Dhadi (music)
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Dhadi (music)
Dhadi ( pa, ਢਾਡੀ (Gurmukhi), Dhādi), also spelled as Dhadhi, is one who sings ballads using Dhadd and Sarangi, the folk instruments of Punjab region, Punjab. According to Kahn Singh Nabha's Mahan Kosh the definition of ''dhadhi'' is "One who sings ballads of warriors playing Dhadd". Dhadis are a distinct group performers emerged in the time of Sikh gurus. The word ''Dhadi'' can be translated in English to be a ''minstrel'' or ''bard''. The word is used several times in the Sikh religious text, Guru Granth Sahib, in the meaning of humbleness. In his compositions, Guru Nanak Dev, Guru Nanak Dev Ji called himself a Dhadhi of God. The word is also appeared in the writing of the third, fourth and fifth Sikh gurus, Guru and Bhagat Namdev. Dhadi refers both to a genre of Punjabi music and the performers who play it: a distinctly composed ensemble of ballad-singers. After briefly sketching the long yet hazy background of the art, this article reconstructs its more certain and r ...
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Sikh Musicians
Sikhs ( or ; pa, ਸਿੱਖ, ' ) are people who adhere to Sikhism, Sikhism (Sikhi), a Monotheism, monotheistic religion that originated in the late 15th century in the Punjab region of the Indian subcontinent, based on the revelation of Guru Nanak. The term ''Sikh'' has its origin in the word ' (), meaning 'disciple' or 'student'. Male Sikhs generally have ''Singh'' ('lion'/'tiger') as their last name, though not all Singhs are necessarily Sikhs; likewise, female Sikhs have ''Kaur'' ('princess') as their last name. These unique last names were given by the Gurus to allow Sikhs to stand out and also as an act of defiance to India's caste system, which the Gurus were always against. Sikhs strongly believe in the idea of "Sarbat Da Bhala" - "Welfare of all" and are often seen on the frontline to provide humanitarian aid across the world. Sikhs who have undergone the ''Amrit Sanchar'' ('baptism by Khanda (Sikh symbol), Khanda'), an initiation ceremony, are from the day of thei ...
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Bhagat Namdev
Shri Sant Namdev Maharaj (Pronunciation: aːmdeʋ, also transliterated as Nam Dayv, Namdeo, Namadeva, (traditionally, ) was a Marathi Bahujan saint from Narsi, Hingoli, Maharashtra, India within the Varkari tradition of Hinduism. He lived as a devotee of Lord Vitthal of Pandharpur. He is widely regarded as the founder of Varkari tradition. Namdev was influenced by Vaishnavism and became widely known in India for his devotional songs set to music (''bhajan-kirtans''). His philosophy contains both ''nirguna'' and ''saguna'' Brahman elements, with monistic themes. Namdev's legacy is remembered in modern times in the ''Varkari'' tradition, along with those of other ''gurus'', with masses of people walking together in biannual pilgrimages to Pandharpur in Maharashtra. He is also recognised in the North Indian traditions of the Dadu Panthis, Kabir Panthis and Sikhs. Some hymns of Shri Sant Namdev are included in the Guru Granth Sahib. Life Details of the life of Namdev are ...
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Punjabi Singers
This is an alphabetical list of notable Punjabi singers. These vocal artists are from the Indian and Pakistani state of Punjab; some belong to the immigrant population living abroad in the United Kingdom, North America and Africa. A * Abrar-ul-Haq * Abida Parveen * Attaullah Khan Esakhelvi *Asa Singh Mastana *Amar Singh Chamkila *Ali Zafar * Atif Aslam * Amanat Ali * Amrinder Gill * Akhil * Angrej Ali * Aman Hayer * Alam Lohar * AP Dhillon * AR Paisley * Arif Lohar * Arjan Dhillon * Ahmed Rushdi * Abida Parveen * Azra Jehan * Amrit Maan * Ammy Virk * Amar Arshi * Amar Noorie B *Babbu Maan *Bhagwant Maan *Bally Sagoo * Bohemia * Benjamin Sisters *Baljit Malwa *Balkar Sidhu * Babbal Rai * Baba Sehgal * Bikram Singh *Bilal Saeed *B Praak C *Channi Singh D *Daler Mehndi * Dilshad Akhtar * Dev Dhillon * Diljit Dosanjh *Didar Sandhu * Dr Zeus * Deep Jandu * Dharampreet * Durga Rangila F * Fariha Pervez * Farida Khanum * Fateh Doe G *Gurdas Maan *Gurmeet Bawa * Gurna ...
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Folk Instruments Of Punjab
Punjabi folk music ( pa, ਪੰਜਾਬੀ ਲੋਕ ਸੰਗੀਤ) ( pa, پنجابی لوک موسیقی) has a wide range of traditional musical instruments used in folk music and dances like Bhangra, Giddha etc. Some of the instruments are rare in use and to find even. Here are some best known traditional instruments of the Punjab region used in various cultural activities. Instruments Here is a list of Punjabi folk musical instruments in alphabetical order: * Algoze * Bugchu * Chimta * Dilruba * Dhadd * Dhol * Gagar * Gharha * Ektara * Kato * Khartal * Sapp * Sarangi * Tumbi See also * Punjabi music * Punjabi folk music * Sikh music * Indian music Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk (Bollywood), rock, and pop. It has a history spanning several millennia and developed ove ... References {{reflist Punjabi music Punjabi language Folk dance ...
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Punjabi Music
Music of Punjab ( Punjabi: پنجاب دی موسیقی ; ਪੰਜਾਬ ਦਾ ਸੰਗੀਤ ) reflects the traditions of the Punjab region of the Subcontinent, with East Punjab in India, and West Punjab in Pakistan. The Punjab has diverse styles of music, ranging from folk and Sufi to classical, notably the Patiala gharana. Contemporary Punjabi music has tended to include more modern hip-hop and R&B sounds. While this style of music is obviously most popular in Punjab, it has seen popularity across the subcontinent and areas with large Punjabi diaspora populations, such as Canada, the United Kingdom, and the United States. Classical music *Patiala Gharana *Sham Chaurasia gharana * Punjab Gharana Instruments During the past century, Punjabi folk musicians used 87 instruments, 55 of which are still used today. It is notable that the instruments used today serve a function that exceeds musical necessity in that they are closely tied to Punjabi culture and heritage. The dho ...
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Sikh Music
Sikh music, also known as Gurbani Sangeet (Gurmukhi: ਗੁਰਬਾਣੀ ਸੰਗੀਤ; meaning ''music of'' ''the speech of wisdom'')'','' and as Gurmat Sangeet (Gurmukhi: ਗੁਰਮਤਿ ਸੰਗੀਤ; meaning ''music of the counsel or tenets of the Guru'')'','' or even as Shabad Kirtan (ਸ਼ਬਦ ਕੀਰਤਨ), is the classical music style that is practised within Sikhism. It exists in institutional, popular, and folk traditions, forms, and varieties. Three types of Sikh musicians are rababis, ragis, and dhadhis. History Musical expression has held a very important place within the Sikh tradition ever since its beginning, with Guru Nanak and his faithful companion, Bhai Mardana. Mardana was a player of the rabab, and would travel alongside Nanak and play the instrument when Nanak spoke his teachings. As a result of this, Mardana is credited as establishing the rababi tradition in Sikhism. Musical Fundamentals Raag A ''raga'' or ''raag'' (Punjabi: ਰ ...
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Dhadi Jatha Of Des Raj
Dhadi may refer to : * Dhadi (music), a genre of folk ballads from Punjab, India * Dhadi (caste), a subgroup of the Mirasi The Mirasi ( ur, ; hi, मीरासी, translit=Mīrāsī; pa, , ਮਰਾਸੀ , translit=Marāsī) are a community found in North India and Pakistan. They are the genealogists and traditional singers and dancers of a number of commun ... of Punjab, India, traditionally performers of the dhadi ballads * Dhadi State, a former hill state of India, located in the Simla Hills See also * Dadhi {{dab ...
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Muslims
Muslims ( ar, المسلمون, , ) are people who adhere to Islam, a monotheistic religion belonging to the Abrahamic tradition. They consider the Quran, the foundational religious text of Islam, to be the verbatim word of the God of Abraham (or '' Allah'') as it was revealed to Muhammad, the main Islamic prophet. The majority of Muslims also follow the teachings and practices of Muhammad ('' sunnah'') as recorded in traditional accounts (''hadith''). With an estimated population of almost 1.9 billion followers as of 2020 year estimation, Muslims comprise more than 24.9% of the world's total population. In descending order, the percentage of people who identify as Muslims on each continental landmass stands at: 45% of Africa, 25% of Asia and Oceania (collectively), 6% of Europe, and 1% of the Americas. Additionally, in subdivided geographical regions, the figure stands at: 91% of the Middle East–North Africa, 90% of Central Asia, 65% of the Caucasus, 42% of Southeast Asi ...
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Mirasi
The Mirasi ( ur, ; hi, मीरासी, translit=Mīrāsī; pa, , ਮਰਾਸੀ , translit=Marāsī) are a community found in North India and Pakistan. They are the genealogists and traditional singers and dancers of a number of communities. The word "mirasi" is derived from the Arabic word (ميراث) ''mīrās'', which means inheritance or sometimes heritage. In the strict grammatical sense of the term, they are considered to be propagators of the cultural and social heritage. History and origin In North India Included within the name Mirasi are a number of sub-groups, each with their own history and origin myths. Some Mirasi groups are Muslim converts from the Hindu Dom caste, while others claim to have originally belonged to the Hindu Charan community. They are said to have converted to Islam at the hands of Amir Khusro, the 13th Century Sufi poet. The word mirasi is derived from the Arabic word ''miras'', which means inheritance or sometimes heritage. They ar ...
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Vaar
The var, in Punjabi poetry, is a heroic ode or ballad which generally narrates legend such as stories of Punjabi folk heroes or a historical event.''The Encyclopaedia of Indian Literature (Volume One - A to Devo)''. Amaresh Datta, ed. Sahitya Akademi: 2006, 352. Examples of the former including ballads narrating the feats of Dulla Bhatti Raja Rasalu, whereas examples of the latter might include Amir Khusrau's Var for Ghiyath Al Din Tughlaq who took the throne of Delhi in 1320 and Najabat's ''Nadar Shah Di Var'' which describes the invasion of India by Nadir Shah in 1739. The Var has also been used to evoke the mood of devotion or sacrifice, as in Guru Gobind Singh's '' Chandi di Var'', or to narrate the mystical experience of a Pir, Bhagat or Guru. See also * Dhadi (music) * Raga * Asa di Var * Chandi di Var * Varan Bhai Gurdas Varan Bhai Gurdas (Gurmukhi: ਵਾਰਾਂ ਭਾਈ ਗੁਰਦਾਸ ''vārāṁ bhā'ī guradāsa'') is the name given to the 40 vars (a form ...
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Gurbani
Gurbani ( pa, ਗੁਰਬਾਣੀ) is a Sikh term, very commonly used by Sikhs to refer to various compositions by the Sikh Gurus and other writers of Guru Granth Sahib. In general, hymns in the central text of the Sikhs, the Guru Granth Sahib, are called ''Gurbani''. Among Amritdhari Sikhs, a few texts from Dasam Granth which are read as Nitnem, like ''Tav-Prasad Savaiye'' and ''Chaupai'', are also considered ''Gurbani''. In Adi Granth, Gurbani is a sound which comes directly from the Supreme and the text is a written form of the same in worldly language and scripts. It is also called ''Guru´s Bani''. Gurbani are explanations of qualities of the Primal Lord and Soul which a Sikh should comprehend and with which they can attain the supreme state. Sikh historical writings, unauthentic writings or apocryphal compositions written under the names of Sikh Gurus and other writings by Sikhs are not considered Gurbani and are referred to as ''Kachi Bani'' (ਕੱਚੀ ਬਾਣੀ; ...
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Akal Takhat
The Akal Takht ("Throne of the Timeless One") is one of five takhts (seats of power) of the Sikhs. It is located in the Darbar Sahib (Golden Temple) complex in Amritsar, Punjab, India. The Akal Takht (originally called Akal Bunga) was built by Shri Guru Hargobind Ji as a place of justice and consideration of temporal issues; the highest seat of earthly authority of the Khalsa (the collective body of the Sikhs) and the place of the Jathedar, the highest spokesman of the Sikhs. The current jathedar is Jagtar Singh Hawara, who was appointed by the Sarbat Khalsa on 10 November 2015. Due to the political imprisonment of Hawara, Dhian Singh Mand appointed by the Sarbat Khalsa and Harpreet Singh appointed by Shiromani Gurdwara Parbandhak Committee have been serving as the acting jathedars. History Originally known as Akal Bunga, the building directly opposite the Harmandir Sahib was founded by sixth Sikh Guru, Guru Hargobind, as a symbol of political sovereignty and where spir ...
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