Dialogue (fiction)
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Dialogue (fiction)
Dialogue, in literature, is a verbal exchange between two or more characters (but can also involve strategic use of silence). If there is only ''one'' character talking aloud, it is a monologue. Identifiers ''"This breakfast is making me sick," George said.'' The ''George said'' is the identifier. ''Said'' is the verb most writers use because reader familiarity with ''said'' prevents it from drawing attention to itself. Although other verbs such as ''ask'', ''shout'', or ''reply'' are acceptable, some identifiers get in the reader's way. For example: ''"Hello," he croaked nervously, "my name's Horace."'' ''"What's yours?" he asked with as much aplomb as he could muster.'' Another example is: ''"My name is Peg, what's yours?" I asked.'' ''"My name is William, but my friends call me Will," said Will.'' Stephen King, in his book '' On Writing'', expresses his belief that ''said'' is the best identifier to use. King recommends reading a novel by Larry McMurtry, who he claims ha ...
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Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Mahab ...
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Pace (narrative)
In literature, pace, or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. The number of words needed to write about a certain event does not depend upon how much time the event takes to happen; it depends upon how important that moment is to the story. The pace is determined by the length of the scenes, how fast the action moves, and how quickly the reader is provided with information. It is also sometimes dictated by the genre of the story: comedies move faster than dramas; action adventures move faster than suspense. A dragging pace is characteristic of many novels turned down by publishers, and of some that find their way into print but not into the hearts and recommendations of readers. Manuscripts that move too slowly usually discourage readers from reading on. Methods Storytellers have a number of writing tools at their disposal—for example, narration, action, description, and dialogue. When considering how ...
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Fiction-writing Mode
A fiction-writing mode is a manner of writing with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses. Some writing modes suggested include action, dialogue, thoughts, summary, scene, description, background, exposition and transition. Overview The concept goes back at least as far as Aristotle who, in ''Poetics'', referred to narration and action as different modes or manner of representing something. For many years, fiction writing was described as having two types: narration and dialogue. Evan Marshall, in ''The Marshall Plan for Novel Writing'' (1998) noted that writers should know what they are doing at all times. He described w ...
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Style (fiction)
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the expression of social identity, and the emotional effects of particular devices on audiences." Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's writing habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, sentence structure, and paragraph structure, used to convey the meaning effectively. The former are referred to as ''rules'', ''elements'', ''essentials'', ''mechanics'', or ''handbook''; the latter are ref ...
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Fiction
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ...
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Writer's Digest Books
''Writer's Digest'' is an American magazine aimed at beginning and established writers. It contains interviews, market listings, calls for manuscripts, and how-to articles. History ''Writer's Digest'' was first published in December 1920 under the name ''Successful Writing''. It changed name to ''Writer's Digest'' with the March 1921 issue. By the late 1920s, it shifted emphasis more from literary-quality writing to the rapidly growing pulp magazine field, which offered the widest opportunities to freelance writers. Its most important competitor was '' The Author & Journalist''. An important feature in WD from 1933 forward was the New York Market Letter, edited by Harriet Bradfield, which gave timely updates on editor needs in the magazine field. As the pulp field collapsed in the 1950s, ''Writer's Digest'' shifted emphasis to famous writers and quality fiction. Until 2019, it was owned by F+W Media. The magazine is published eight times per year. F+W Media, facing near-term ...
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Charles Scribner's Sons
Charles Scribner's Sons, or simply Scribner's or Scribner, is an American publisher based in New York City, known for publishing American authors including Henry James, Ernest Hemingway, F. Scott Fitzgerald, Kurt Vonnegut, Marjorie Kinnan Rawlings, Stephen King, Robert A. Heinlein, Thomas Wolfe, George Santayana, John Clellon Holmes, Don DeLillo, and Edith Wharton. The firm published ''Scribner's Magazine'' for many years. More recently, several Scribner titles and authors have garnered Pulitzer Prizes, National Book Awards and other merits. In 1978 the company merged with Atheneum and became The Scribner Book Companies. In turn it merged into Macmillan in 1984. Simon & Schuster bought Macmillan in 1994. By this point only the trade book and reference book operations still bore the original family name. After the merger, the Macmillan and Atheneum adult lists were merged into Scribner's and the Scribner's children list was merged into Atheneum. The former imprint, now simpl ...
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Show, Don't Tell
Show, don't tell is a technique used in various kinds of texts to allow the reader to experience the story through actions, words, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. It avoids adjectives describing the author's analysis, but instead describes the scene in such a way that readers can draw their own conclusions. The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagism poetry in particular, speech, movie making, and playwriting. The concept is often attributed to Russian playwright Anton Chekhov, reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass." What Chekhov actually said, in a letter to his brother, was "In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you’ll have a moonlit night if you write that on the mill da ...
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Fiction Writing
Fiction writing is the composition of non-factual prose texts. Fictional writing often is produced as a story meant to entertain or convey an author's point of view. The result of this may be a short story, novel, novella, screenplay, or drama, which are all types (though not the only types) of fictional writing styles. Different types of authors practice fictional writing, including novelists, playwrights, short story writers, radio dramatists and screenwriters. Categories of prose fiction Genre fiction A genre is the subject matter or category that writers use. For instance, science fiction, fantasy and mystery fiction are genres. Genre fiction also known as popular fiction, is plot-driven fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre. Genre fiction is storytelling driven by plot, as opposed to literary fiction, which focuses more on theme and character. Genre fic ...
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Literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ...
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Exposition (narrative)
Narrative exposition is the insertion of background information within a story or narrative. This information can be about the setting, characters' backstories, prior plot events, historical context, etc. In literature, exposition appears in the form of expository writing embedded within the narrative. Exposition is one of four rhetorical modes (also known as ''modes of discourse''), along with description, persuasion, and narration, as elucidated by Alexander Bain and John Genung. In essays An expository paragraph presents facts, gives directions, defines terms, and so on. It should clearly inform readers about a specific subject. An expository essay is one whose chief aim is to present information or to explain something. To ''expound'' is to set forth in detail, so a reader will learn some facts about a given subject. However, no essay is merely a set of facts. Behind all the details lies an attitude, a ''point of view''. In exposition, as in other rhetorical modes, deta ...
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Larry McMurtry
Larry Jeff McMurtry (June 3, 1936March 25, 2021) was an American novelist, essayist, bookseller and screenwriter whose work was predominantly set in either the Old West or contemporary Texas.Hugh Rawson
"Screenings," ''American Heritage'', April/May 2006.
His novels included '''' (1962), '''' (1966), and '''' (1975), which were adapted into films. Films ...
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