Diana Bathing With Her Nymphs With Actaeon And Callisto
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Diana Bathing With Her Nymphs With Actaeon And Callisto
''Diana Bathing with her Nymphs with Actaeon and Callisto'' is a 1634 painting by the Dutch painter Rembrandt van Rijn. It is now in the Salm-Salm princely collection in the Wasserburg Anholt in Anholt, Germany. It shows two episodes from Ovid's ''Metamorphoses'', in both of which someone is punished by the goddess Diana for a sexual offence. On the left, Actaeon is punished for seeing the goddess naked by being turned into a stag and killed by his own hounds. On the right, Diana's other nymphs are tearing off Callisto's clothing to reveal how she has broken her vow of chastity and is now carrying Jupiter's child. For this, Diana expels her from her court and she later gives birth to Arcas before being turned into a bear by Juno Juno commonly refers to: *Juno (mythology), the Roman goddess of marriage and queen of the gods *Juno (film), ''Juno'' (film), 2007 Juno may also refer to: Arts, entertainment and media Fictional characters *Juno, in the film ''Jenny, Juno'' *Ju ... ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Arcas
In Greek mythology, Arcas (; Ancient Greek: Ἀρκάς) was a hunter who became king of Arcadia. He was remembered for having taught people the arts of weaving and baking bread and for spreading agriculture to Arcadia. Family Arcas was the son of Zeus and Callisto. He was married to either Laodamia ( Leaneira), daughter of Amyclas of Sparta; Meganeira, daughter of Crocon; the nymph Chrysopeleia; or the Dryad Erato. He also left a number of children, including the sons Azan, Apheidas, Elatus, and Triphylus, an illegitimate son Autolaus and at least two daughters, Hyperippe and Diomeneia. Arcas's other sons were Erymanthus and Pelasgus. Mythology Callisto was a nymph in the retinue of the goddess Artemis, or in some sources the daughter of King Lycaon. As she would not be with anyone but Artemis, Zeus cunningly disguised himself as Artemis and raped Callisto. The child resulting from their union was called Arcas. Hera became jealous, and in anger, she transformed Call ...
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Bathing In Art
Bathing is the act of washing the body, usually with water, or the immersion of the body in water. It may be practiced for personal hygiene, religious ritual or therapeutic purposes. By analogy, especially as a recreational activity, the term is also applied to sun bathing and sea bathing. People bathe at a range of temperatures, according to custom or purpose, from very cold to very hot. In the western world, bathing is usually done at comfortable temperatures in a bathtub or shower. This type of bathing is done more or less daily for hygiene purposes. A ritual religious bath is sometimes referred to as immersion or baptism. The use of water for therapeutic purposes can be called a water treatment or hydrotherapy. Recreational water activities are also known as swimming and paddling. History Ancient world Throughout history, societies devised systems to enable water to be brought to population centers. The oldest accountable daily ritual of bathing can be traced to the an ...
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Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ...
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Paintings In North Rhine-Westphalia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings Depicting Diana (mythology)
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Mythological Paintings By Rembrandt
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ...
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1634 Paintings
Events January–March * January 12– After suspecting that he will be dismissed, Albrecht von Wallenstein, supreme commander of the Holy Roman Empire's Army, demands that his colonels sign a declaration of personal loyalty. * January 14– France's ''Compagnie normande'' obtains a one-year monopoly on trade with the African kingdoms in Guinea. * January 19– Charles IV, Duke of Lorraine abdicates in favor of his brother Nicholas II, who is only able to hold the throne for 75 days. * January 24– Ferdinand II, Holy Roman Emperor, signs a classified order dismissing Albrecht von Wallenstein, the supreme commander of the Imperial Army. * February 18– Emperor Ferdinand II's dismissal of Commander Wallenstein for high treason, and the order for his capture, dead or alive, is made public. * February 25– Rebel Scots and Irish soldiers assassinate Bohemian military leader Albrecht von Wallenstein at Cheb. * March 1 – The Russians vaca ...
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Juno (mythology)
Juno ( ; Latin ) was an ancient Roman goddess, the protector and special counsellor of the state. She was equated to Hera, queen of the gods in Greek mythology. A daughter of Saturn, she was the sister and wife of Jupiter and the mother of Mars, Vulcan, Bellona and Juventas. Like Hera, her sacred animal was the peacock.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Her Etruscan counterpart was Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called ("Queen") and was a member of the Capitoline Triad (''Juno Capitolina''), centered on the Capitoline Hill in Rome, and also including Jupiter, and Minerva, goddess of wisdom. Juno's own warlike aspect among the Romans is apparent in her attire. She was often shown armed and wearing a goatskin cloak. The traditional depiction of this warlike aspect was assimilated from the Greek goddess Athena, who bore a goatskin, or a goatsk ...
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Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ...
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Rembrandt Van Rijn
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such as ...
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Callisto (mythology)
In Greek mythology, Callisto or Kallisto (; grc, Καλλιστώ ) was a nymph, or the daughter of King Lycaon; the myth varies in such details. She was believed to be one of the followers of Artemis ( Diana for the Romans) who attracted Zeus. Many versions of Callisto's story survive. According to some writers, Zeus transformed himself into the figure of Artemis to pursue Callisto, and she slept with him believing Zeus to be Artemis. She became pregnant and when this was eventually discovered, she was expelled from Artemis's group, after which a furious Hera, the wife of Zeus, transformed her into a bear, although in some versions Artemis is the one to give her an ursine form. Later, just as she was about to be killed by her son when he was hunting, she was set among the stars as Ursa Major ("the Great Bear") by Zeus. She was the bear-mother of the Arcadians, through her son Arcas by Zeus. The fourth Galilean moon of Jupiter and a main belt asteroid are named after Call ...
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