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Dick's Picks Volume 30
''Dick's Picks Volume 30'' is the 30th installment of the Grateful Dead's archival series. Just prior to their ''Europe '72'' tour, the Grateful Dead played seven shows at the Academy of Music on 14th Street in New York City. Included in this four CD set is the entire March 28, 1972 performance plus selections from March 25, 1972 and March 27, 1972. The March 25 show (a semi-private party booked by the Hell's Angels and billed as "Jerry Garcia & Friends") featured Bo Diddley as a guest, whose performance, backed by the Grateful Dead, is included in Disc One. Other rarities contained in this volume are the only Grateful Dead live performances of "How Sweet it Is (to be loved by you)", "Are You Lonely for Me" and "The Sidewalks of New York" (played as a brief, instrumental tuning before the encore). Additional selections from the venue run were later released on the ''Rockin' the Rhein'' bonus disc, and on ''Dave's Picks Volume 14'', the latter including the March 26, 1972 perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Daily News
The New York ''Daily News'', officially titled the ''Daily News'', is an American newspaper based in Jersey City, NJ. It was founded in 1919 by Joseph Medill Patterson as the ''Illustrated Daily News''. It was the first U.S. daily printed in tabloid format. It reached its peak circulation in 1947, at 2.4 million copies a day. As of 2019 it was the eleventh-highest circulated newspaper in the United States. Today's ''Daily News'' is not connected to the earlier '' New York Daily News'', which shut down in 1906. The ''Daily News'' is owned by parent company Tribune Publishing. This company was acquired by Alden Global Capital, which operates its media properties through Digital First Media, in May 2021. After the Alden acquisition, alone among the newspapers acquired from Tribune Publishing, the ''Daily News'' property was spun off into a separate subsidiary called Daily News Enterprises. History ''Illustrated Daily News'' The ''Illustrated Daily News'' was founded by Patters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Holland
Edward Holland Jr. (born October 30, 1939) is an American singer, songwriter, and record producer. Holland was born in Detroit, Michigan, United States. Although he was an early Motown artist who recorded minor hit singles such as "Jamie", he started working behind the scenes due to stage fright. He was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown Sound and hit records by Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers, among others. He has written or co-written 80 hits in the UK and 143 in the US charts. Holland served as the team's lyricist, and also worked with producer Norman Whitfield on lyrics for the songs he produced for the Marvelettes and the Temptations, like "Too Many Fish in the Sea" and "Beauty Is Only Skin Deep "Beauty Is Only Skin Deep" is a 1966 song, written by Norman Whitfield and Edward Holland, Jr., and produced by Whitfield. Norman Whitfield recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamont Dozier
Lamont Herbert Dozier (; June 16, 1941 – August 8, 2022) was an American singer, songwriter, and record producer from Detroit, Michigan. He co-wrote and produced 14 US ''Billboard'' number-one hits and four number ones in the UK. Career Dozier was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown sound and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Along with Brian Holland, Dozier served as the team's musical arranger and producer, while Eddie Holland concentrated mainly on lyrics and vocal production. Along with the Holland Brothers, Dozier followed his work for Motown Records as founder and owner of Invictus Records and Hot Wax Records, producing top-charting hits for acts Freda Payne, Honey Cone, Chairmen of the Board, and 100 Proof Aged in Soul. Early years Dozier recorded a few unsuccessful records for various Detroit labels before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Holland
Brian Holland (born February 15, 1941) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwriting and production team that was responsible for much of the Motown sound, and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Holland, along with Lamont Dozier, served as the team's musical arranger and producer. He has written or co-written 145 hits in US and 78 in the UK. Holland was born in Detroit, Michigan, United States. For a short time, he partnered with Robert Bateman, and together they were known as "Brianbert", collaborating on such hits as " Please Mr. Postman" for The Marvelettes. Holland has also had an on-and-off career as a performer. He released a solo single in 1958 under the name of "Briant Holland". He and longtime friend and future songwriting partner Freddie Gorman were in a short-lived group called the Fidalatones, and he was later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Sweet It Is (To Be Loved By You)
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!" Marvin Gaye version Produced by Brian Holland and Lamont Dozier, the song was released as a single in September 1964. It peaked at number six on the US ''Billboard'' Hot 100 chart in January 1965 and at number three on US ''Billboard's'' R&B Singles chart. Up to that point, it was Gaye's most successful single with record sales exceeding 900,000 copies. The song's personnel includes Marvin Gaye on lead vocals; The Andantes on background vocals; and The Funk Brothers on various instruments, including piano and percussion. Gaye also released a German-language version of the song entitled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona (I Need You Baby)
"Mona (I Need You Baby)" is a song written by Ellas McDaniel (Bo Diddley) and was the B-side to his 1957 single "Hey! Bo Diddley". According to Diddley's obituary in ''The New York Times'', "Mona" was a song of praise he wrote for a 45-year-old exotic dancer who worked at the Flame Show Bar in Detroit. The song also became the template for Buddy Holly's " Not Fade Away". Craig McLachlan & Check 1–2 version In March 1990, Australian actor and musician Craig McLachlan released a version with his band, Check 1–2, as the second single from their 1990 debut album, ''Craig McLachlan & Check 1-2''. It was a commercial success, peaking at 3 in Australia and No. 2 in the United Kingdom. In Australia, it was the highest-selling single by a native artist in 1990. Track listing Awards , - , 1991 , , "Mona" , , ARIA Award for Highest Selling Single of the Year , , Chart performance "Mona" peaked at No. 2 in the UK Singles Chart, behind Elton John's "Sacrifice", on the week com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannish Boy
"Mannish Boy" (or "Manish Boy" as it was first labeled) is a blues standard written by Muddy Waters, Mel London, and Bo Diddley (with Waters and Diddley being credited under their birth names). First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's " I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song. Although the song contains sexual boasting, its repetition of "I'm a man, I spell M, A child, N" was understood as political. Waters had recently left the South for Chicago. "Growing up in the South, African-Americans ouldnever be referred to as a manbut as 'boy'. In this context, the song san assertion of black manhood." Recordings and releases Waters recorded the song in Chicago on May 24, 1955. It is his only recording between January 1953 and June 1957 that did not feature Little Walter on harmonica (who was on tour suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm A Man (Bo Diddley Song)
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style. Bo Diddley song "I'm a Man" was one of the first songs Bo Diddley recorded for Checker Records. Unlike his self-titled "Bo Diddley (Bo Diddley song), Bo Diddley" that was recorded the same day (March 2, 1955 in Chicago), "I'm a Man" does not use the Bo Diddley beat. Rather, it was inspired by Muddy Waters' 1954 song "Hoochie Coochie Man", written by Willie Dixon. After Diddley's release, Waters recorded an "answer song" to "I'm a Man" in May 1955, titled "Mannish Boy", a play on words on Bo Diddley's younger age as it related to the primary theme of the song. In a ''Rolling Stone'' magazine interview, Bo Diddley recounts that the song took a long time to record because of confusion regarding the timing of the "M.. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley (Bo Diddley Song)
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including ''Bo Diddley (1958 album), Bo Diddley'' (1958) and ''His Best (Bo Diddley album), His Best'' (1997). Buddy Holly recorded a version that became his highest charting single in the UK. Composition and recording The song is rhythmically similar to Juba dance, hambone, a technique of dancing and slapping various parts of the body to create a rhythm and song. Diddley's electric guitar along with his backup musicians on maracas and drums contributed to the Juba dance, patted juba rhythm. This combination of rock and roll, African rhythms and guitar was an innovation and came to be known as the Bo Diddley Beat. Lyrically, it is similar to the traditional lullaby "Hush Little Baby". "Bo Diddley" was recorded in Chicago at his fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetorical Question
A rhetorical question is one for which the questioner does not expect a direct answer: in many cases it may be intended to start a discourse, or as a means of displaying or emphasize the speaker's or author's opinion on a topic. A common example is the question "Can't you do anything right?" This question, when posed, is intended not to ask about the listener's ability but rather to insinuate the listener's lack of ability. Forms Negative assertions A rhetorical question may be intended as a challenge. The question is often difficult or impossible to answer. In the example, ''What have the Romans ever done for us?'' (''Monty Python's Life of Brian'') the question functions as a negative assertion. It is intended to mean ''The Romans have never done anything for us!''. When Shakespeare's Mark Antony exclaims: ''Here was a Caesar! when comes such another?'' it functions as an assertion that Caesar possesses such rare qualities they may never be seen again. (''Julius Caesar'', Act 3, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiny Grimes
Lloyd "Tiny" Grimes (July 7, 1916 – March 4, 1989) was an American jazz and R&B guitarist. He was a member of the Art Tatum Trio from 1943 to 1944, was a backing musician on recording sessions, and later led his own bands, including a recording session with Charlie Parker. He is notable for playing the electric tenor guitar, a four-stringed instrument. Biography Grimes was born in Newport News, Virginia, United States, and began his musical career playing drums and one-fingered piano. In 1938 he took up the electric four-string tenor guitar. In 1940 he joined the Cats and the Fiddle as guitarist and singer. In 1943 he joined the Art Tatum Trio as guitarist and made a number of recordings with Tatum. After leaving Tatum, Grimes recorded with his own groups in New York and with a long list of leading musicians, including vocalist Billie Holiday. He made four recordings with his own group, augmented with Charlie Parker: "Tiny's Tempo", "Red Cross", "Romance Without Finance" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
