Di Quella Pira
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Di Quella Pira
"Di quella pira" ("Of that pyre") is a short tenor aria (or more specifically, a cabaletta) sung by Manrico in act 3, scene 2, of Giuseppe Verdi's opera ''Il trovatore''. It is the last number of the act. Setting In a chamber adjoining the chapel at Castellor, Leonora and Manrico vow their love for each other. After Manrico's aria "" ("Ah, yes, my love, in being yours"), they are about to take their marriage vows. However, Ruiz, Manrico's comrade, suddenly returns to report that Manrico's mother Azucena is to be burned at the stake. Manrico calls together his soldiers and sings of how they will save Azucena from death: "" ("The horrible blaze of that pyre burned, enflamed all of my being!...") Music The vocal range is from E3 to A4 with a tessitura from G3 to G4, with three optional high C5's. The key signature is C major and the time signature is a triple metre; it is 39 bars long. Libretto Manrico Di quella pira l'orrendo foco Tutte le fibre m'arse, avvampò!... Empi, spegne ...
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Carlo Baucarde
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Portuguese and Spanish variant of the English name ''Charles'', from the Germanic ''Carl''. Notable people with the name include: Royalty * Carlos I of Portugal (1863–1908), second to last King o ... {{disambig Italian ...
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C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" ...
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Bavarian State Opera
The Bayerische Staatsoper is a German opera company based in Munich. Its main venue is the Nationaltheater München, and its orchestra the Bayerische Staatsorchester. History The parent ensemble of the company was founded in 1653, under Electress consort Princess Henriette Adelaide of Savoy, when Giovanni Battista Maccioni's ''L'arpa festante'' was performed in the court theatre. In 1753, the Residence Theatre (Cuvilliés Theatre) was opened as a major stage. While opera performances were also held in the Prinzregententheater (completed in 1901), the company's home base is the Nationaltheater München on Max-Joseph-Platz. In 1875, the Munich Opera Festival took place for the first time. Sir Peter Jonas became the general manager in 1993, the first British general manager of any major German-speaking opera house. In 2008, Nikolaus Bachler became Intendant (general manager) of the opera company, and Kirill Petrenko became Generalmusikdirektor (GMD) in 2013. In 2014, the ...
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Jonas Kaufmann
Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for the versatility of his repertoire, performing a variety of opera roles in multiple languages in recitalTommasini, Anthony (21 February 2014)"A Tenor Finds Energy for Intense, Lyrical Pain" ''The New York Times''. Retrieved 26 December 2014. and concert each season. Some of his standout roles include Don José in ''Carmen'', Cavaradossi in ''Tosca'', Maurizio in ''Adriana Lecouvreur'', Don Alvaro in ''La forza del destino'', Siegmund in ''Die Walküre'', and the title roles in ''Parsifal'', ''Werther'', ''Don Carlos'', and '' Lohengrin''. In 2014 ''The New York Times'' described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation." Early life and education Kaufmann was born in Munich. His father worked for an insurance company, and his mother was a kindergarten teacher. He had one older sister. He started studying piano when he was eight, and he sang in his e ...
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Internet Archive
The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, including websites, software applications/games, music, movies/videos, moving images, and millions of books. In addition to its archiving function, the Archive is an activist organization, advocating a free and open Internet. , the Internet Archive holds over 35 million books and texts, 8.5 million movies, videos and TV shows, 894 thousand software programs, 14 million audio files, 4.4 million images, 2.4 million TV clips, 241 thousand concerts, and over 734 billion web pages in the Wayback Machine. The Internet Archive allows the public to upload and download digital material to its data cluster, but the bulk of its data is collected automatically by its web crawlers, which work to preserve as much of the public web as possible. Its web archiving, web archive, the Wayback Machine, contains hu ...
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Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star. Biography Early life Enrico Caruso came from a poor but not destitute background. Born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873, he was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy. Caruso was the third of seven children and one of only three to survive infancy. There is ...
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Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generall ...
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Triple Metre
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 ( compound) in the upper figure of the time signature, with , , and being the most common examples. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of usually indicates compound duple metre, and similarly usually indicates compound quadruple metre. Shown below are a simple and a compound triple drum pattern. \new Staff \new Staff Stylistic differences In popular music, the metre is most often quadruple,Schroedl, Scott (2001). ''Play Drums Today!'', p. 42. Hal Leonard. . but this does not mean that triple metre does not appear. It features in a good amount of music by artists such as The Chipmunks, Louis Armstrong or Bob Dylan. In jazz, this and other more adventurous metres have become more common since Dave Brubeck's ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irra ...
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Key Signature
In Western musical notation, a key signature is a set of sharp (), flat (), or rarely, natural () symbols placed on the staff at the beginning of a section of music. The initial key signature in a piece is placed immediately after the clef at the beginning of the first line. If the piece contains a section in a different key, the new key signature is placed at the beginning of that section. In a key signature, a sharp or flat symbol on a line or space of the staff indicates that the note represented by that line or space is to be played a semitone higher (sharp) or lower (flat) than it would otherwise be played. This applies through the end of the piece or until another key signature is indicated. Each symbol applies to all notes in the same pitch class—for example, a flat on the third line of the treble staff (as in the diagram) indicates that all notes appearing as Bs are played as B-flats. This convention was not universal until the late Baroque and early Classical ...
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Pyre
A pyre ( grc, πυρά; ''pyrá'', from , ''pyr'', "fire"), also known as a funeral pyre, is a structure, usually made of wood, for burning a body as part of a funeral rite or execution. As a form of cremation, a body is placed upon or under the pyre, which is then set on fire. In discussing ancient Greek religion, "pyre" (the normal Greek word for fire anglicized) is also used for the sacred fires at altars, on which parts of the animal sacrifice were burnt as an offering to the deity. Materials Pyres are crafted using wood. The composition of a pyre may be determined through use of charcoal analysis. Charcoal analysis helps to predict composition of the fuel and local forestry of the charcoal being studied. Ireland Specifically, in the Bronze Age, pyre materials were gathered based on local abundance and ease of access to the wood although materials were also selected due to the specific properties, potential traditional purpose, or due to economical reasons. In Templeno ...
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Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's '' Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases ar ...
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