It relates the journey of a narrator and his uncle from southern Colorado towards west Texas, involving standard cowboy song themes like a poker game in Santa Fe, accusations of cheating, gunplay, gold, and death. Performances John Phillips originally wrote "Me and My Uncle" at a drinking session in a hotel room with Judy Collins, Stephen Stills, and Neil Young among others in 1963. It was first recorded by Judy Collins in 1964 on ''The Judy Collins Concert''. The song was later covered by the Grateful Dead, who adopted it as part of their standard repertoire, their most ever played live song. Bob Weir is reported to have learned it from James “Curly” Stalarow, a member of the Texas psychedelia scene. The earliest commercially released performance of the song by the Grateful Dead is from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Truckin'
"Truckin" is a song by the Grateful Dead, which first appeared on their 1970 album ''American Beauty (album), American Beauty''. It was recognized by the United States Library of Congress in 1997 as a national treasure.''Grateful Dead: The Illustrated Trip'' . Jake Woodward, et al. Dorling Kindersley Limited, 2003, pg. 112. Lyrics Written by band members Jerry Garcia, Bob Weir, Phil Lesh, and lyricist Robert Hunter (lyricist), Robert Hunter, "Truckin molds classic Grateful Dead rhythms and instrumentation. The lyrics refer to a drug raid of the band's hotel lodgings in New Orleans during a concert tour earlier in 1970: The song's climactic refrain, "What a long, strange trip it's been", has achieved widespread cultural use in the years since the song's release. Composition "Truckin is associated with the blues and other early 20th-century forms of folk music. "Truckin was considered a "catchy shuffle" by the band members. Garcia commented that "the early stuff we wrote tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Cash
John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American country singer-songwriter. Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. He was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark all-black stage wardrobe which earned him the nickname "The Man in Black". Born to poor cotton farmers in Kingsland, Arkansas, Cash rose to fame during the mid-1950s in the burgeoning rockabilly scene in Memphis, Tennessee, after four years in the Air Force. He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash", followed by "Folsom Prison Blues", one of his signature songs. His other signature songs include "I Walk the Lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big River (Johnny Cash Song)
"Big River" is a song written and originally recorded by Johnny Cash. Released as a single by Sun Records in 1958, it went as high as #4 on the Billboard country music charts and stayed on the charts for 14 weeks. The song tells a story of a chase of a lost love along the course of Mississippi River from St. Paul, Minnesota to New Orleans, Louisiana Background A verse omitted from the original recording was later performed during Johnny Cash's live performances. A demo recording from the Sun sessions featuring the omitted verse also exists and has been released on numerous Sun compilations. Chart performance Cover versions *Delbert McClinton performed the song on a couple of albums. *Ian Tyson (of Ian and Sylvia) included a spirited version of Big River on the duo's ''Lovin' Sound'' album released in 1967, with David Rae on lead guitar. *The Grateful Dead played a cover version of this song 396 times from 1965-1995. It appears on many of their concert recordings, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Straw (song)
"Jack Straw" is a rock song written by Bob Weir and Robert Hunter. The track appeared on the album ''Europe '72'' by the Grateful Dead, who frequently performed it live. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. On the Europe 72 Tour at The Olympia Theater in Paris on 5-03-72, Weir and Jerry Garcia began switching up the vocals.. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playing In The Band
"Playing in the Band" is a Grateful Dead song. The lyrics were written by Robert Hunter and rhythm guitarist Bob Weir composed the music, with some assistance from percussionist Mickey Hart. The song first emerged in embryonic form on the self-titled 1971 live album '' Grateful Dead''. It then appeared in a more polished form on ''Ace'', Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan). It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire. According to ''Deadbase X'', it ranks fourth on the list of songs played most often in concert by the band with 581 performances. In the Grateful Dead's live repertoire, all songs featured musical improvisation and many featured extended instrumental solos; but certain key songs were used as starting points for serious collective musical improvisation--the entire band creating spontaneously, all at once. In this regard "Playing in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesse Fuller
Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues". Early life Fuller was born in Jonesboro, Georgia, near Atlanta. He was sent by his mother to live with foster parents when he was a young child, in a rural setting where he was badly mistreated. Growing up, he worked at numerous jobs: grazing cows for ten cents a day; working in a barrel factory, a broom factory, and a rock quarry; working on a railroad and for a streetcar company; shining shoes; and even peddling hand-carved wooden snakes.Koenig, Lester (1963). Liner notes to ''Jesse Fuller: San Francisco Bay Blues''. Good Time Jazz S10051. By the age of 10, he was playing the guitar in two techniques, which he described as "frailing" and "picking". In the 1920s he lived in southern California, where he operated a hot-dog stand and was befriended by Douglas Fairbanks. He worked briefly as a film extra in '' The Thief of Bagdad'' (1924) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat It On Down The Line
"Beat It Down the Line" is a country-blues song written by Jesse Fuller and first recorded in 1961. The lyrics mention "Joe Brown's Coal Mine", which refer to Joseph E. Brown, four times governor of Georgia and president of the Dale Coal Company who ran numerous coal mines in the state. The song was covered by the Grateful Dead and was one of the first songs the band played live, even being performed in their pre-Dead jug band A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, ... incarnation as Mother McCree's Uptown Jug Champions in 1964 and appeared on their first album. It remained in the band's sets throughout their career, being performed at least 323 times between 3/12/66 and 10/3/94, every year except 1976 and 1995. References {{authority control Grateful Dead songs 1961 so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
